For 605 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.7 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
Average review score: 69
Highest review score: 100 Inside Llewyn Davis
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 26 out of 605
605 movie reviews
    • 47 Metascore
    • 75 Marc Mohan
    Overall, Luther does a satisfying job of restoring humanity to a woodcut icon.
    • 47 Metascore
    • 67 Marc Mohan
    Delivers the expected thrills and groans.
    • 47 Metascore
    • 42 Marc Mohan
    Antonio Banderas and Catherine Zeta-Jones are back, as is director Martin Campbell, but the result has the all-too-common feel of an expired equine redundantly abused.
    • 47 Metascore
    • 33 Marc Mohan
    Sayles has committed the cardinal sin of putting his politics ahead of his characters, and the result is predictably lame.
    • 47 Metascore
    • 58 Marc Mohan
    It's clear that Fidell meant to craft a nonjudgmental, non-exploitative exploration of this taboo situation. And she deserves credit for avoiding both tawdry melodrama and earnest moralizing. But by refusing to judge or exploit, she ultimately ends up without much of interest to say on the topic.
    • 47 Metascore
    • 50 Marc Mohan
    Worst of all, not once does Mulder answer his cell phone to hear those immortal lines: "It's Scully. There's been another death."
    • 47 Metascore
    • 58 Marc Mohan
    Exploring the possibilities of low-budget digital filmmaking is a worthy endeavor, but November is a little too in love with the grittiness of it all.
    • 47 Metascore
    • 25 Marc Mohan
    It's shaping up to be a long, dry summer, at least at the multiplex.
    • 46 Metascore
    • 50 Marc Mohan
    Aselton is clearly trying to broaden her reach as both actress and director beyond the rumpled indie comedy of "The Freebie," her directing debut, and the concept is there, but a movie like this needs a much more polished execution that Black Rock gets.
    • 46 Metascore
    • 75 Marc Mohan
    An action film without a completely empty head, and these days, that's as rare as Excalibur itself.
    • 46 Metascore
    • 67 Marc Mohan
    A misfire, but a misfire from von Trier is still more interesting than a blandly successful Hollywood product.
    • 46 Metascore
    • 42 Marc Mohan
    With a self-plagiarizing premise, lifeless performances and a clunky-to-say-the-least screenplay, this star-studded flop is one of 2010's most egregious wastes of cinematic talent.
    • 46 Metascore
    • 75 Marc Mohan
    Blood Ties not only convincingly recreates its era, it seems like it could have been made then.
    • 46 Metascore
    • 25 Marc Mohan
    Here's a hint to tracking down an intelligent, discriminating significant other: stand outside the entrance to a theater showing Must Love Dogs. Once the film begins, look for the first person to walk out.
    • 46 Metascore
    • 67 Marc Mohan
    Of all the roles where the star has played a character transformed from ordinary to goofy ("The Mask," "Me, Myself & Irene," "Liar Liar"), this is the one where he seems the most human, achieving that elusive quality in a Carrey film: tolerability.
    • 45 Metascore
    • 25 Marc Mohan
    Bay seems to have been gunning for something along the lines of "Blood Simple" or "A Simple Plan," but Pain & Gain is just plain simple.
    • 45 Metascore
    • 67 Marc Mohan
    It's a refreshingly human-scale saga.
    • 45 Metascore
    • 50 Marc Mohan
    The two stories never come close to meshing the way the filmmaker intended. The result is a well-acted movie that simply doesn't gel.
    • 45 Metascore
    • 75 Marc Mohan
    There's something in the obsessiveness of these characters that pushes the film just beyond the level of believability, even for a romantic fable such as this.
    • 45 Metascore
    • 33 Marc Mohan
    All this star power goes for naught in Traeger's film, which tries to blend bucolic sweetness with juvenile let's-make-a-porno jokes.
    • 45 Metascore
    • 58 Marc Mohan
    There are plenty of very funny jokes in the movie, but near-fatal lulls whenever it tries to make MacFarlane into a romantic lead or a genuinely inspiring hero — in other words, whenever it tries to make us like him.
    • 45 Metascore
    • 58 Marc Mohan
    It says a lot about this movie that the most arresting character in it is Mary, whom Morton unsurprisingly endows with a fanatical combination of narcissism and rage.
    • 45 Metascore
    • 50 Marc Mohan
    Unfortunately, it just doesn't come together. The animation ranges from crude approximations of Terry Gilliam's cutout style to borderline puerility, and the entire enterprise strives far too desperately for the sort of irreverence that Chapman could conjure with a cock of his pipe-clenching head.
    • 45 Metascore
    • 58 Marc Mohan
    Portland's dreary climate is used to good effect, but it's not enough to make up for the director's needlessly convoluted approach.
    • 45 Metascore
    • 42 Marc Mohan
    To quote Dennis Hopper from the film "Search and Destroy": "Just because it happened to you doesn't make it interesting."
    • 45 Metascore
    • 50 Marc Mohan
    It's passable, but in telling the tale of a man known to attempt the risky drive, it's a shame the filmmakers decided to shoot for par.
    • 45 Metascore
    • 67 Marc Mohan
    The line between fearlessness and idiocy can be a thin one, especially in this sport, and the doc never gets too far under Way's skin. But when he soars -- on a skateboard! -- above the massive structure that kept invading armies at bay for centuries, it's pretty darn cool.
    • 44 Metascore
    • 75 Marc Mohan
    Most of the time, though, it's a confusing mishmash featuring a fine actor too willfully operating outside his comfort zone.
    • 44 Metascore
    • 33 Marc Mohan
    Every so often there's a tabloid news story about the Virgin Mary seen in a piece of toast or Mother Teresa on a tortilla, and most of us equate them with Elvis sightings. This film is for the rest.
    • 44 Metascore
    • 83 Marc Mohan
    You'll suspect, and even hope, that what's on screen is a hoax, but it seems to be at the very least one version of the truth.