Lisa Schwarzbaum
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For 1,906 reviews, this critic has graded:
  • 71% higher than the average critic
  • 2% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 9.4 points higher than other critics. (0-100 point scale)

Lisa Schwarzbaum's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Crash
Lowest review score: 0 Valentine's Day
Score distribution:
1,906 movie reviews
    • 90 Metascore
    • 91 Lisa Schwarzbaum
    Pulling the bandage of sentiment cleanly away from oozing concepts like ''heroism'' and ''our nation's war on terror'' in the aftermath of recent wounds, here's a drama about the most politically charged crisis of our time that grants the dignity of autonomy to every soul involved.
    • 90 Metascore
    • 100 Lisa Schwarzbaum
    The movie sparkles with witty self-awareness.
    • 89 Metascore
    • 100 Lisa Schwarzbaum
    What's astonishing about Sofia Coppola's enthralling new movie is the precision, maturity, and originality with which the confident young writer-director communicates so clearly in a cinematic language all her own.
    • 89 Metascore
    • 100 Lisa Schwarzbaum
    Like a great novel from a more expansive bygone age, The Best of Youth is full of big thoughts; like a great soap opera, it's also full of sharp plot turns, vibrant characters, and great talk. It is, in short, the best of cinema.
    • 89 Metascore
    • 91 Lisa Schwarzbaum
    Utterly riveting fictional drama.
    • 89 Metascore
    • 100 Lisa Schwarzbaum
    The gorgeous music includes Ralph Vaughan Williams' wafting tone poem ''The Lark Ascending'' -- apt in describing an artist who might well be part bird.
    • 89 Metascore
    • 100 Lisa Schwarzbaum
    Facing a diagnosis of Alzheimer's, the older woman enrolls in a poetry class, desperate to find the words to describe beauty before language fails her. She does even better: She herself becomes a kind of poem about what it means to really see the world.
    • 89 Metascore
    • 100 Lisa Schwarzbaum
    Clint Eastwood's profound, magisterial, and gripping companion piece to his ambitious meditation on wartime image and reality, "Flags of Our Fathers."
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    Sad, funny, sexy, and altogether marvelous.
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    If you see only one comic love story from Kazakhstan this year, choose this prize-winning honey.
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    Hersonski quietly and insistently unravels reality from "reality"; her commitment to archival authenticity is its own tribute to those no longer able to testify.
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    There's piercing sadness, and fury, too, in this Everyman's isolation, and Cantet is singularly skilled at evoking the universal condition of such tragic ordinariness.
    • 88 Metascore
    • 91 Lisa Schwarzbaum
    A delightful, perceptive, funny, detail-perfect fable.
    • 88 Metascore
    • 83 Lisa Schwarzbaum
    Lest the audience miss a cue, Hooper and soundtrack composer Alexandre Desplat count on the ringing grandeur of Beethoven's Seventh Symphony - the famous second movement, no less - to amp the emotions.
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    Up
    A lovely, thoughtful, and yes, uplifting adventure.
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    It's a great, IQ-flattering entertainment both wonderful and wise.
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    Yagira's performance is so extraordinary, it won him the best actor prize at the 2004 Cannes film festival.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    A graceful, unsentimental, well-made movie.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    Naples-born Servillo is a national star, famed as a theater, opera, and film director as well as an actor. And he's got the face of a mensch (or a Madoff) -- which makes his embodiment of criminal banality all the more identifiable, as well as horrifying.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    Bestows generous blessings on all that's good in Englishness, in moviedom, and, of course, in cheese.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    Unfolds with a simplicity that's as breathtaking as its inevitability is harrowing.
    • 87 Metascore
    • 91 Lisa Schwarzbaum
    In the juxtaposition of cataclysmic matter-of-fact misery and cinematic poetry, the filmmaker finds a calmly stunning way to convey the experience of living with death as something intimate, and, unnervingly, almost natural.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    Errol Morris may have been put on earth to make The Fog of War, a stunning portrait of Robert S. McNamara that closes a year of outstanding nonfiction movies on a high note.
    • 87 Metascore
    • 91 Lisa Schwarzbaum
    Spirit, animal, and human worlds coexist in dreamy harmony in this remarkable drama.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    No one charts the wilds of childhood more precisely than the Dardennes.
    • 87 Metascore
    • 91 Lisa Schwarzbaum
    The thrilling conclusion to a phenomenal cinematic story 10 years in the telling, Harry Potter and the Deathly Hallows - Part 2 is proof that authentic movie excitement is its own form of magic.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    The filmmaking is as strong as the subject matter, with an elegant structure.
    • 87 Metascore
    • 83 Lisa Schwarzbaum
    Shine beams with warmth, sensitivity, and fine taste.
    • Entertainment Weekly
    • 87 Metascore
    • 91 Lisa Schwarzbaum
    A mesmerizing work of disturbing power and unease.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    Almodóvar's masterwork, is a spectacular synthesis of everything that has always interested him -- proud women, lovely boys, beautiful drag queens, grand movie stars, gorgeous frocks, wild wallpaper .