Mary McNamara

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For 594 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Olive Kitteridge
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 68 out of 594
594 tv reviews
    • 66 Metascore
    • 70 Mary McNamara
    Despite a diversionary opening salvo of post-feminist raunch and unfortunate racial stereotyping, 2 Broke Girls is a solid, old-fashioned sitcom about two mismatched girls taking on the big city and makin' their dreams come true.
    • 56 Metascore
    • 70 Mary McNamara
    So, it's not as intrigue-heavy as "White Collar," as satiric as "The Good Guys" or as beautifully located as "Hawaii Five-O"; Franklin & Bash is smart, it's fun and it's summer.
    • 66 Metascore
    • 70 Mary McNamara
    There's still a lot of craziness and rants designed to resonate with a certain demographic. But an air of if not humility then self-awareness pervades, softening everything it touches, even Will.
    • 63 Metascore
    • 70 Mary McNamara
    Harper's Island does not attempt to rise above the confines of its genre because it's too busy rolling around in them. It's tense enough, mysterious enough for those of us who enjoy occasionally watching the screen from behind our hands.
    • 75 Metascore
    • 70 Mary McNamara
    The pacing seems, at times, at odds with the narrative’s overabundance of conflict. Universally fine performances keep the Job-like series of events from overwhelming things, but DuVernay is so focused on her main characters that the secondary narratives, including lovely scenes between Ernest’s sister Violet (Tina Lifford) and her husband, Hollywood (Omar J. Dorsey), often feel like afterthoughts. ... Even with these distractions, Queen Sugar is an undeniably beautiful series.
    • 79 Metascore
    • 70 Mary McNamara
    [Her] presence is what both illuminates and limits Gloria: In Her Own Words.
    • 44 Metascore
    • 70 Mary McNamara
    Here’s the best thing about the second season premiere of The Following: Kevin Bacon finally looks like he’s having a little fun.... Bacon and Hardy are in on the joke.
    • 64 Metascore
    • 70 Mary McNamara
    [Hunter] captures well the worn-to-the-bone, irritable and slightly skanky buzz of a person living on too little sleep and too many medicinally applied Cokes, while infusing her character with a gentle heart and a sudden, dazzling smile. But much of the rest of the show is tediously familiar.
    • 70 Metascore
    • 70 Mary McNamara
    It's the growing tension between Eddie, with his insecure decency and possibly actual mysticism, and the charm-boy con of Cal, that drives the show. Which works well enough--no doubt there will be Emmy nods--but it misses the even more golden opportunity to tell a story of faith and doubt, of the dangers posed by both compromise and rigidity, while examining the underpinnings of marriage and family.
    • 62 Metascore
    • 70 Mary McNamara
    It's not perfect, but it certainly is different, so why not just enjoy the ride?
    • 61 Metascore
    • 70 Mary McNamara
    [Christian] is in rare form here. Which is a good thing since the show's success or failure rests solely on his dramatic agility and general appeal.
    • 66 Metascore
    • 70 Mary McNamara
    Better Off Ted is funny, it's just not as funny as it might be, or should be, or, with any luck, will be.
    • 66 Metascore
    • 70 Mary McNamara
    Equally happy to consider the joys of rum raisin and the need for ritualized violence, Wayward Pines veers, at times, toward a self-consciousness one might call Fever Dream Camp. But mostly it's good, creepy fun, a round-the-fire story of a series that may turn out to be about something bigger than it seems.
    • 52 Metascore
    • 70 Mary McNamara
    The show's episodic nature, however, limits the attachment viewers can form for the teams (and also, mercifully, the level of celebrity these folks can later attain). But there is something to be said for brevity.
    • 69 Metascore
    • 70 Mary McNamara
    "What's really going on?" quickly becomes as big a question as "What will happen next?" as episodes jammed with plot remain often maddeningly opaque.... The stars give the show life--Holloway and Callies play an easily likable married couple with an increasingly complicated relationship, and Jacobson shines greasily as spokesman for the new overlords--but the wall gives the show meaning and potential relevance.
    • 82 Metascore
    • 70 Mary McNamara
    The Honorable Woman is great, in the most traditional sense of the word, which makes its flaws all the more frustrating. The first three episodes are often overwhelmed by soundtrack and studded with near-still-life shots meant, apparently, to offset the shootouts and establish the High Art factor of the series.
    • 68 Metascore
    • 70 Mary McNamara
    Fortunately, the main players are compelling enough to overlook the inevitable strains that come from shoehorning any real life into a television series.
    • 71 Metascore
    • 70 Mary McNamara
    Though each episode is entertaining, it's difficult to care what happens because nothing much seems to be at stake. Still, amid all the shattered and haunted leading men on TV today, Chuck is a refreshingly simple guy.
    • 63 Metascore
    • 70 Mary McNamara
    At its best, it's a well-acted, surprisingly clear-eyed look at the inconsistent relationship between passion and enduring love, and the innovative ways in which people bend their own rules to accommodate their need for pleasure. At its worse, it's a morally and narratively contrived excuse to watch a very entitled Everyman navigate a world of rich but unhappy women, including his own wife and daughter.
    • 54 Metascore
    • 70 Mary McNamara
    Pee-wee was always a boy-man, but Reubens is pushing 60; when he is flying through the air singing "I'm the luckiest boy in the world" the words "Sunset Boulevard" do come unfortunately to mind. Still, fans of Pee-wee will no doubt delight in a return to those strange and halcyon days before the Wiggles and Blues Clues took over the world, when Barney was still Fred Flintstone's sidekick and not a purple dinosaur and Pee-wee's multi-generational appeal was subversive and unique.
    • 67 Metascore
    • 70 Mary McNamara
    if you're the type of person who needs every little thing, or indeed any little thing, to make sense in a pilot, then you should probably watch Fringe in solitude, preferably with the door closed, so the rest of us can enjoy it for what it is--an uneven but promising jumble of horror, thriller and comedy that is not afraid to reference SpongeBob and "Altered States" in practically the same scene.
    • 67 Metascore
    • 70 Mary McNamara
    It's an old-fashioned sort of show, working unapologetically toward wisdom rather than cleverness, attempting to depict its setting as neither romantic nor dismal, the local color rising as much from silence as words.
    • 58 Metascore
    • 70 Mary McNamara
    As it is, some of the sharpness, the performance-art humor of the Web series is lost in translation, but even in the new form, it remains something remarkable, if not revolutionary, anchored by Kudrow, who is not so much inhabiting a character but an ethos--the self-help movement by way of Merrill Lynch and YouTube, with outtakes thrown in at the end for good measure.
    • 66 Metascore
    • 70 Mary McNamara
    The best thing about Go On is, not surprisingly, Perry.
    • 77 Metascore
    • 70 Mary McNamara
    All of which adds up to a pilot that is much more admirable in its intent than its execution, a better conversation-starter than episode.
    • 54 Metascore
    • 70 Mary McNamara
    It is a long journey and at times a slow one, but with more than a few delightful oases.
    • 77 Metascore
    • 70 Mary McNamara
    Spotnitz takes his time in all things, and the slow pace of the first six episodes of The Man in the High Castle often work against the agitated drama of its imagery.
    • 63 Metascore
    • 70 Mary McNamara
    The well-trod format of Siberia may be its biggest asset, quickly building the kind of sturdy perimeters that horror so often needs; real fear emerges when the familiar and predictable become shockingly distorted (is any ghost as scary as a child ghost?).
    • 77 Metascore
    • 70 Mary McNamara
    [Steven Tyler] may be all talk, the initial good cheer may wear thin and we may be begging to be slapped around by Cowell in a few weeks, but for now it's just nice to have judges who aren't learning how to be stars themselves. Which means that this year, maybe the show can be about finding a real American idol.
    • 71 Metascore
    • 70 Mary McNamara
    Beautifully shot and marvelously acted, Caprica is infused with all manner of intriguing bits of business....After the two-hour pilot, available on DVD last year, early episodes move with an often creaky slowness that seems at odds with its spry and comely cast.

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