For 408 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

  • TV
Average review score: 62
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 Anchorwoman: Season 1
Score distribution:
  1. Negative: 45 out of 408
408 tv reviews
    • 62 Metascore
    • 50 Mary McNamara
    Survivors is torn between the desire to go big--it's the literal end of civilization--and small--how would an ordinary person react to the death of everyone he knows? Regrettably Survivors succeeds at neither, getting stuck instead in a blurry bog of middle ground.
    • 57 Metascore
    • 50 Mary McNamara
    The Cleveland Show is neither sweet nor particularly funny, neither a family comedy nor a true satire.
    • 51 Metascore
    • 50 Mary McNamara
    Crude stuff for a family newspaper, but despite the warm-and-fuzzy-celebrity cred that star Courteney Cox brings to it, some funny lines and good acting all around, Cougar Town is a crude show, built on jokes about oral sex and droopy breasts, a show in which words like "coochie" are used with regrettable abandon.
    • 53 Metascore
    • 50 Mary McNamara
    There are legitimately chilling, funny and suspenseful moments in the early episodes of "Happy Town," but the many fine performances are battered to death by a welter of plot twists and cheesy revelations that come speeding out of the sky like those murderous crows in "The Birds."
    • 62 Metascore
    • 50 Mary McNamara
    Between Sherri's grouchy father, adorable son and hapless ex, all the stereotypes seem to be running on full steam. It's a less-than-stellar debut, but a body set in motion will stay in motion unless acted upon by an outside force, and it's hard to imagine the outside force that's going to slow Sherri Shepherd down any time soon.
    • 66 Metascore
    • 50 Mary McNamara
    It's difficult to make cold-blooded and calculating people interesting and empathetic, and yet it must be done. Because fight scenes will take you only so far. Especially when there are no big dance numbers.
    • 65 Metascore
    • 50 Mary McNamara
    There's actually no reason this couldn't be a perfectly fine legal procedural, except there's no indication that anyone is attempting to make it one. The script is strictly writing by numbers.
    • 66 Metascore
    • 50 Mary McNamara
    It tries very hard not to take the expected path. Too hard, unfortunately. So determined are Hunt, executive producer/showrunner Jenny Bicks and Linney that The Big C be unsentimental that they jam early episodes with so many over-blown characters and wacky antics that it's impossible to attach meaning to any of them.
    • 45 Metascore
    • 50 Mary McNamara
    It's a noble goal and one hopes that after viewing School Pride, volunteers spring up, committees form and checks are written. Because to merely watch the show and wallow in its many throat-tightening moments would be to remain a voyeur, and then you're just part of the problem.
    • 66 Metascore
    • 50 Mary McNamara
    It's clear that Wells has nothing but respect for the original material; if only he felt the same for American viewers. Unfortunately, [executive producer John Wells] seems to have bought into the notion that Americans need everything to be bigger, louder, messier and drawn in primary colors.
    • 50 Metascore
    • 50 Mary McNamara
    In attempting to be both sprawling and intimate, The Kennedys winds up in a narrative no-man's land.
    • 54 Metascore
    • 50 Mary McNamara
    As if afraid they will be accused of not taking things seriously enough, the creators walk through much of the pilot as if through a minefield, which is to say ver-ry slowly and ver-ry carefully. Not the best pacing considering the subject matter.
    • 43 Metascore
    • 50 Mary McNamara
    Hart of Dixie is a stack of familiar scenarios stitched together to form a pretty if not terribly substantial quilt, of the sort Zoe encounters in Bluebell.
    • 52 Metascore
    • 50 Mary McNamara
    Certainly Olbermann is refreshing, and singular, in the clarity of his mission, which is to defend the liberal point of view with the same sort of take-no-prisoners rhetoric that conservative pundits like Bill O'Reilly have wielded so effectively. But the blatant uber-medianess of his persona seems, at times, in direct conflict with that belief that "the weakest citizen is more important than the strongest corporation."
    • 66 Metascore
    • 50 Mary McNamara
    Everything is presented far too briefly. For all her geographic ambition, Alexandra Pelosi winds up conducting an exit poll rather than telling a real story.
    • 58 Metascore
    • 50 Mary McNamara
    Despite the strength of its parts, the whole feels very nascent and shaky.
    • 56 Metascore
    • 50 Mary McNamara
    What viewers are left with, then, are some excellent fight and chase scenes, an outstanding supporting cast (who, alas, only highlight the main character's deficiencies) and a lot of truly beautiful location work. It may be enough, but it could, and should, have been so much more.
    • 56 Metascore
    • 50 Mary McNamara
    If you can live through the ridiculous hustle-forward, no-looking introduction to the story, what follows is entertaining enough, albeit in a mildly campy way.
    • 37 Metascore
    • 50 Mary McNamara
    It's not a bad show, it's just a bit too familiar.
    • 59 Metascore
    • 50 Mary McNamara
    The sets are terrific, as are the costumes, and the rich and saturated moodiness of the production values makes the tepidness of the story all the more disappointing.
    • 54 Metascore
    • 50 Mary McNamara
    SEAL Team Six, though inevitably exciting in its conclusion and touching at times, refuses to commit either way. This failure of nerve not only dooms the film as both docu--and drama but also contradicts its main theme.
    • 66 Metascore
    • 50 Mary McNamara
    If this seems a hodgepodge of ideas, well, that is the general feel of Mankind--a scattershot catalog of man's greatest hits, lovingly enacted by a cast of grim and grimy thousands and propelled ever forward by a relentless soundtrack and urgent narration by Josh Brolin.
    • 51 Metascore
    • 50 Mary McNamara
    Narrated by Stone with no other voices (save actors filling in for various world leaders), Untold History is a hodgepodge of terrific if often disturbing historical footage and bizarre theatrical asides (including, at one point, the dictionary definition of "empathy" spelled out on the screen) that are almost overwhelmed by its invasive soundtrack.
    • 61 Metascore
    • 50 Mary McNamara
    Banshee has has elements of "Justified," "Big Love," Ball's "True Blood" and, of course, the film "Witness." What it doesn't have, at least in the first two episodes, is anything new to say, about small towns, power, corruption, fear, crime or love.
    • 38 Metascore
    • 50 Mary McNamara
    Far more sentimental than thrilling--there are no real monsters under this hospital bed--it plays more like a mash-up of "A Gifted Man" and "The B- in Apartment 23."
    • 46 Metascore
    • 50 Mary McNamara
    Cult has just the right amount of preposterous dialogue and clunky transitions to draw potential hate-watchers too, a bit of zeitgeist juggling that is both slightly nauseating and admirable.
    • 63 Metascore
    • 50 Mary McNamara
    An ambitious character-driven drama over-enamored from the get-go with its tricky structure and coy premise.
    • 66 Metascore
    • 50 Mary McNamara
    What Swank doesn't bring is any sort of emotional connection, either to Mary, Mary's son or the audience.... Mercifully, Blethyn eventually joins her on the screen and is, as ever, simple perfection, needing to do little more than utter two words with an anguished squint to break your heart into 50 million pieces. When the two meet up, Mary and Martha begins to transcend the drumbeat of its message.
    • 63 Metascore
    • 50 Mary McNamara
    By pilot's end, the tension level is more "Parenthood" than "Homeland."
    • 57 Metascore
    • 50 Mary McNamara
    Equal parts stupid and sweet, The Goodwin Games does not appear to be built for the long haul.