For 2,396 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Selma
Lowest review score: 0 Thomas and the Magic Railroad
Score distribution:
2,396 movie reviews
    • 45 Metascore
    • 25 Lou Lumenick
    The leaden pacing, somnambulant performances and incessant symbolism in nearly every shot will soon have you thinking that The Three Marias is three too many.
    • 37 Metascore
    • 25 Lou Lumenick
    Shapeless, sloppy, badly paced mess.
    • 9 Metascore
    • 25 Lou Lumenick
    Spectacularly awful.
    • 34 Metascore
    • 25 Lou Lumenick
    I was kind of rough on "Apocalypto," which in retrospect seems like a minor classic compared to 10,000 BC.
    • 27 Metascore
    • 25 Lou Lumenick
    Catwoman is pretty well summed up by Hedare: “This is a disaster. It’s a total bloody disaster.”
    • 42 Metascore
    • 25 Lou Lumenick
    Quite a slog, with most of the acting strictly amateurish save the veteran Ed Lauter as a fish and game inspector.
    • 56 Metascore
    • 25 Lou Lumenick
    All the tedium of an endless trans-Atlantic flight gets packed into the 105 minutes of Non-Stop.
    • 58 Metascore
    • 25 Lou Lumenick
    Rarely has a documentary been so pleased with itself - with so little justification.
    • 36 Metascore
    • 25 Lou Lumenick
    Loud and unfunny, this cheesy-looking farce is mostly an excuse for a series of plugs.
    • 31 Metascore
    • 25 Lou Lumenick
    An instant candidate for worst movie of the year.
    • 20 Metascore
    • 25 Lou Lumenick
    An assembly-line high-school comedy that flunks miserably in all three subjects.
    • 52 Metascore
    • 25 Lou Lumenick
    A deadly dull, by-the-numbers rendition of the Nativity story.
    • 42 Metascore
    • 25 Lou Lumenick
    You know you’re in for a long haul when Kate Winslet’s clipboard-wielding Jeanine, leader of the Erudite faction, comes off less like a Hillary Clinton than a weary Applebee’s supervisor at the end of a 14-hour shift in this plodding sequel to “Divergent.”
    • 23 Metascore
    • 25 Lou Lumenick
    Pierre is at best competent as the star, director and writer of this good-natured compendium of ghetto movie clichés, which doesn't have an awful lot to offer in the way of laughs, pacing or originality.
    • 28 Metascore
    • 25 Lou Lumenick
    An ugly, unfunny, headache-inducing fairy-tale spoof.
    • 27 Metascore
    • 25 Lou Lumenick
    A vulgar, grating alleged "family" comedy.
    • 47 Metascore
    • 25 Lou Lumenick
    May not set back Danish-American relations, but it's amusing to imagine how this schlock would have turned out under Denmark's most famous director, the American-hating Lars von Trier.
    • 43 Metascore
    • 25 Lou Lumenick
    With Roth at the helm of a script attributed to Price, there is minimal suspense, audience involvement or coherent social commentary.
    • 61 Metascore
    • 25 Lou Lumenick
    It doesn’t add up to much of anything exciting, even with an appearance by Isabella Rossellini (of Lynch’s “Blue Velvet’’) as the mother of one of the doubles.
    • 34 Metascore
    • 25 Lou Lumenick
    Just to give you a taste of the movie's sophisticated idea of wit, it also makes fun of gay men.
    • 38 Metascore
    • 25 Lou Lumenick
    An overwrought and patently offensive anti- abortion drama from the director of the accomplished "House of Sand and Fog."
    • 56 Metascore
    • 25 Lou Lumenick
    A leaden retelling of the legend of Australia's Jesse James that has understandably been sitting on the shelf for a couple of years.
    • 27 Metascore
    • 25 Lou Lumenick
    A schmaltz-laden soap opera from Saskatchewan.
    • 22 Metascore
    • 25 Lou Lumenick
    Painfully stupid.
    • 53 Metascore
    • 25 Lou Lumenick
    An alarmingly unfunny French comedy where the two main characters are constantly yakking on a cell phone at an airport.
    • 39 Metascore
    • 25 Lou Lumenick
    So over the top that it often plays like a parody.
    • 33 Metascore
    • 25 Lou Lumenick
    A pathetic stoner comedy.
    • 27 Metascore
    • 25 Lou Lumenick
    Ineptly directed by Simon West, the scare-free When a Stranger Calls is the worst of the seminal horror movies from the late '70s and early '80s that have been getting the remake treatment lately.
    • 40 Metascore
    • 25 Lou Lumenick
    The talented cast doesn't stand much of a chance in this rambling, pointless narrative.
    • New York Post
    • 26 Metascore
    • 25 Lou Lumenick
    Thirty years after "Annie Hall," the beloved actress is scraping below the bottom of the barrel with this desperately unfunny farce, in which she mugs and pratfalls in the worst performance of her entire career.

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