Mary McNamara

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For 594 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Olive Kitteridge
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 68 out of 594
594 tv reviews
    • 79 Metascore
    • 80 Mary McNamara
    Created by Scott Silveri, whose brother has cerebral palsy, the pilot crackles with one-liner wit and hilarious monologues, many, though not all, delivered by Maya, who all but vibrates with her tangled mess of take-no-prisoner standards and eternal optimism.
    • tbd Metascore
    • 80 Mary McNamara
    It's the whole over-the-top insanity of it all, the splendid and glorious belief that if you say even god-awful lines firmly enough, if you look hot while drawing some weapon with which you clearly have no familiarity, if you acknowledge the yawning chasms in plot by saying things like "This is crazy" and "Do you trust me?" often enough, your audience will stay with you. Which is the creative spirit that drives this town, shared by the masterpiece and the utter mess alike.
    • 66 Metascore
    • 80 Mary McNamara
    Anchored by the sensible sensitivity of Nick, Dirty Sexy goes over the top and back again, as brightly fun and cheesy as a carnival ride.
    • 80 Metascore
    • 80 Mary McNamara
    Beyond the emotional pull of the individual stories, Get to Work breaks down a certain us/them barrier, showing with painful clarity the holes left by the absence of family structure and education.
    • 64 Metascore
    • 80 Mary McNamara
    Terra Nova manages to introduce a panoply of narrative threads and themes while telling a remarkably clean story, both in terms of plot line and tone; Terra Nova is whole-family friendly.
    • 59 Metascore
    • 80 Mary McNamara
    There is plenty of that--the good, the beautiful and the etc. Some of it is conjured by CG magic (the Red Queen's palace is splendid, and the White Rabbit's ears a masterwork), and some by just good storytelling and performer chemistry, which Lowe and Socha have in abundance. Add to that a smattering of witty dialogue, clever character twists and, of course, the Victo-goth steampunk look, and ABC has another shot at redefining the family hour.
    • 78 Metascore
    • 80 Mary McNamara
    There's something about the terrible lighting, those horrible curtain dividers, the washed-out gowns that makes every patient seem extraordinarily vulnerable. Which, of course, they are, as are we all, including the men and women who provide our last line of defense in this life. This is precisely the stuff of great drama and of great documentary, but it gets a little troublesome when combining the two.
    • 71 Metascore
    • 80 Mary McNamara
    The show mines the long-standing tension between those who believe in fate and those who believe in control while holding all strains of outrageous behavior up for both mockery and scrutiny.
    • 86 Metascore
    • 80 Mary McNamara
    Modern Family is sharp, timely and fresh, complicated enough to be interesting but with a soft, sweet center because, and I'm speaking loudly so even cable channels can hear, there is nothing wrong with that.
    • 60 Metascore
    • 80 Mary McNamara
    "Harry Potter" meets "Gossip Girl" in "The Magicians," Syfy's new adaptation of a Lev Grossman trilogy, and it's a good match.... The Magicians holds its own by making the students a bit older and complicated.
    • 73 Metascore
    • 80 Mary McNamara
    Looking doesn't make the mistake of arguing that gay men are just like straight women, or straight men, or gay women, or even each other. Instead it tells the story of three guys who are friends in a strangely wonderful and difficult time and what that looks like. To them.
    • 69 Metascore
    • 80 Mary McNamara
    This one is smartly acted, crisply written and willing to address all manner of issues--marriage, betrayal, family economics, friendship, even the pitfalls of public domesticity--in gratifyingly complex ways.
    • 72 Metascore
    • 80 Mary McNamara
    When Fellowes allows his characters to show that mettle and strength are not necessarily the prettiest things in the room, Downton transcends its soap bubbles and more than earns its histrionic plot twists.
    • 79 Metascore
    • 80 Mary McNamara
    Ten minutes into the season premiere of Nip/Tuck and you have to wonder what those deeply disturbed plastic surgeons were doing wasting four seasons, and all that unexplored sexual tension, in Miami when they so clearly belong in Los Angeles.
    • 77 Metascore
    • 80 Mary McNamara
    Wyle is funny and charming and dispenses just enough fascinating arcane knowledge to keep things semi-educational, the special effects are great, Newhart and Curtin are always great to see, the ubiquitous Davison ("Knight Rider") is obviously having a blast as Lazlo, and really, who doesn't like a good vampire story?
    • 62 Metascore
    • 80 Mary McNamara
    That nonjudgmental, easygoing charm is precisely why the people in Key's life put up with him, and why viewers will be drawn to him. Rake may be the story of yet another anti-hero, but it's difficult to remember one this likable.
    • 66 Metascore
    • 80 Mary McNamara
    Three episodes in, the story is certainly serpentine, at times self-consciously so. But there does appear to be writerly method in the madness. More important, there is Farmiga, and she, like Norma, appears up to any task.
    • 76 Metascore
    • 80 Mary McNamara
    It's a powerful meditation on what happens to a community once a galvanizing threat is removed but then returns, albeit in a more benign state.
    • 64 Metascore
    • 80 Mary McNamara
    Playing it long and lugubrious but with a tantalizing twinkle, Lewis (last seen in the States as the hateful husband in "The Forsyte Saga") may well wrest the mantle of sexiest troubled American played by a Brit away from Hugh Laurie.
    • 72 Metascore
    • 80 Mary McNamara
    It is well-written and certainly well-acted, with plot and psychological twists as numerous and tantalizing as the streets on which they occur.
    • 64 Metascore
    • 80 Mary McNamara
    Covert Affairs may not have the revenge factor of "Burn Notice" or the bromantic banter of "White Collar," but it's fast-paced, fun and every bit as charming.
    • 71 Metascore
    • 80 Mary McNamara
    There's still blood and gore all over the floor, mind you. Not to mention rape, gruesome torture and evil run riot, and that's just the first episode. But there's also a lightness of touch and tone, a backlight of sly humor and, more important, a clearly delineated narrative.
    • 62 Metascore
    • 80 Mary McNamara
    Warehouse 13 is unapologetically and delightfully derivative, happily plucking the best stuff from our favorite shows and leaving all the heaviness behind.
    • 72 Metascore
    • 80 Mary McNamara
    The Strain is an old-fashioned, marks-hitting horror quest in which a band of unlikely warriors attempts to defeat a thing of unspeakable evil Before It's Too Late.
    • 75 Metascore
    • 80 Mary McNamara
    Close's performance illuminates rather than outshines with its high wattage.
    • 72 Metascore
    • 80 Mary McNamara
    You can't really improve on the story of "Oliver Twist"; the best you can hope for is to bring it to life, which the two-part "Masterpiece Classic" version skillfully does.
    • 69 Metascore
    • 80 Mary McNamara
    Refreshingly realistic in some ways (there is much jumping out of high windows, but the jumper is often actually injured) and soothingly romantic in others, "The Musketeers" is a captivating balance of spectacle and story, true enough to the essentials of the original, modern enough to understand the necessity of humor and self-reference.
    • 92 Metascore
    • 80 Mary McNamara
    For all its moments of poetry and insight, Mad Men too often feels less like a drama and more like the staging of a really good master's thesis.
    • 78 Metascore
    • 80 Mary McNamara
    Although Romano is the keystone of the group, it is very much an ensemble drama buoyed by writing that protects the characters from the perils of self-pity and self-indulgence with quick and gentle humor and plot points that capture the forces a middle-aged, middle-class man might actually battle.
    • 76 Metascore
    • 80 Mary McNamara
    Though undeniably hilarious at times, it is a difficult show to watch (see title).... [Julie and Billy's] friendship is powerful but limiting and destructive, their brilliance hampered by their refusal to acknowledge that the world is not their living room. Which, if Klausner doesn't lose her nerve, makes Difficult People an illuminating sendup of far too many things on television.

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