For 481 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Mark A. Perigard's Scores

  • TV
Average review score: 62
Highest review score: 100 The Hollow Crown: Season 1
Lowest review score: 0 Brooklyn 11223: Season 1
Score distribution:
  1. Negative: 34 out of 481
481 tv reviews
    • 63 Metascore
    • 75 Mark A. Perigard
    Watch and you'll want to play along, too.
    • 70 Metascore
    • 75 Mark A. Perigard
    Sisto is surprisingly sweet as a befuddled dad. Everyone seems to want the next Emma Stone. Levy isn't there yet, but given time she might grow into a solid comic actress.
    • 91 Metascore
    • 75 Mark A. Perigard
    What seems like a straightforward question--Is Nick a traitor to his country?--might be the most devilishly complicated thing to answer, and definitely worth pursuing in this complex show.
    • 69 Metascore
    • 75 Mark A. Perigard
    The six-episode series mixes this type of sharp -humor and dialogue with gory scenes and tense horror.
    • 58 Metascore
    • 75 Mark A. Perigard
    The cartoon is often laugh-out-loud funny, pulling off ridiculously zany sight gags, such as when Mondo decides to impress a girl by surfing and, instead, inadvertently beheads a bird, among other things.
    • 81 Metascore
    • 75 Mark A. Perigard
    Rest assured: The Borgias are still bad to the bone.
    • 60 Metascore
    • 75 Mark A. Perigard
    Lifetime's latest ripped-from-the-headlines biopic, about alleged wife-killer Drew Peterson, is salacious, sinister and downright sleazy. It's also as irresistible as a piping hot box of Dunkin' Donuts munchkins.
    • 71 Metascore
    • 75 Mark A. Perigard
    Contrary to the title, you can trust the B---- for a good laugh.
    • 74 Metascore
    • 75 Mark A. Perigard
    Moore's impersonation of Sarah Palin is the hook to reel you into HBO'S latest truelife political thriller.
    • 75 Metascore
    • 75 Mark A. Perigard
    Of the two series [Web Therapy and Episodes], Episodes is the most consistent and polished. It's also the one show that finds a groove and is happy to patter around its middling course.
    • 67 Metascore
    • 75 Mark A. Perigard
    Longmire isn't a conventional show. The mystery tonight might be slight, but the pilot is a dusty little gem.
    • 60 Metascore
    • 75 Mark A. Perigard
    Sinbad sets out to find his destiny on the sea, encountering menaces that would make Ray Harry­hausen proud.
    • 41 Metascore
    • 75 Mark A. Perigard
    The Neighbors is the silliest show you will watch all year.
    • 64 Metascore
    • 75 Mark A. Perigard
    The first episode teases an exciting dynamic, with the possibility of forcing viewers to root for one monster over another.
    • 67 Metascore
    • 75 Mark A. Perigard
    While often touching, it's a lightweight addition to HBO's schedule.
    • 66 Metascore
    • 75 Mark A. Perigard
    Mankind: The Story of All of Us is that college freshman survey course, a buffet of tasty data, a little bit about a lot. It might leave you hungry for more.
    • 59 Metascore
    • 75 Mark A. Perigard
    The sets and costuming are top-notch. The musical score is brash, if redundant. The personal dramas range from silly to 
diverting.
    • 69 Metascore
    • 75 Mark A. Perigard
    Legit is the sort of comedy that lets its heart beat once an episode.
    • 38 Metascore
    • 75 Mark A. Perigard
    Do No Harm, a modern spin on Robert Louis Stevenson's "Strange Case of Dr. Jekyll & Mr. Hyde," sounds lame. Yet it is so fast-paced and slickly produced, it could just be your new guilty pleasure.
    • 63 Metascore
    • 75 Mark A. Perigard
    The dialogue is as arch as Desperate in its heyday.
    • 75 Metascore
    • 75 Mark A. Perigard
    A series with substance and heart that doesn’t insult the city or pander to stereotypes.
    • 72 Metascore
    • 75 Mark A. Perigard
    Under the Dome is the TV equivalent [of a ham sandwich], with all the fixings: a goofy, sometimes creepy, thriller from horror maestro Stephen King about a town trapped under a large invisible barrier.
    • 70 Metascore
    • 75 Mark A. Perigard
    Fimmel has an odd charisma as a barbarian who sees nothing wrong with butchering a group of unarmed, cowering men. But much of the supporting cast is problematic--either­ the actors just aren’t up to the work or the characters are underwritten.
    • 57 Metascore
    • 75 Mark A. Perigard
    Holloway looks leaner than his Sawyer days and cleans up nice. Ory, such a spitfire on ABC’s “Once Upon a Time” as both Red Riding Hood and the Big Bad Wolf, seems tamed here, and unfortunately, a little dull.
    • 70 Metascore
    • 75 Mark A. Perigard
    The show cannily plays to teen hopes and dreams--the school, for example, is on the edge of a gorgeous beach (the kids at “90210” never had it this lush)--but there’s story for the adults as well.
    • 74 Metascore
    • 75 Mark A. Perigard
    Blacklist doesn’t have the pulse, say, of a '24,' but it races in the right direction.
    • 71 Metascore
    • 75 Mark A. Perigard
    There may be fewer jump scares, but this could turn out to be the best Horror Story.
    • 60 Metascore
    • 75 Mark A. Perigard
    Resurrection does something few dramas do today — it gives its characters breathing room to absorb and react to the fantastic in their lives, rather than forcing them to run from one plot point to another. Some will find this pace too leisurely.
    • 87 Metascore
    • 75 Mark A. Perigard
    True Detective will linger with you long after the credits roll, a grim journey into night.
    • 72 Metascore
    • 75 Mark A. Perigard
    This bleak depiction of hospital work locates the show about two degrees south of “St. Elsewhere.” And yet, after I finished the first three episodes, I realized I was hooked; I wanted more.