Mary McNamara

Select another critic »
For 511 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Downton Abbey: Season 1
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 58 out of 511
511 tv reviews
    • 77 Metascore
    • 80 Mary McNamara
    Wyle is funny and charming and dispenses just enough fascinating arcane knowledge to keep things semi-educational, the special effects are great, Newhart and Curtin are always great to see, the ubiquitous Davison ("Knight Rider") is obviously having a blast as Lazlo, and really, who doesn't like a good vampire story?
    • 62 Metascore
    • 80 Mary McNamara
    That nonjudgmental, easygoing charm is precisely why the people in Key's life put up with him, and why viewers will be drawn to him. Rake may be the story of yet another anti-hero, but it's difficult to remember one this likable.
    • 66 Metascore
    • 80 Mary McNamara
    Three episodes in, the story is certainly serpentine, at times self-consciously so. But there does appear to be writerly method in the madness. More important, there is Farmiga, and she, like Norma, appears up to any task.
    • 76 Metascore
    • 80 Mary McNamara
    It's a powerful meditation on what happens to a community once a galvanizing threat is removed but then returns, albeit in a more benign state.
    • 64 Metascore
    • 80 Mary McNamara
    Playing it long and lugubrious but with a tantalizing twinkle, Lewis (last seen in the States as the hateful husband in "The Forsyte Saga") may well wrest the mantle of sexiest troubled American played by a Brit away from Hugh Laurie.
    • 72 Metascore
    • 80 Mary McNamara
    It is well-written and certainly well-acted, with plot and psychological twists as numerous and tantalizing as the streets on which they occur.
    • 64 Metascore
    • 80 Mary McNamara
    Covert Affairs may not have the revenge factor of "Burn Notice" or the bromantic banter of "White Collar," but it's fast-paced, fun and every bit as charming.
    • 71 Metascore
    • 80 Mary McNamara
    There's still blood and gore all over the floor, mind you. Not to mention rape, gruesome torture and evil run riot, and that's just the first episode. But there's also a lightness of touch and tone, a backlight of sly humor and, more important, a clearly delineated narrative.
    • 62 Metascore
    • 80 Mary McNamara
    Warehouse 13 is unapologetically and delightfully derivative, happily plucking the best stuff from our favorite shows and leaving all the heaviness behind.
    • 72 Metascore
    • 80 Mary McNamara
    The Strain is an old-fashioned, marks-hitting horror quest in which a band of unlikely warriors attempts to defeat a thing of unspeakable evil Before It's Too Late.
    • 75 Metascore
    • 80 Mary McNamara
    Close's performance illuminates rather than outshines with its high wattage.
    • 72 Metascore
    • 80 Mary McNamara
    You can't really improve on the story of "Oliver Twist"; the best you can hope for is to bring it to life, which the two-part "Masterpiece Classic" version skillfully does.
    • 69 Metascore
    • 80 Mary McNamara
    Refreshingly realistic in some ways (there is much jumping out of high windows, but the jumper is often actually injured) and soothingly romantic in others, "The Musketeers" is a captivating balance of spectacle and story, true enough to the essentials of the original, modern enough to understand the necessity of humor and self-reference.
    • 92 Metascore
    • 80 Mary McNamara
    For all its moments of poetry and insight, Mad Men too often feels less like a drama and more like the staging of a really good master's thesis.
    • 78 Metascore
    • 80 Mary McNamara
    Although Romano is the keystone of the group, it is very much an ensemble drama buoyed by writing that protects the characters from the perils of self-pity and self-indulgence with quick and gentle humor and plot points that capture the forces a middle-aged, middle-class man might actually battle.
    • 76 Metascore
    • 80 Mary McNamara
    Though undeniably hilarious at times, it is a difficult show to watch (see title).... [Julie and Billy's] friendship is powerful but limiting and destructive, their brilliance hampered by their refusal to acknowledge that the world is not their living room. Which, if Klausner doesn't lose her nerve, makes Difficult People an illuminating sendup of far too many things on television.
    • 69 Metascore
    • 80 Mary McNamara
    Berman produces a deft juggling trick of heart and humor, balancing Deb's shallowness with some solid common sense and Jane's inadequate self-esteem with kindness and legal brilliance.
    • 60 Metascore
    • 80 Mary McNamara
    The Casual Vacancy is a heartbreaking, thought-provoking if occasionally simplistic look at the tyrannical power of the picturesque.
    • 81 Metascore
    • 80 Mary McNamara
    The first episode may be a bit rocky in the beginning, what with the reintroduction of characters and story lines, but the second season of Damages promises to be even better than the first.
    • 75 Metascore
    • 80 Mary McNamara
    Fortitude's only safety net is a cat's cradle of inter-linked, understated and strangely powerful performances.
    • 89 Metascore
    • 80 Mary McNamara
    In Season 2 the issues and tensions remain the same, but perfectly dialed up a notch or two.
    • 43 Metascore
    • 80 Mary McNamara
    All the performers use the documentary setup to their best advantage, shooting the omnipresent camera knowing, comical and anguished glances, and generally treating it as if it were another character.
    • 66 Metascore
    • 80 Mary McNamara
    Viewers will come to see Deschanel but they'll stay for the whole package because smart writing, confident timing and characters that are both familiar yet surprisingly fresh make New Girl the most promising comedy, and one of the most promising shows, of the season.
    • 85 Metascore
    • 80 Mary McNamara
    Nashville is big, bold, wildly ambitious and great fun, with top notes of Robert Altman's "Nashville," "Cat on a Hot Tin Roof" and "All About Eve."
    • 51 Metascore
    • 80 Mary McNamara
    Despite this silly and derivative setup, the pilot is actually a lot of fun. The performances are uniformly good and there are moments of promising depth to balance all the peppy hair-swinging, abs-flexing dance numbers.
    • 76 Metascore
    • 80 Mary McNamara
    If the rest of the series is as good as the two episodes released early for review (the fact that Netflix made only the episodes directed by Fincher available is slightly worrisome), House of Cards will in all probability become the first nontelevised television show to receive an Emmy nomination, or four.... [However,] not everything in House of Cards lives up to the standard set by its leads; for all its cutting-edge delivery system, it is at times surprisingly pat.
    • 85 Metascore
    • 80 Mary McNamara
    But of what actually happens, I will say no more. You'll have to watch it yourself. And you should.
    • 53 Metascore
    • 80 Mary McNamara
    Gossip Girl is eye candy, and mind candy, as pretty as a perfectly prepared martini--one that some nasty, picture-perfect have-it-all may or may not have drugged.
    • 80 Metascore
    • 80 Mary McNamara
    For a program known for its harum-scarum pace and keep-up-or-shut-up iconography, the Season 8 Saturday premiere of BBC America's Doctor Who opens slowly--even with the T. rex--and radiates a newly modern self-consciousness, albeit dressed in Victorian garb.
    • 78 Metascore
    • 80 Mary McNamara
    You either like Odenkirk's nervy, nervous and surprisingly soulful performance or you don't--and it's pretty hard not to like.

Top Trailers