For 2,396 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Selma
Lowest review score: 0 Noel
Score distribution:
2,396 movie reviews
    • 49 Metascore
    • 38 Lou Lumenick
    If you insist on seeing Soul Men, stick around during the closing credits for the best part of the movie, an interview with Mac.
    • 55 Metascore
    • 38 Lou Lumenick
    Slick as a pig and reeking of phony sympathy for recession-wracked consumers, The Joneses is a black comedy about stealth marketing made by a filmmaker who's evidently much too close to the subject to bite the hand that feeds him.
    • 43 Metascore
    • 38 Lou Lumenick
    Solid performances can't save Melissa Painter's pretentious teen drama Steal Me, which plays like a cross between "Dangerous Skin" (without the gay sex) and "Picnic" (without the production values or credible situations).
    • 66 Metascore
    • 38 Lou Lumenick
    A lot more stupid action - and a lot less heart - than the character-driven original, as Stuart ends up rescuing Margalo from Falcon.
    • 28 Metascore
    • 38 Lou Lumenick
    Sitcomish, stereotypical and sporadically funny romantic comedy.
    • 39 Metascore
    • 25 Lou Lumenick
    Milks the very real problem of "organ tourism" for all the melodrama and car chases it's worth.
    • 29 Metascore
    • 25 Lou Lumenick
    The pretentious and unrelievedly glum first feature from music-video and advertising director Nenad Cicin-Sain, The Time Being looks sharp, but it’s about as dramatically satisfying as watching paint dry.
    • 33 Metascore
    • 25 Lou Lumenick
    The effects are cheesy, the photography is murky, the sets look like leftovers from a Las Vegas stage spectacular -- and the flick appears to have been edited with a roulette wheel.
    • New York Post
    • 38 Metascore
    • 25 Lou Lumenick
    Abysmal performances, limp direction (Will Gould) and a heavy-handed script drive a stake through a semi-interesting idea about the persecution of gay werewolves in a remote English village.
    • 43 Metascore
    • 25 Lou Lumenick
    Who let this dog out?
    • 37 Metascore
    • 25 Lou Lumenick
    Slow-witted and occasionally unintentionally hilarious.
    • 35 Metascore
    • 25 Lou Lumenick
    This excruciating adaptation of the innocuous '70s cartoon show makes the film version of "Josie and the Pussycats" look sophisticated by comparison.
    • 46 Metascore
    • 25 Lou Lumenick
    None of this is remotely funny or interesting.
    • 47 Metascore
    • 25 Lou Lumenick
    The low point of the new Shall We Dance comes when Miss Paulina finally confesses why she's so sad.
    • 52 Metascore
    • 25 Lou Lumenick
    A lame teen comedy.
    • New York Post
    • 28 Metascore
    • 25 Lou Lumenick
    Slow-moving, yawn-inducing remake.
    • New York Post
    • 60 Metascore
    • 25 Lou Lumenick
    This is an exhausting, eyeball-gougingly ugly 90-minute assault of non-stop action, with an all-star voice cast shouting witless lines and a wide variety of objects lobbed at the audience in the crudest 3-D fashion.
    • 71 Metascore
    • 25 Lou Lumenick
    Wal-Mart's home office in Bentonville, Ark., can rest easy: Greenwald, as usual, is hysterically preaching to the choir.
    • 44 Metascore
    • 25 Lou Lumenick
    Despite much effort, neither Johnson nor director George Tillman Jr. ("Notorious") can make this preposterous tale, live up to its title.
    • 30 Metascore
    • 25 Lou Lumenick
    If the once red-hot Vin Diesel's overhyped career wasn't finished off by last summer's mega flop "The Chronicles of Riddick," the alleged family comedy The Pacifier ought to do the trick.
    • 22 Metascore
    • 25 Lou Lumenick
    Elaborate vanity production.
    • 29 Metascore
    • 25 Lou Lumenick
    This mess was directed with no skill whatsoever by Jesse Dylan, whose father, Bob, once urged us all to get stoned.
    • 34 Metascore
    • 25 Lou Lumenick
    Un-magical, unfunny and un-romantic alleged comedy.
    • 46 Metascore
    • 25 Lou Lumenick
    Indulges in some of the crudest Jewish stereotypes seen in a recent movie, right down to the crack about every Jewish girl having a nose job.
    • 38 Metascore
    • 25 Lou Lumenick
    Despite solid contributions by vets such as Michael Lerner and Daniel Stern, Caleo isn't able to sell The Last Time - not the affair and especially not the ludicrous twist ending.
    • 51 Metascore
    • 25 Lou Lumenick
    The stars' utter failure to create sparks is only one of the problems with this Labor Day weekend dump job.
    • 40 Metascore
    • 25 Lou Lumenick
    The sort of lowbrow sports comedy best enjoyed on a 50-inch screen with a six-pack, a bucket of wings and a fast-forward button.
    • 28 Metascore
    • 25 Lou Lumenick
    A labored romantic farce whose only asset is Carlos Leon, best known as the father of Madonna's daughter Lourdes.
    • 36 Metascore
    • 25 Lou Lumenick
    Ineptly written and directed, the nihilistic The Son of No One flaunts an attitude best summed up by a cynical Pacino -- "A man has to live with s--t.'' Maybe so, Al, but audiences have the option of skipping this bomb.
    • 38 Metascore
    • 25 Lou Lumenick
    Mostly unfunny, extremely silly pingpong comedy.

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