For 650 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.4 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Gravity
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 29 out of 650
650 movie reviews
    • 58 Metascore
    • 67 Marc Mohan
    Lyrical and gorgeous, it indulges in enough trademark Malickian touches to seem almost a parody of itself.
    • 58 Metascore
    • 83 Marc Mohan
    The actual video footage of some of the incidents recreated in the film, which play with the end credits, makes it clear that sometimes reality can be as hokey as fiction.
    • 58 Metascore
    • 58 Marc Mohan
    Its smallness of scale, and undemonstrative nature, could make it a welcome change of pace from Hollywood bombast, especially for fans of the life aquatic.
    • 58 Metascore
    • 75 Marc Mohan
    An immaculately crafted, splendidly acted drama with a message at its core of forgiveness and humanity. It's also blatantly manipulative, and, upon reflection, rather banal. In other words, it's the epitome of Oscar bait and almost serves as a step-by-step guide to creating such a beast.
    • 58 Metascore
    • 75 Marc Mohan
    Once Wentworth Miller's screenplay starts to provide answers for Charlie's mysterious menace, though, expectations are left unfulfilled.
    • 58 Metascore
    • 42 Marc Mohan
    One of the most lifeless and predictable movies you're likely to see this year.
    • 58 Metascore
    • 67 Marc Mohan
    Overall, the trip successfully embodies the spirit of the original Magic Bus man, Ken Kesey, whom these modern-day pranksters visit in a poignant scene filmed just months before his death.
    • 58 Metascore
    • 75 Marc Mohan
    Remarkable, unheralded story.
    • 58 Metascore
    • 75 Marc Mohan
    While these interviews are affecting, and the movie talks about suicide in a refreshingly straightforward manner, it's the images of these actual deaths that induce horrified gasps.
    • 58 Metascore
    • 58 Marc Mohan
    This may have been fertile grounds for satire in 1925, when Noel Coward's drawing-room melodrama Easy Virtue debuted on the stage, but by now this film version feels rather done.
    • 58 Metascore
    • 75 Marc Mohan
    Significantly cleverer than its moniker, even though it picks for its satire one of the most inviting targets on record: the world of contemporary art.
    • 58 Metascore
    • 67 Marc Mohan
    The film paints a by now familiar picture of suburbia as a pit of dysfunction, though some nice dark-humored moments and generally fine performances make up for a lot.
    • 58 Metascore
    • 75 Marc Mohan
    Wrong never feels dangerous or truly challenging, content generally to amuse rather than amaze.
    • 58 Metascore
    • 75 Marc Mohan
    Perhaps the most amazing thing about this story is that it would have been lost to history had not American spelunker Chris Nicola happened across mundane relics -- buttons, shoes and the like -- while exploring the cave complex in the 1990s.
    • 58 Metascore
    • 75 Marc Mohan
    It's a fantastic high concept to wrap the film around, and Gervais comes close to fulfilling its potential, especially when he tells a comforting deathbed lie to his dying mother and accidentally invents religion.
    • 57 Metascore
    • 58 Marc Mohan
    The relationship between Trishna and Jay never rings as true as it needs to for the downbeat third act to resonate the way it was presumably intended to do.
    • 57 Metascore
    • 67 Marc Mohan
    It doesn't take an awareness of the ethnic and cultural differences between the miniskirted siren and the shy Arab youth to see that she might be more than he can handle.
    • 57 Metascore
    • 75 Marc Mohan
    A twisty, darkly comic story of greed, betrayal and murderous misunderstandings.
    • 57 Metascore
    • 83 Marc Mohan
    Thor meets the elevated expectations for superhero movies today, but doesn't exceed them. There's some sloppy plotting, which always shows a certain disregard for the audience's intelligence.
    • 57 Metascore
    • 67 Marc Mohan
    Doesn't have much new to offer in either style or substance. It's got the same glossy-gritty urban warfare sheen as "Black Hawk Down" and every other Third-World geopolitical action thriller of the last few years.
    • 57 Metascore
    • 67 Marc Mohan
    The movie is well-crafted and finely acted (including by the non-actors László and András Gyémánt as the creepy, affectless twins), but it never comes up with a new way to communicate its sadly familiar themes.
    • 57 Metascore
    • 75 Marc Mohan
    Humor and humanity keep The Boys Are Back from being a cloying mess.
    • 57 Metascore
    • 67 Marc Mohan
    Even if her turn in Bright Days Ahead feels overly familiar, especially after Deneuve's recent "On My Way," Ardant is still possessed of the same Gallic poise and presence, and generally a joy to watch.
    • 57 Metascore
    • 75 Marc Mohan
    The result calls to mind “Lord of the Flies” and “Children of Men,” even if the film’s second half is much less compelling than its first.
    • 57 Metascore
    • 58 Marc Mohan
    The ensemble can't bring enough, though, to overcome the unoriginal setup and predictable story arc.
    • 57 Metascore
    • 50 Marc Mohan
    Decent performances aside, the only interesting bits involve Geoffrey Rush as a chemistry professor who enables their self-abuse.
    • 57 Metascore
    • 50 Marc Mohan
    In a movie that strives to offend with every spat profanity and cruel insult, the most shocking thing about Bad Words is that it expects us to care about its main character at all.
    • 57 Metascore
    • 75 Marc Mohan
    The last time Jane Fonda acted in a French-language film, it was Jean-Luc Godard's radical 1972 effort "Tout Va Bien." It's fitting, then, that she fluently plays Jeanne, one of five aging leftists in this slight, but never frivolous, tale.
    • 57 Metascore
    • 58 Marc Mohan
    While it's an effective memoriam for the well-meaning Germans whose lives were ruined by Hitler's mad dream, the refusal of Generation War to focus on any other sort of German makes it both dramatically and historically suspect.
    • 57 Metascore
    • 75 Marc Mohan
    A sometimes very funny movie made by very funny people.

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