For 1,716 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.7 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Control
Lowest review score: 0 Thomas and the Magic Railroad
Score distribution:
1,716 movie reviews
    • 78 Metascore
    • 67 Marc Savlov
    It's also and most interestingly about the writing process itself, a difficult feat to pull off on film, which Wagner and co-screenwriter Fred Parnes manage to display with unvarnished realism.
    • 78 Metascore
    • 89 Marc Savlov
    As concert films go, this is heady stuff.
    • 78 Metascore
    • 67 Marc Savlov
    At once eerie, picaresque, evocative, and utterly alien to the reality most viewers inhabit, Into Great Silence is a daring and breathtakingly constructed documentary dream. So much so that the more restless among us may find themselves nodding off.
    • 78 Metascore
    • 78 Marc Savlov
    It's not perfect -- thank Satan! -- but Hellboy II: The Golden Army is by far the most splendidly imaginative and creatively uncorked piece of fantastic cinema since the director's "Pan's Labyrinth" netted an Oscar trifecta in 2007.
    • 78 Metascore
    • 89 Marc Savlov
    As fluid and intellectually stimulating as the man himself, a tragic, heartfelt take on an event some 40 years old that feels as fresh as yesterday's Times.
    • 78 Metascore
    • 67 Marc Savlov
    In a film like this, timing is everything, and everyone from the stunt coordinators to the crew-at-large seems to have gotten it right the first time.
    • 78 Metascore
    • 78 Marc Savlov
    Though its reach sometimes exceeds its grasp, Tarantino has created a movie with all the gritty punch of a .44 in the belly.
    • 78 Metascore
    • 67 Marc Savlov
    Unconventional and idiosyncratic love story.
    • 78 Metascore
    • 78 Marc Savlov
    A spare and perfectly droll kinda-sorta comedy from Norwegian director Hamer.
    • 78 Metascore
    • 89 Marc Savlov
    What makes Under the Skin such a mind-blower has everything to do with Johansson’s chillingly unempathetic turn as the, well, whatever she is, coupled with cinematographer Daniel Landin’s disorienting, hallucinogenic visuals.
    • 78 Metascore
    • 78 Marc Savlov
    I said once before that every generation gets the superhero it deserves, and Nolan's darkest of dark knights is surely ours – and no more so than in this current incarnation. (Granted, this doesn't bode well for society, but hey, things are bleak all over.)
    • 78 Metascore
    • 67 Marc Savlov
    Human Resources, which gets my vote for most sarcastic title of the year, isn't a stand up and cheer kind of film.
    • 78 Metascore
    • 78 Marc Savlov
    Sublimely ridiculous film.
    • 78 Metascore
    • 67 Marc Savlov
    Has the look and feel of Euro-Altman (vastly superior to Euro-Disney, mind you).
    • 78 Metascore
    • 50 Marc Savlov
    It wouldn't feel out of place on a double bill with "Dangerous Liaisons," given Breillat's unrepentantly nihilistic attitude toward the battle of the sexes in which all are pawns, every knight is errant, and the only queen is Queen Bitch.
    • 78 Metascore
    • 89 Marc Savlov
    Provides that rarest of documentary accomplishments: a glimpse into the artists' sunny, dark hearts.
    • 78 Metascore
    • 89 Marc Savlov
    Seems more like a subtle, elegiac tone poem than an indictment of human banality and the evil that men do.
    • 78 Metascore
    • 67 Marc Savlov
    One of the more surreal docs to come down the pike in some time.
    • 78 Metascore
    • 100 Marc Savlov
    It's a short, sharp, shock to the cinematic system that's virtually impossible to dislike, and if you don't leave the theatre grinning your face off, then buddy, movies just aren't for you.
    • 77 Metascore
    • 78 Marc Savlov
    It’s bravura, classic Hollywood filmmaking, and you like to think that Hughes himself would have viewed it, if not appreciatively, then at least with a sense of kinship.
    • 77 Metascore
    • 78 Marc Savlov
    It's a riveting, nail-biting, two-buckets-of-popcorn return to form for Howard.
    • 77 Metascore
    • 78 Marc Savlov
    This artful documentary about renowned Tokyo sushi master Jiro Ono is not going to help save Charlie the Tuna one iota.
    • 77 Metascore
    • 89 Marc Savlov
    There are so many terrific things going on in the film – rapid-fire wordplay, split-second visual gags, and some veddy, veddy British punning – that, frankly, Paddington deserves more than one viewing. Huzzah Paddington, and marmalade forever!
    • 77 Metascore
    • 89 Marc Savlov
    Pollock is that rare breed, a biopic that makes you want to learn more about its subject, as much as you can, as fast as you can.
    • 77 Metascore
    • 50 Marc Savlov
    But even a rapper needs to punch things up a bit, and 8 Mile, for all its hip-hop braggadocio, is a pretty weak riff.
    • 77 Metascore
    • 78 Marc Savlov
    This is an emotionally devastating piece of advocacy journalism, as it should be. It should also be mandatory viewing for both college-age teens and their parents.
    • 77 Metascore
    • 78 Marc Savlov
    The crime is beyond bizarre, and the film is relentlessly suspenseful, but perhaps the most disturbing question of all is this: Whatever happened to Nicholas Barclay? To that, there remains no satisfactory answer.
    • 77 Metascore
    • 89 Marc Savlov
    Everything fits perfectly, from titles to fin, but most of all Firth, who dons the role of George like a fine bespoke suit.
    • 77 Metascore
    • 67 Marc Savlov
    Unlike any other film released this past year, be it from the aspect of its storylines, of which there are many, or its emotional clarity, which is, quite frankly, brutal.
    • 77 Metascore
    • 78 Marc Savlov
    The House I Live In is depressing stuff, but it sparks the fires of anger, and from that anger, possible action.

Top Trailers