For 2,352 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Sessions
Lowest review score: 0 The Wedding Date
Score distribution:
2,352 movie reviews
    • 44 Metascore
    • 25 Lou Lumenick
    Grows tiresome rather quickly.
    • New York Post
    • 24 Metascore
    • 25 Lou Lumenick
    Should you get Carter? Sure - but make it the Michael Caine classic Warner Bros. is releasing on video next week.
    • New York Post
    • 58 Metascore
    • 25 Lou Lumenick
    A triumph of misguided moviemaking, starting with a grotesquely miscast Mira Sorvino, who arguably gives the worst performance ever by an Oscar winner.
    • 22 Metascore
    • 25 Lou Lumenick
    Painfully stupid.
    • 42 Metascore
    • 25 Lou Lumenick
    This low-caliber Gun Shy has singularly ugly cinematography by Tom Richmond that at one point shows off Bullock's facial hair.
    • New York Post
    • 22 Metascore
    • 25 Lou Lumenick
    Elaborate vanity production.
    • 29 Metascore
    • 25 Lou Lumenick
    Rates an "E" for effort -- and a "B" for boring.
    • 32 Metascore
    • 25 Lou Lumenick
    Ryan, the bodacious Seven of Nine on "Star Trek Voyager," is the only excuse to suffer through writer-director Harry Ralston's feeble comedy.
    • 38 Metascore
    • 25 Lou Lumenick
    Things rapidly go downhill in this pinch-penny production.
    • New York Post
    • 50 Metascore
    • 25 Lou Lumenick
    Another mean-spirited black comedy from Todd Solondz, tries even harder than the director's two earlier films to shock and outrage -- but the overall effect of his sophomoric excess is tiresome and dull, like watching someone else's 2-year-old act out for the 50th time.
    • 34 Metascore
    • 25 Lou Lumenick
    A hapless family film that's too scary for little kids and too boring for everyone else.
    • New York Post
    • 46 Metascore
    • 25 Lou Lumenick
    Exploitation curiosity.
    • 21 Metascore
    • 25 Lou Lumenick
    With awkward acting, plotting and direction, this is no "Guess Who's Coming to Dinner," "Jungle Fever" or "One Potato, Two Potato."
    • 34 Metascore
    • 25 Lou Lumenick
    More "it stinks" than *NSYNC.
    • 31 Metascore
    • 25 Lou Lumenick
    Isn't particularly funny, romantic or well-acted. It drags on endlessly.
    • 34 Metascore
    • 25 Lou Lumenick
    Annoying.
    • 25 Metascore
    • 25 Lou Lumenick
    The often difficult-to-follow plot is sort of "Traffic" for nitwits.
    • New York Post
    • 42 Metascore
    • 25 Lou Lumenick
    Charles Busch's spoof of beach-party movies and psychological thrillers, an off-Broadway hit 13 years ago, stubbornly refuses to entertain in this unrelentingly dull film version.
    • 27 Metascore
    • 25 Lou Lumenick
    A baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise.
    • 21 Metascore
    • 25 Lou Lumenick
    Antonio Banderas is unintentionally hilarious as Father Matt Gutierrez, a sort of Jesuit James Bond.
    • New York Post
    • 37 Metascore
    • 25 Lou Lumenick
    The lackadaisical pace of CD3 is a disappointing surprise.
    • New York Post
    • 26 Metascore
    • 25 Lou Lumenick
    It's loaded with -- scenery-chewing melodrama, cornball pidgin dialogue and syrupy music.
    • New York Post
    • 38 Metascore
    • 25 Lou Lumenick
    Abysmal performances, limp direction (Will Gould) and a heavy-handed script drive a stake through a semi-interesting idea about the persecution of gay werewolves in a remote English village.
    • 48 Metascore
    • 25 Lou Lumenick
    Might have made a tolerable five-minute "mockumentary," but it's apparently meant seriously.
    • 46 Metascore
    • 25 Lou Lumenick
    Indulges in some of the crudest Jewish stereotypes seen in a recent movie, right down to the crack about every Jewish girl having a nose job.
    • 45 Metascore
    • 25 Lou Lumenick
    A moribund attempt to exhume the Jack Ryan techno-thriller franchise with a severely miscast Ben Affleck, is truly the 20-megaton bomb among this summer's blockbusters.
    • 19 Metascore
    • 25 Lou Lumenick
    It's not surprising to learn that the story -- which the press notes assert is loosely based on fact -- has been kicking around Hollywood for 15 years. It's that bad.
    • 52 Metascore
    • 25 Lou Lumenick
    A lame teen comedy.
    • New York Post
    • 23 Metascore
    • 25 Lou Lumenick
    To describe Love, Honor and Obey as a cross between "Duets" and "Snatch" doesn't begin to suggest how desperately unfunny this musical gangster comedy is.
    • 45 Metascore
    • 25 Lou Lumenick
    The leaden pacing, somnambulant performances and incessant symbolism in nearly every shot will soon have you thinking that The Three Marias is three too many.

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