Mary McNamara

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For 594 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Mary McNamara's Scores

Average review score: 62
Highest review score: 100 The Night Of
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Negative: 68 out of 594
594 tv reviews
    • 74 Metascore
    • 80 Mary McNamara
    Given a boatload of fine performances and an attractive milieu, it remains very much worth watching even when it feels like the writers are depending on your inattention or forcing their characters to act improbably in the service of a puzzle-plot that at times feels held together with string and tape and white glue.
    • 79 Metascore
    • 80 Mary McNamara
    Bel and her staff are no longer young Turks shaking up the fusty old BBC; now they are, for better or worse, part of the mainstream news media, forced to question their own motivations as well as those of the Establishment. In the first two episodes anyway, this makes for a more sophisticated storytelling, a drama of adults who must take responsibility for decisions of the mind as well as the heart.
    • 79 Metascore
    • 80 Mary McNamara
    A complicated, and occasionally whimsical, series of tactics lend the 90-minute premiere the wide-open, yet tensely meticulous feel of a good heist film.
    • 81 Metascore
    • 80 Mary McNamara
    You will laugh, you will cry and if it seems a bit treacly, it is.
    • 75 Metascore
    • 70 Mary McNamara
    Certainly Fellowes has developed a formula. A solid, dependable and successful formula, with "dependable" being just a few shades warmer than "predictable."
    • 64 Metascore
    • 70 Mary McNamara
    Grounded in parental reality, it's funny and promises to be funnier. The characters, though presented in very broad strokes, have lots of room for shading.
    • 68 Metascore
    • 70 Mary McNamara
    If the vagueness may irritate fans of the first book/film, it works well for the second, making this story a bit more open-ended and universal.
    • 66 Metascore
    • 70 Mary McNamara
    Once the action leaves the overly Maxfield Parrish-ized world of magic trees and drooping pregnant princesses, things pick up considerably.
    • 67 Metascore
    • 70 Mary McNamara
    It was an undeniably endearing, energetic and star-studded hour of television.
    • tbd Metascore
    • 70 Mary McNamara
    [Reedus] is an engaged and engaging guide. Sure, there’s a lot of “let’s do it” and “that’s amazing” or “this is so beautiful,” and not every side excursion is as interesting as it may have seemed in the editing room (doughnuts in the desert are not as much fun to watch as they are to do). But the show admirably swings for the poetic democracy of the most famous road-trip chronicles and it succeeds more often than you might think it would.
    • 79 Metascore
    • 70 Mary McNamara
    The first hour is overly obsessive-compulsive in plot points--code strings and routers as the new McGuffins--but the adolescent rage of its protagonist gives it emotional life.
    • 66 Metascore
    • 70 Mary McNamara
    All floppy hair and Hollywood smile, Kody's way too surferdude to take very seriously as a patriarch. It's the three wives--Meri, Janelle and Christine--who form the solid center of the family and the show.
    • 71 Metascore
    • 70 Mary McNamara
    If Bosch doesn't soar, it's solid enough, and if you like the series, you're just a click away from all the books.
    • 61 Metascore
    • 70 Mary McNamara
    Nix has more than proved that he knows how to wed comedy, action, satire and real character development, so though the pilot flags here and droops there, "The Good Guys" will no doubt pick up speed as everyone settles more comfortably into the idea that there are no sacred cows, not even the buddy flick.
    • 65 Metascore
    • 70 Mary McNamara
    Fortunately, terrific performances all around quickly ground the tensions in character rather than theme.
    • 48 Metascore
    • 70 Mary McNamara
    Three Rivers seems to trust the drama of its subject matter, the appeal of its characters and the talent of its cast enough to go gently into this Sunday night.
    • 73 Metascore
    • 70 Mary McNamara
    This main narrative of Humans, which is based on a Swedish series and written by Sam Vincent and Jonathan Brackley, is solid if somewhat familiar; the truth and beauty of the series lies in the various B plots.
    • 67 Metascore
    • 70 Mary McNamara
    It had a not-bad, pretty good, kinda funny, sort of smart debut.
    • 64 Metascore
    • 70 Mary McNamara
    Unabashedly retro, with plenty of high- and low-tech silliness.
    • 61 Metascore
    • 70 Mary McNamara
    As the fine but far more dutiful early episodes of Season 2 suggest, if we're not careful, we'll get only the television we deserve.
    • 59 Metascore
    • 70 Mary McNamara
    The 10-episode series, based on a book by Robert Littell and premiering Wednesday, has been constructed as a wide and solid if somewhat workmanlike platform for the British actor's considerable talents.
    • 74 Metascore
    • 70 Mary McNamara
    Indeed, the fleshed-out secondary characters have better material than do Sookie and her vampire Bill (Stephen Moyer), who labor under the burden of replaying for the umpteenth time the forbidden love between the living and the dead, the light and the dark.
    • 79 Metascore
    • 70 Mary McNamara
    While it goes out of its way to cast these soldiers as the heroic equals, if not betters, of their "Greatest Generation" counterparts, the series does not have the same impact--mainly because these images, though at times awful and upsetting, are also much more familiar.
    • 70 Metascore
    • 70 Mary McNamara
    [George] is not terribly believable in any of them, forcing viewers to rely on the reactions of those around her to see that she is convincing as an uber agent. Fortunately, the other performances are strong enough to carry it off for the most part, and as the plot divides and subdivides, sending tendrils up through the vaunted British intelligence agency, recalling the Cold War and evoking more current international concerns, Hunted takes on a smart and disturbing personality of its own.
    • 76 Metascore
    • 70 Mary McNamara
    Though funny and fabulous, the tone of the season premiere is as harsh as those famously flung slushies, with an emphasis on girl fights and not nearly enough of Mercedes (Amber Riley), Brittany (Heather Morris) or Kurt.
    • 68 Metascore
    • 70 Mary McNamara
    With a talented ensemble and exquisite location work, it’s a solid night-time soap with top notes of consciousness-raising and the added bonus of returning Winfrey to the flat screen (albeit in a co-starring role).
    • 55 Metascore
    • 70 Mary McNamara
    It's all great fun, especially for those of us who have not read the book and so do not know if there is a clever cause or a nifty solution. Even if there is not, we get to watch a solid cast work its way through this latest spin on a classic tale, while keeping a wary eye on our own pets.
    • 61 Metascore
    • 70 Mary McNamara
    Full of doe-eyed children talking to invisible and possibly sinister forces in the ceiling, the shrubbery and the night sky, The Whispers gets as much mileage out of the Steven Spielberg hand-stamp (he's an executive producer) as possible.
    • 63 Metascore
    • 70 Mary McNamara
    Taylor and Gross balance just the right amount of competence and bewilderment, while Mulroney emotes the pain of a rejected father. The pilot is all but stolen by Joshua Erenberg, who plays the kid Finley rescues.
    • 59 Metascore
    • 70 Mary McNamara
    In this case familiarity breeds more comfort than contempt. Caan and Lawson spark when they spar, Crichlow's Lulu is a delight as is Gluck's Danny. And even Dick, though burdened with far too much sexual innuendo, has a few good moments.

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