For 2,340 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 No Man's Land
Lowest review score: 0 InAPPropriate Comedy
Score distribution:
2,340 movie reviews
    • 43 Metascore
    • 38 Lou Lumenick
    Light It Up would be a strong candidate for the year's most irresponsible movie - if it were remotely believable.
    • 33 Metascore
    • 38 Lou Lumenick
    Isn't as relentlessly vulgar or cartoonish as "The Ladies Man" - nor is it a whole lot more realistic.
    • 58 Metascore
    • 38 Lou Lumenick
    A real crock.
    • 22 Metascore
    • 38 Lou Lumenick
    Suffers from terminal hoof-in-mouth disease.
    • 28 Metascore
    • 38 Lou Lumenick
    Androgynous Clea DuVall's performance shines through a foggily told, vaguely acted coming-of-age tale.
    • 41 Metascore
    • 38 Lou Lumenick
    A non-starter.
    • 21 Metascore
    • 38 Lou Lumenick
    This is a cheap-looking lowbrow comedy that likely would have gone straight to home video.
    • New York Post
    • 60 Metascore
    • 38 Lou Lumenick
    Pandaemonium plays like a bus-and-truck version of such Ken Russell's '60s classics as "The Music Lovers."
    • New York Post
    • 49 Metascore
    • 38 Lou Lumenick
    Remarkably sluggish and not particularly suspenseful.
    • New York Post
    • 44 Metascore
    • 38 Lou Lumenick
    Much less a satisfying movie than an intermittently funny 90-minute acting audition.
    • New York Post
    • 46 Metascore
    • 38 Lou Lumenick
    This intense psycho-sexual drama doesn't easily lend itself to the camera.
    • 32 Metascore
    • 38 Lou Lumenick
    It's bone tired.
    • 78 Metascore
    • 38 Lou Lumenick
    Anderson, in her first major non-Scully film role, is lethally miscast.
    • New York Post
    • 31 Metascore
    • 38 Lou Lumenick
    So unremittingly vulgar and inept it makes "The Best Man" and "Runaway Bride" look like masterpieces by comparison.
    • New York Post
    • 48 Metascore
    • 38 Lou Lumenick
    Might have worked as a 10-minute sketch.
    • 66 Metascore
    • 38 Lou Lumenick
    A lot more stupid action - and a lot less heart - than the character-driven original, as Stuart ends up rescuing Margalo from Falcon.
    • 44 Metascore
    • 38 Lou Lumenick
    The year's most beautiful movie -- and surely one of the dullest.
    • 16 Metascore
    • 38 Lou Lumenick
    Sort of "West Side Story" set in 1958 Brooklyn -- minus the music or competent storytelling -- is clearly not dealing from anything close to a full deck.
    • 58 Metascore
    • 38 Lou Lumenick
    Li is powerless when the film slows to a crawl to provide a little drama.
    • 38 Metascore
    • 38 Lou Lumenick
    Given the complete lack of chemistry between Chan and Forlani, their rather awkward lip-lock isn't worth $10 to see. Sadly, neither is anything else here.
    • 54 Metascore
    • 38 Lou Lumenick
    One part cabaret, one part travelogue, one part comic heist, one part romantic tearjerker -- and all pretty tedious.
    • 42 Metascore
    • 38 Lou Lumenick
    Evokes such deja vu, you'd swear you'd already fallen asleep on the damned thing in the middle of the night on HBO.
    • 48 Metascore
    • 38 Lou Lumenick
    It isn't as ridiculous as this year's other version of a local best seller set during WWII ("Captain Corelli's Mandolin"), but it's arguably even less entertaining.
    • 26 Metascore
    • 38 Lou Lumenick
    A witless and vulgar romantic comedy wrapped inside a mock documentary.
    • 16 Metascore
    • 38 Lou Lumenick
    Dennis Rodman isn't half bad as a blond, multiply pierced Interpol agent.
    • 42 Metascore
    • 38 Lou Lumenick
    A silly, boring supernatural thriller that squanders a potentially interesting premise and the rapper Snoop Dogg in his ostensible starring debut.
    • 34 Metascore
    • 38 Lou Lumenick
    Director Kevin Bray, whose clichéd style betrays his music-video roots, devotes far too much time to the mechanics of the illogical plot.
    • 16 Metascore
    • 38 Lou Lumenick
    You cease to care as they fall back on a catalogue of clichéd shocks, tired camera angles and an ever-mounting gore quotient.
    • 31 Metascore
    • 38 Lou Lumenick
    What starts as a fairly lighthearted satire ends in a tiresome, ultra-violent shootout -- and the film pretty much throws away the possibilities of Cruz's gender-bending role.
    • 25 Metascore
    • 38 Lou Lumenick
    Hokey, inept tear-jerker.
    • New York Post