For 1,274 reviews, this critic has graded:
  • 33% higher than the average critic
  • 0% same as the average critic
  • 67% lower than the average critic
On average, this critic grades 11.5 points lower than other critics. (0-100 point scale)

Kyle Smith's Scores

  • Movies
  • TV
Average review score: 48
Highest review score: 100 The Seven Five
Lowest review score: 0 All About Steve
Score distribution:
1,274 movie reviews
    • 74 Metascore
    • 50 Kyle Smith
    In mashing together story elements from Terrence Malick’s “Badlands” with the look of Malick’s “Days of Heaven,” Lowery put 90 percent of his energy into the atmosphere and 10 percent into the script.
    • 64 Metascore
    • 50 Kyle Smith
    Doesn't offer plot or an inquiry into the evil in men's hearts. It simply wallows in the filth and inhumanity that surround a father and his pre-adolescent son as they march across the shattered remains of this country.
    • 47 Metascore
    • 50 Kyle Smith
    If the movie's story is anything but daring, it does takes guts to make a movie so shamelessly emotional as this one. Not that guts are the same as taste.
    • 50 Metascore
    • 50 Kyle Smith
    If you're in the mood for a clichéd gangland B-movie, though, you could do worse.
    • 61 Metascore
    • 50 Kyle Smith
    Engaging as it is to look at, this stop-motion animation film from the young Oregon studio Laika seems to have been masterminded by people thinking, “Everyone loves Pixar. So let’s do everything the opposite!” Admirably contrarian. Like being cast overboard and calling out for an anvil.
    • 52 Metascore
    • 50 Kyle Smith
    The danger of trying to do a supernatural comedy-romance is that you’ll wind up being as funny as “Twilight,” with all the raw sexual energy of “Bewitched.” Beautiful Creatures isn’t quite that bad, though it did make me long for the cleverer “Dark Shadows.”
    • 51 Metascore
    • 50 Kyle Smith
    What the Charles Darwin biopic Creation mainly creates is a do-over for Paul Bettany: This time he gets to have a beautiful mind.
    • 41 Metascore
    • 50 Kyle Smith
    Unfortunately, the film turns out to be not quite as twisty as promised: it’s less a pretzel than it is a Cheez Curl. And I do mean cheez: The resolution, when it comes, is wholly lacking in nutritional value.
    • 74 Metascore
    • 50 Kyle Smith
    Mongol really isn't worth leaving your yurt for.
    • 40 Metascore
    • 50 Kyle Smith
    The movie begins to wear out its welcome even before a conclusion of breathtaking corniness.
    • 52 Metascore
    • 50 Kyle Smith
    Chism’s characters are pleasingly odd, and though she can’t string much of a narrative together — there is a stop-and-start quality to the picture that grows tiresome — a few of the set pieces are funny.
    • 20 Metascore
    • 50 Kyle Smith
    It puts a conservative twist on Michael Moore-ism, with campy stock footage, deadpan humor, mocking musical cues and less-than-ingenuous questions.
    • 73 Metascore
    • 50 Kyle Smith
    Every episode of "Law & Order" I've ever seen has a more complicated and plausible plot, punchier dialogue and more New York authenticity, all in less than half the time consumed by this poky would-be finance thriller.
    • 54 Metascore
    • 50 Kyle Smith
    Stewart’s restrained performance is affecting, the film seems well-researched about what it’s like to try to deal with Gitmo detainees who throw their own feces, and it isn’t as tendentious as the average Hollywood take on the subject.
    • 73 Metascore
    • 50 Kyle Smith
    The visual effects are amazing, but they don't make up for acting that is restrained to an uninsightful fault.
    • 58 Metascore
    • 50 Kyle Smith
    There have been worse horror flicks, but although this one offers a few scares, it doesn't have a lot of imagination.
    • 55 Metascore
    • 50 Kyle Smith
    Unless the director was aiming for a Victorian "Black Christmas," though, he overshot his mark
    • 79 Metascore
    • 50 Kyle Smith
    As things pick up in the second half, the splendid photography and tempestuous John Adams score cannot quite conceal that the film is uncomfortably close to being an extravagantly elongated, Fendi-clad episode of "Dynasty."
    • 56 Metascore
    • 50 Kyle Smith
    Fatally mild, slow and factory-made, Million Dollar Arm belongs somewhere less competitive than the multiplex. Like the ABC Family Channel — the entertainment industry minor leagues.
    • 41 Metascore
    • 50 Kyle Smith
    Among cutesy pop musical trios aimed at nondiscerning audiences, I'll take Alvin and Co. over the Jonas Brothers any day.
    • 68 Metascore
    • 50 Kyle Smith
    They probably should have called it "Beneath the Dignity of the Planet of the Apes," but Rise of the Planet of the Apes is tolerable if you'll just keep in mind that the original feature was an overachieving B-movie.
    • 52 Metascore
    • 50 Kyle Smith
    Why doesn't anybody just buy a gun? I guess the female characters spent all their money on tight tank tops.
    • 65 Metascore
    • 50 Kyle Smith
    The more dramatic revelations and tragic inevitabilities that turn up, the harder it is not to laugh. Give credit to its maker for directing with an earnestness suggesting a pretentious 22-year-old. Having passed through the phases of Interesting Apprentice, Mad Genius, Chastened Bankrupt and Shameless Wage Slave, Coppola at 70 may be the world's oldest student filmmaker.
    • 65 Metascore
    • 50 Kyle Smith
    A barbell of a movie that carries some weight at either end. What's in between is purely utilitarian, though.
    • 43 Metascore
    • 50 Kyle Smith
    With its array of chases and shootouts and a sinister political plot, the movie at least holds your attention and keeps things brisk-ish. But every scene still bears the tags of the place from which it was stolen.
    • 46 Metascore
    • 50 Kyle Smith
    The bickering and mishaps make for a semi-enjoyable if low-impact film that may appeal to the kind of nostalgics who buy Time-Life collections of '60s songmeisters.
    • 55 Metascore
    • 50 Kyle Smith
    Tenderness and good intentions don't necessarily add up to a movie.
    • 64 Metascore
    • 50 Kyle Smith
    Lawless outback, shotgun-toting banditos and even roadside crucifixions somehow add up to an experience that’s about as thrilling as your average trip to the post office.
    • 68 Metascore
    • 50 Kyle Smith
    A central problem: Efron isn’t funny.
    • 49 Metascore
    • 50 Kyle Smith
    At best, the film serves up mild chuckles, with occasional cute jokes.

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