Mary McNamara
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For 463 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.2 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 Smash: Season 1
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Negative: 55 out of 463
463 tv reviews
    • 59 Metascore
    • 60 Mary McNamara
    A cleverly conceived, at times visually lovely, but criminally long imagining of how Peter became Pan.
    • 46 Metascore
    • 60 Mary McNamara
    This Napoleon Dynamite is all go, go, go, racing, if nothing else, to keep pace with the host of other animated prime-time shows it joins.
    • 54 Metascore
    • 60 Mary McNamara
    It is nowhere near as smart as "White Collar" or as strangely touching as "Necessary Roughness" and seems content to hit well-worn marks, though more than occasionally with welcome style.
    • 52 Metascore
    • 60 Mary McNamara
    The crimes of the first four episodes revel in plot twists and medical conditions so ludicrous that they eventually become endearing, as does, against all odds, McCormack's performance.
    • 42 Metascore
    • 60 Mary McNamara
    Despite the frantic and at times clunky initial execution, there are times when The Mob Doctor shows signs of transcending the typical doc-with-something-extra medical procedural.
    • 42 Metascore
    • 60 Mary McNamara
    Created by Dan Fogelman it is enjoyable if not impressive--not bad, and almost good.
    • 72 Metascore
    • 60 Mary McNamara
    Every pilot is burdened with establishing character, jump-starting the narrative and hooking the audience, but Under the Dome unnecessarily force-feeds us its first hour to its own detriment.... Which isn't to say Under the Dome won't wind up being fun to watch. All of the performances seem promising.
    • 76 Metascore
    • 60 Mary McNamara
    Bogged down at times by moody re-creations (often unforgivably accompanied by the strains of a muted trumpet) and endless footage of Bin Laden, Manhunt is not a definitive telling either. Indeed, its strength lies in its awareness that there is no way to completely tell this particular story.
    • 66 Metascore
    • 60 Mary McNamara
    A cynic might think Twisted is a bald attempt to capitalize on the success of "Pretty Little Liars" while possibly adding a Y chromosome to the mix. The non-cynic might see in Danny yet another metaphor for the alienation and "otherness" many teens feel.
    • 60 Metascore
    • 60 Mary McNamara
    Where "The Returned" was content to tell its story in elliptical scenes and character sketches, Resurrection keeps them tightly tied together and bound to an investigative uber-narrative--Marty and Maggie are partners in detection with the requisite possibility of romance. The result is a lot of narrative that often strays too far from the original and much more provocative conceit: Hey, we see dead people.
    • 74 Metascore
    • 60 Mary McNamara
    There are many fine moments in 'Klondike,' cinematic scenes of grandeur and dialogue that rise to poetry. But too often both then fall prey to self-conscious staginess, many repetitive scenes of dirt and endless conversations about the animal nature of man.
    • 65 Metascore
    • 60 Mary McNamara
    A very far cry from O’Brien’s lanky swagger or Leno’s self-confident poise and, to be frank, the whole "who, me? host 'The Tonight Show?'" seemed laid on a bit thick in parts.... Once Fallon moved behind the desk, and in front of a truly fabulous wooden miniature of New York, he seemed more comfortable.... After presenting Fallon with his own (red) guitar, [U2] sang an acoustic version of their Oscar-nominated “Ordinary Love,” which sounded, as so few late-night performances do, just fabulous. And that is where Fallon will make his mark on the show.
    • 62 Metascore
    • 60 Mary McNamara
    There is much to like and learn from the miniseries. Alas, executive producer Stephen David and his creative team seem intent on getting in their own way, cluttering up the inevitably fascinating narrative (offered here by Jeremy Renner) with all manner of clunky historical reenactments, hyperbolic characterizations and a soundtrack that should be shot for treason.
    • 59 Metascore
    • 60 Mary McNamara
    When it's not being completely ridiculous, Chasing Life is very good.
    • 48 Metascore
    • 60 Mary McNamara
    A more than occasionally funny show in which Gabi (Emily Osment), an appealing but financially challenged food blogger, becomes personal chef to Josh (Jonathan Sadowski), an appealing but romantically challenged tech-ionaire.
    • 54 Metascore
    • 60 Mary McNamara
    Hirsch is, as usual, wonderful and more than capable of taking Abraham's story line wider and deeper than well-meaning banter and bromides assigned him, but in early episodes the story seems determined to showcase its more predictable aspects.
    • 48 Metascore
    • 50 Mary McNamara
    Leno's got his desk, he's got his guests and no one expects him to do anything but what he's done for so many years: protect the "Tonight Show" franchise. After all that has happened, that may or may not be enough.
    • 64 Metascore
    • 50 Mary McNamara
    Where once Nip/Tuck crackled, it now whines and sighs; where once it shocked, it now plays nice.
    • 73 Metascore
    • 50 Mary McNamara
    Almost from the get-go there's far more galumphing than trotting going on, and not all of it done by prehistoric feet. Things pick up in the third episode and there are dodos in the fourth, but it's not enough, no, not nearly enough.
    • 49 Metascore
    • 50 Mary McNamara
    Swingtown walks a fine line between being a period piece, down to the pudding cups, baseball shirts and snatches of the old "$10,000 Pyramid," and parody.
    • 63 Metascore
    • 50 Mary McNamara
    Such a concept seem ripe with delicious possibility. The show, unfortunately, is not. Played out as a cop procedural, it has a predictable narrative structure that at times resembles nothing so much as a prison.
    • 63 Metascore
    • 50 Mary McNamara
    Vampire fantasy, murder mystery, star-crossed love story, political satire, True Blood is all and none of the above. Not quite funny, not quite scary, not quite thought-provoking, the show's attempt to question the roots of prejudice is continually undermined by its own stereotyping.
    • 78 Metascore
    • 50 Mary McNamara
    Unfortunately, so smitten are the creators of John Adams with historical earnestness and pedigree they seem to have forgotten how to tell a good story.
    • 54 Metascore
    • 50 Mary McNamara
    The problem is that in the pilot and an early episode, the crimes are nowhere as compelling as the characters. For a show like "Castle" that dares to launch a more classic version into an already saturated and tarted-up market, the murders have to be as complicated and compelling as the push-me-pull-you glances between the main characters, and so far, they just aren't.
    • 47 Metascore
    • 50 Mary McNamara
    The performances, in and of themselves, range from solid (King's) to inspired (Marshall's)....But taken together, there is both too much and too little going on.
    • 60 Metascore
    • 50 Mary McNamara
    If you are a fan of, say, "Little Britain" in Season 3, you will probably like "Little Britain USA." As for the uninitiated, well, I suppose it all comes down to a person's fondness for penis jokes.
    • 63 Metascore
    • 50 Mary McNamara
    Survivors is torn between the desire to go big--it's the literal end of civilization--and small--how would an ordinary person react to the death of everyone he knows? Regrettably Survivors succeeds at neither, getting stuck instead in a blurry bog of middle ground.
    • 55 Metascore
    • 50 Mary McNamara
    The Cleveland Show is neither sweet nor particularly funny, neither a family comedy nor a true satire.
    • 51 Metascore
    • 50 Mary McNamara
    Crude stuff for a family newspaper, but despite the warm-and-fuzzy-celebrity cred that star Courteney Cox brings to it, some funny lines and good acting all around, Cougar Town is a crude show, built on jokes about oral sex and droopy breasts, a show in which words like "coochie" are used with regrettable abandon.
    • 52 Metascore
    • 50 Mary McNamara
    There are legitimately chilling, funny and suspenseful moments in the early episodes of "Happy Town," but the many fine performances are battered to death by a welter of plot twists and cheesy revelations that come speeding out of the sky like those murderous crows in "The Birds."

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