Marrit Ingman

Select another critic »
For 253 reviews, this critic has graded:
  • 35% higher than the average critic
  • 1% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 8.4 points lower than other critics. (0-100 point scale)

Marrit Ingman's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 89 The Painted Veil
Lowest review score: 0 Deuce Bigalow: European Gigolo
Score distribution:
  1. Negative: 43 out of 253
253 movie reviews
    • 72 Metascore
    • 78 Marrit Ingman
    The film is sufficiently methodical and well-researched to walk the walk behind its controversial premise. More to the point, it's terribly involving, intriguing enough to hook documentary-shy viewers.
    • 58 Metascore
    • 78 Marrit Ingman
    A bright, amiable chronicle of the vivid lives of the women of Juchitán.
    • 70 Metascore
    • 78 Marrit Ingman
    The movie isn't perfect – Spielberg-slick, its power is sometimes dampened by melodrama that overstates its message – but it is compelling and thought-provoking and topical as hell.
    • 75 Metascore
    • 78 Marrit Ingman
    The movie doesn’t stand in judgment of its characters, which will probably disappoint audiences who think it ought to, but its breezy tone and ultimately affirming message should please comedy fans with an appreciation for the offbeat.
    • 65 Metascore
    • 78 Marrit Ingman
    This is one of those rare movies about children but not necessarily for them, and it treats its adolescent subjects with bravery and compassion.
    • 66 Metascore
    • 78 Marrit Ingman
    This is joyful filmmaking, imbued with an infectious, giddy enthusiasm.
    • 64 Metascore
    • 78 Marrit Ingman
    For older and more reflective viewers, it’s a quirky, fresh slice-of-life more inviting than a tater-tot pyramid.
    • 67 Metascore
    • 78 Marrit Ingman
    It's such high sports drama you'd swear this documentary is fiction.
    • Austin Chronicle
    • 51 Metascore
    • 67 Marrit Ingman
    Works quite well for what it is: a wooly crime yarn with touches of humor and a satisfying, well-developed relationship between the schemers.
    • 55 Metascore
    • 67 Marrit Ingman
    The film’s resolution is more implied than complete.
    • 70 Metascore
    • 67 Marrit Ingman
    The House of Sand is a more transparently ambitious, prestigious "woman's picture" than Waddington's previous feature, 2000's "Me You Them."
    • 67 Metascore
    • 67 Marrit Ingman
    The very concept of such an assassination isn't so absurd as to be wacky – at least not since somebody fired a rocket at UN Secretary-General Ban Ki-moon last Thursday.
    • 55 Metascore
    • 67 Marrit Ingman
    It's got practically everything you could stuff in front of a camera, with the possible exception of Rip Taylor throwing confetti. Dancing transvestites? Check. Elephants? Check.
    • 70 Metascore
    • 67 Marrit Ingman
    Made by teachers for teachers, this local indie – which now sports the imprimatur of executive producer Morgan Spurlock – offers no easy answers to its statistic that 50% of teachers quit within their first three years on the job.
    • 65 Metascore
    • 67 Marrit Ingman
    Even at its most contrived, the filmmakers believe in this project so passionately that its atmosphere seems absolutely real.
    • 81 Metascore
    • 67 Marrit Ingman
    There’s much to enjoy, even if the funny bits don’t add up to Spinal Tap greatness. And the titular anthem, performed in a star-studded closing jamboree, has a wickedly funny payoff.
    • 57 Metascore
    • 67 Marrit Ingman
    Hallström's latest is fine but unambitious, content with what it is – an arthouse trifle for the masses.
    • 73 Metascore
    • 67 Marrit Ingman
    A paradox, balancing the contradictions and ambiguities of its characters and setting with a careful hand that rarely falters, even though the film seems dramatically thin at times.
    • 79 Metascore
    • 67 Marrit Ingman
    A pleasant and often surprising ensemble dramedy set almost entirely within the walls of a busy, fashionable Tribeca trattoria on a spectacularly busy Tuesday night.
    • 44 Metascore
    • 67 Marrit Ingman
    An indie grab bag.
    • 60 Metascore
    • 67 Marrit Ingman
    It's not quite masterful enough to achieve all its goals, but Zucker is undeniably ambitious despite its relatively lowbrow and farcical approach.
    • 69 Metascore
    • 67 Marrit Ingman
    This a deeply humane and affecting movie, surprisingly gentle in spite of its black-comic tinge, and without the slightest hint of schmaltz.
    • 62 Metascore
    • 67 Marrit Ingman
    If it's not perfect, it still gives pleasure to the eye.
    • 74 Metascore
    • 67 Marrit Ingman
    Not in recent memory has a movie so short – 90 minutes on the nose – been so stagnant and stubbornly slow to build. And that's exactly the point.
    • 62 Metascore
    • 67 Marrit Ingman
    It is a sweet, simple movie with a sweet, simple message: that children see the world differently and have much to teach the people who love them.
    • 75 Metascore
    • 67 Marrit Ingman
    Doesn't necessarily make for a crowdpleasing experience, though it is a provocative and uncomfortably authentic one.
    • 52 Metascore
    • 67 Marrit Ingman
    It’s part camp, part trash, and part cabaret, with a delightfully retro Hollywood Hills palette and zingy dialogue served up with relish.
    • 75 Metascore
    • 67 Marrit Ingman
    Bizarre, even darkly comic at times. But it's also elegant and mannered.
    • 64 Metascore
    • 67 Marrit Ingman
    A perfectly marvelous matinee option for young children.
    • 56 Metascore
    • 67 Marrit Ingman
    Garçon Stupide is interesting enough to merit an audience broader than its intended niche, though it isn't perfect.

Top Trailers