For 113 reviews, this critic has graded:
  • 58% higher than the average critic
  • 0% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 6.1 points higher than other critics. (0-100 point scale)

Leslie Felperin's Scores

  • Movies
Average review score: 65
Highest review score: 100 Leviathan
Lowest review score: 20 A Long Way Down
Score distribution:
  1. Positive: 69 out of 113
  2. Negative: 5 out of 113
113 movie reviews
    • 99 Metascore
    • 100 Leslie Felperin
    Simultaneously a modern essay on suffering, an open-ended thriller, and a black social comedy, it is most importantly of all a thinly-veiled political parable drenched in bitter irony that takes aim against the corrupt, corrosive regime of Vladimir Putin.
    • 97 Metascore
    • 90 Leslie Felperin
    The use of sign language, deafness and silence itself adds several heady new ingredients to the base material, alchemically creating something rich, strange and very original.
    • 97 Metascore
    • 100 Leslie Felperin
    Anchored by a masterful performance by Timothy Spall in a role he was born to play, and gilded by career-best effort from DoP Dick Pope, working for the first time on digital for Leigh to bridge the gap between the painting and cinematography, Mr. Turner manages to illuminate that nexus between biography and art with elegant understatement.
    • 88 Metascore
    • 90 Leslie Felperin
    '71
    This outstanding, muscular feature debut for French-born, British-based director Yann Demange almost never puts a foot wrong, from the softly underplayed performances to the splendidly speckled cinematography and fine-grained period detailing.
    • 87 Metascore
    • 90 Leslie Felperin
    This at first slow-moving and then wildly kinetic actioner possesses a cool classicism that will appeal to offshore audiences as well as those at home.
    • 86 Metascore
    • 80 Leslie Felperin
    A charming animated feature.
    • 86 Metascore
    • 70 Leslie Felperin
    The picture laudably adopts an intimate, personal approach to a subject -- hardworking Chinese garment workers -- that's been covered in more hectoring fashion elsewhere.
    • 85 Metascore
    • 90 Leslie Felperin
    An inventive, meaty distillation of Le Carre's 1974 novel, picture turns hero George Smiley's hunt for a mole within Blighty's MI6 into an incisive examination of Cold War ethics, rich in both contempo resonance and elegiac melancholy.
    • 84 Metascore
    • 80 Leslie Felperin
    Along with the moral lesson, Nguyen remembers to give auds some pleasures, including the exquisitely chosen soundtrack of African folk and pop music, Nicolas Bolduc's cinematography and the very artful use of sound throughout.
    • 84 Metascore
    • 80 Leslie Felperin
    As with his previous pics about the brood, Dutch-Indonesian helmer Leonard Retel Helmrich deploys an expressionistic, quasi-soap-opera approach to produce striking results, thanks especially to use of Steadicam. But the protagonists seem to be playing to the cameras more this time round, making "Stars" a less charming effort than earlier installments.
    • 83 Metascore
    • 90 Leslie Felperin
    Offering further proof that the latest 3D technology is good for a lot more than just lunging knives and fantastical storylines, Wim Wenders' dance docu Pina reps multidimensional entertainment that will send culture vultures swooning.
    • 82 Metascore
    • 90 Leslie Felperin
    Although laid out with such clarity that any layperson could catch the gist of what's being discussed, Side by Side is not afraid to get nitty-gritty about more technical matters.
    • 82 Metascore
    • 80 Leslie Felperin
    Davies is in fine form here, with luminous performances, especially from Rachel Weisz, rounding out a classy package whose only major problem is it may be a bit too true to its period sensibility and legit origins.
    • 82 Metascore
    • 80 Leslie Felperin
    Mixing together some of helmer Aki Kaurismaki's favorite Gallic and Finnish thesps with a few newbies, Le Havre feels like a welcoming family reunion.
    • 82 Metascore
    • 80 Leslie Felperin
    This is a beautifully distilled and literally still work that lingers in the mind long after its conclusion.
    • 81 Metascore
    • 80 Leslie Felperin
    This ingeniously executed study in cinematic minimalism has depth, beauty and poise.
    • 81 Metascore
    • 70 Leslie Felperin
    No
    After "Tony Manero" and "Post Mortem," his devastating portraits of how the Pinochet regime psychologically brutalized the people of Chile from 1973-90, Chilean helmer Pablo Larrain satisfyingly completes the trilogy with an affirmative victory for democracy in No.
    • 81 Metascore
    • 70 Leslie Felperin
    A fraction less gut-bustingly goofy than its predecessors.
    • 80 Metascore
    • 100 Leslie Felperin
    One of Wiseman’s best, a summation of sorts of a career’s worth of principled filmmaking from a director in his ninth decade.
    • 80 Metascore
    • 70 Leslie Felperin
    Although beautifully rendered throughout, with delicate, elegantly drawn watercolor-like illustrations, the picture may seem too plain and simple for the oversophisticated tastes of kids in Europe and North America, while Arrietty herself reps a slightly insipid heroine.
    • 80 Metascore
    • 60 Leslie Felperin
    In the end, the material feels a bit attenuated, like a short that’s been stretched to feature length, even if the characters are enjoyable, sympathetic enough company for the pic’s 84-minute running time.
    • 78 Metascore
    • 90 Leslie Felperin
    In the Fog explores the moralities of wartime with restraint and exacting execution.
    • 78 Metascore
    • 50 Leslie Felperin
    An undeniably powerful record of the Palestinian village of Bil'in's course of civil disobedience from 2005 to the present...the pic is also shamelessly sentimental and manipulative in its construction.
    • 78 Metascore
    • 80 Leslie Felperin
    There's no subtextual allusion really to contempo France or civil wars elsewhere in the world today, just the feeling that this is an interesting story in its own right, fascinating precisely because it's so at odds with modern sensibilities.
    • 78 Metascore
    • 70 Leslie Felperin
    Paradise: Hope has humor and warmth, and shows more genuine affection and kindness toward its characters than Seidl usually allows.
    • 77 Metascore
    • 70 Leslie Felperin
    The worst that could be said of helmer David Gelb's feature debut is that it's perhaps a little over-garnished with backstory about Ono's relationship with his two sons, and is slightly repetitive. That said, this intrinsically compelling hymn to craftsmanship and taste in every sense should cleanse palates.
    • 77 Metascore
    • 80 Leslie Felperin
    Spirited, highly amusing and endearingly shambolic.
    • 77 Metascore
    • 60 Leslie Felperin
    A sweet but slight love story about world-weary hipster bloodsuckers.
    • 76 Metascore
    • 50 Leslie Felperin
    Beautifully assembled, but emotionally inert despite its focus on bereavement and love's endurance, Russian art film Silent Souls reps at the very least a significant step up for its helmer, Aleksei Fedorchenko.
    • 76 Metascore
    • 70 Leslie Felperin
    Clearly, these films are the work of people who love animals. More importantly though, going beyond the pat eco-conscious message that every kids’ film has to have, HTTYD2 touches on how complex the emotional bond between a person and an animal can be.