For 2,330 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Pan's Labyrinth
Lowest review score: 0 Sleepover
Score distribution:
2,330 movie reviews
    • 33 Metascore
    • 38 Lou Lumenick
    Strong contender for the weirdest movie released this year.
    • 42 Metascore
    • 38 Lou Lumenick
    Mind-numbing, would-be comic-book franchise, which often seems as blind as its hero -- not to mention deaf and dumb.
    • 18 Metascore
    • 38 Lou Lumenick
    Even dumber than Perry's "Three to Tango," this latest sitcommy exercise is sporadically funny in spite of itself -- and not quite as dreadful as you would suspect.
    • 27 Metascore
    • 38 Lou Lumenick
    Might have been more successful if Darabont and his pal had attempted a Preston Sturges-like farce. Instead, it's played totally without any kind of edge - a fantasy that makes "The Lord of the Rings" look realistic by comparison.
    • 28 Metascore
    • 38 Lou Lumenick
    Sitcomish, stereotypical and sporadically funny romantic comedy.
    • 31 Metascore
    • 38 Lou Lumenick
    A dull, dumb and derivative horror film.
    • 54 Metascore
    • 38 Lou Lumenick
    This messy, disappointing, self-important and utterly humorless version of the Marvel comic book character may be the toughest flick with a green protagonist to sit through since "The Grinch."
    • 74 Metascore
    • 38 Lou Lumenick
    What Amenabar offers here is an unconvincing, pretentiously artsy pastiche of just about every hoary old gothic thriller you can think of.
    • 43 Metascore
    • 38 Lou Lumenick
    This relentlessly mediocre romantic comedy is basically a pretty arthritic third-generation Xerox of "Annie Hall," with Jason Biggs and Christina Ricci in the old Allen and Keaton parts in a probably quixotic attempt to court the youth market.
    • 48 Metascore
    • 38 Lou Lumenick
    An uninspired recycling of themes that were far more gripping in "The Lion King" and countless other earlier Mouse House classics.
    • 47 Metascore
    • 38 Lou Lumenick
    This (hopefully) final chapter's interminable first hour...showcases some of the clunkiest dialogue and wooden acting since the most recent "Star Wars" movies.
    • 48 Metascore
    • 38 Lou Lumenick
    Might have worked as a 10-minute sketch.
    • 52 Metascore
    • 38 Lou Lumenick
    The best drag movie since "Vegas in Space." That's hardly a huge recommendation.
    • 30 Metascore
    • 38 Lou Lumenick
    So consistently silly and overwrought that it flirts with the elusive so-bad-it's-entertaining category.
    • 45 Metascore
    • 38 Lou Lumenick
    Horror-movie vets Harrington ("Wrong Turn") and Sagemiller ("Soul Survivors") struggle unsuccessfully with characters who are frequently more plastic than Nikki.
    • 47 Metascore
    • 38 Lou Lumenick
    A depressingly predictable journey of self-discovery.
    • 35 Metascore
    • 38 Lou Lumenick
    A murky and morbid dirge of a gay romance.
    • 59 Metascore
    • 38 Lou Lumenick
    Well-meaning yawn-fest.
    • 47 Metascore
    • 38 Lou Lumenick
    This Canadian-South African labor of love has its heart in the right place, even if the leads seem to have been cast more for their hunky looks than their stiff acting.
    • 49 Metascore
    • 38 Lou Lumenick
    Disco may still be dead, but Benji: Off the Leash! resurrects another dubious artifact of the '70s - the crudely made family films starring that lovable mutt.
    • 37 Metascore
    • 38 Lou Lumenick
    The clichéd and predictable Suspect Zero is the latest evidence that Hollywood has run the serial-killer thriller into the ground through overuse - the same way it earlier exhausted, say, buddy action-comedies.
    • 51 Metascore
    • 38 Lou Lumenick
    About as exciting as watching someone else's home movies -- albeit, beautifully photographed ones.
    • 48 Metascore
    • 38 Lou Lumenick
    One of those painfully earnest -- and pretentious -- little indies in which a pair of emotional cripples neatly resolve all of their problems within 48 hours of meeting each other.
    • 46 Metascore
    • 38 Lou Lumenick
    The longest 85-minute road trip you could imagine.
    • 34 Metascore
    • 38 Lou Lumenick
    That Eulogy has any laughs is largely a testament to the understated Romano -- he and Deschanel are the only ones in the cast who aren't straining to be funny.
    • 39 Metascore
    • 38 Lou Lumenick
    Sort of "The Da Vinci Code for Dummies."
    • 39 Metascore
    • 38 Lou Lumenick
    As huge a travesty and a bore as 1956's "Alexander the Great," in which Richard Burton looked equally uncomfortable as a blond.
    • 46 Metascore
    • 38 Lou Lumenick
    The willfully eccentric Beyond the Sea seems to be telling us a lot more about its star and director, Kevin Spacey, than its ostensible subject.
    • 48 Metascore
    • 38 Lou Lumenick
    Macht is the best thing in A Love Song for Bobby Long, but his intelligent performance doesn't justify a tough, and very long, sit.
    • 39 Metascore
    • 38 Lou Lumenick
    Amidst the ennui, there are some fine performances.