Laura Sinagra
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For 119 reviews, this critic has graded:
  • 21% higher than the average critic
  • 5% same as the average critic
  • 74% lower than the average critic
On average, this critic grades 11.8 points lower than other critics. (0-100 point scale)

Laura Sinagra's Scores

  • Movies
  • TV
Average review score: 48
Highest review score: 90 Tom Dowd & the Language of Music
Lowest review score: 10 Just Married
Score distribution:
  1. Positive: 24 out of 119
  2. Negative: 26 out of 119
119 movie reviews
    • 46 Metascore
    • 50 Laura Sinagra
    Moore's lip-glossed petulance never catches fire with Goode's canned drollery.
    • 38 Metascore
    • 50 Laura Sinagra
    Our counselors' lawyer-ese is illegally bland, and their committee-penned banter meticulously Botoxed.
    • 29 Metascore
    • 50 Laura Sinagra
    The cast, save the charisma-free Schneider, is uniformly hilarious, and deserves classier high jinks than this Juwanna Tootsie roll.
    • 50 Metascore
    • 50 Laura Sinagra
    Spotting trains that left the station a few years back.
    • 53 Metascore
    • 50 Laura Sinagra
    Despite Weaver's wise instincts for the thoughtful pause, we're stuck with yet another ass-kicking female actor struggling to shade in the contours of a wispy sketch.
    • 58 Metascore
    • 50 Laura Sinagra
    The opposition of Christian spirituality and the bad religion of drugs is enough to send you down to the feel-good bodega just on principle.
    • 54 Metascore
    • 50 Laura Sinagra
    An odd blend of passionate performance footage and maddeningly shallow analysis of Cuba's music and politics.
    • 45 Metascore
    • 50 Laura Sinagra
    Kuryla has her prole banter down, and moments like McKenzie's desperate dance on her jalopy hood when Turturro locks her out move beyond literary sting into kinetic and sympathetic gutter picaresque.
    • tbd Metascore
    • 50 Laura Sinagra
    Melodramatic Filipino coming-of-ager concerns the budding sexuality of a young girl in a devoutly Catholic culture.
    • 36 Metascore
    • 40 Laura Sinagra
    Rote melodrama.
    • 34 Metascore
    • 40 Laura Sinagra
    Bullock manages medium charm, but you gotta feel for King, forced to play dat-bitch-crazy butch to Bullock's untrammeled femme.
    • 68 Metascore
    • 40 Laura Sinagra
    There's something wrong with Hustle. A bad aftertaste, and not just the dry grit of Memphis dust, but something meaner. A feeling that Brewer's sensibility is way off. Aside from Howard's characterization, the most indelible parts of the movie are the demeaning caricatures forced on DJay's women.
    • 46 Metascore
    • 40 Laura Sinagra
    With a character this dull--so dull that we're told over and over how smart and special she is--the resulting glut of date-ad losers seems like just deserts.
    • 45 Metascore
    • 40 Laura Sinagra
    Unfortunately "My Left Foot's" Jim Sheridan, that reliable purveyor of Irish struggle-porn, anchors us in tedious exposition.
    • 71 Metascore
    • 40 Laura Sinagra
    The Boys of Baraka's heart may be in the right place, but its portrait of poor Baltimore kids selected to attend boarding school in Kenya is rife with suspect perspectives.
    • 48 Metascore
    • 40 Laura Sinagra
    Mostly, its unearned funnier-than-thou smugness plays like a DIY dorm-lounge homage.
    • 64 Metascore
    • 40 Laura Sinagra
    Perhaps if Sister Helen had been released when filming was completed in 2000, its tough-loving Irish nun, who gives hell to male drug addicts in a Mott Haven "safe house," might have passed for endearing.
    • 46 Metascore
    • 40 Laura Sinagra
    As wrathful health inspector, possessed choir director, and general castrating angel, Union wrecks store with a slew of ass-chapping teardowns that would make Cam'ron curdle.
    • 48 Metascore
    • 40 Laura Sinagra
    Unfortunately, despite pretty-on-the-inside performances from the four kickass Clamdaddies, too many extra shake-ups end up crowding out the characters, and distract from the easy camaraderie and slice-of-life intimacy that lures us into their van to begin with.
    • 66 Metascore
    • 40 Laura Sinagra
    A resolution gifting world-surveillance software to the cops, plus slo-mo action over the oft reprised "Close to You," stretch past bullet time into nap time.
    • 42 Metascore
    • 40 Laura Sinagra
    If this adaptation of Chinese punk-lit writer Wang Shuo's fiction doesn't survive its Bronx trick-out, you can't really blame Brody, whose luminous autodidact seems caught between camp and coolsville.
    • 40 Metascore
    • 40 Laura Sinagra
    Russell Fine's kinetic camerawork outperforms the plot.
    • 47 Metascore
    • 40 Laura Sinagra
    As usual, Figgis coaxes moon-shooting performances, but all the furious improv lacks any sort of map.
    • 58 Metascore
    • 40 Laura Sinagra
    Though agile edits keep things moving, in braiding several tales into one tight suburban tangle, character development takes more shortcuts than "Short Cuts."
    • 45 Metascore
    • 40 Laura Sinagra
    The clunky yee-haw script full of tired bitch/angel oppositions and Witherspoon's school-play petulance cranks the twang to a blare.
    • 44 Metascore
    • 40 Laura Sinagra
    While the camera unsuccessfully courts Southern gothic humor, caressing a hodgepodge of retro-fetish knickknacks, the actors' knowing glances seem to look beyond the confines not only of the town, but of the film itself.
    • 47 Metascore
    • 40 Laura Sinagra
    Planned inanity never gets mad mad mad mad enough.
    • 62 Metascore
    • 40 Laura Sinagra
    Kind of a bore.
    • 36 Metascore
    • 40 Laura Sinagra
    Party never gets rolling.
    • 70 Metascore
    • 40 Laura Sinagra
    Catherine Hardwicke's directorial debut is less a damozel-in-distress fetish flick than a bird-flipping plunge into coded girl-cult communication.