Matthew Gilbert

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For 1,036 reviews, this critic has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 7.5 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 60
Highest review score: 100 Rescue Me: Season 2
Lowest review score: 0 Twenty Good Years: Season 1
Score distribution:
1036 tv reviews
    • 36 Metascore
    • 40 Matthew Gilbert
    To stand out from the pablum of domestic sitcoms, the series needs to lose the working-mom cliches and be more willing to be mean.
    • 75 Metascore
    • 60 Matthew Gilbert
    Ever respectful of its source, the miniseries doesn't add on sexuality so much as it seeks and finds character depth and dimensionality.
    • 75 Metascore
    • 50 Matthew Gilbert
    The script is a little too silly and lighthearted for its own good, undermining its cleverness with absurd plot twists. [11 July 2012, p.D1]
    • Boston Globe
    • 61 Metascore
    • 40 Matthew Gilbert
    It's "Party of Five" meets "Buffy the Vampire Slayer," but with less angst and pathos than the former and more adult pretension than the latter...As it is, "Charmed" is a pretty bland-tasting brew. [7 Oct 1998, p.C5]
    • Boston Globe
    • 75 Metascore
    • 50 Matthew Gilbert
    The material isn't nearly strong enough to support a full half-hour of TV.
    • 51 Metascore
    • 60 Matthew Gilbert
    It succeeds as a charming, silly, and idealistic piece of whimsy along the lines of "In and Out."
    • 74 Metascore
    • 50 Matthew Gilbert
    The Blacklist doesn’t waste time making sense, as the focus zooms all over Washington, D.C. Too often, it seems more like a blueprint for a show than a show.
    • 72 Metascore
    • 60 Matthew Gilbert
    Walters makes the movie seem like more than it is. She gives us a fully dimensional woman--an art teacher--who is idealistic, self-righteous, humorless, God-fearing, affectionate toward her students, driven, and not any one of those qualities to a great extreme.
    • 74 Metascore
    • 60 Matthew Gilbert
    Ultimately, Fisher comes across like that overly intelligent, entertaining, articulate analysand who has her own story all figured out, but still doesn't know how to let it go.
    • 46 Metascore
    • 40 Matthew Gilbert
    Not surprisingly, watching a functional maniac pitching fits gets old pretty quickly. It's like listening to "You are the weakest link" on a loop for an hour straight. [30 May 2005]
    • Boston Globe
    • 53 Metascore
    • 40 Matthew Gilbert
    'Numb3rs' is strained... You can practically hear them groaning with effort as they milk the action potential out of a brainstorming nerd banging his chalk against a blackboard la 'A Beautiful Mind.'
    • 73 Metascore
    • 60 Matthew Gilbert
    You can feel creator Vince Gilligan (of "The X-Files") straining to build an emblematic American fable and forgetting to fill in his story with particularities and believable motivations.
    • 73 Metascore
    • 40 Matthew Gilbert
    A tonally baffling story that seems to both ridicule academic pretentiousness and succumb to it. ... The acting is fine all around, with Hahn trying her damnedest to be fierce but flappable, but that doesn’t keep the characters from becoming tiresome.
    • 50 Metascore
    • 50 Matthew Gilbert
    The stereotypes in play on Accidentally on Purpose are flat, if harmless, from the get-go.
    • 50 Metascore
    • 60 Matthew Gilbert
    "Million Dollar Listing" is a pretty collection of vignettes about people with money making more money, and it's a little obscene.
    • 58 Metascore
    • 60 Matthew Gilbert
    The couples are ordinary, and so are their issues. That’s part of the goal of the show--to dissect the mundanity of love and anger. But making a developing story out of these tangles and skirmishes is extremely difficult, and Tell Me You Love Me doesn’t quite pull it off.
    • 58 Metascore
    • 40 Matthew Gilbert
    This comedy is painfully broad, not to mention unimaginative and derivative of every newsroom sitcom from "The Mary Tyler Moore Show" to "LateLine" to "NewsRadio" to "Less Than Perfect."
    • 73 Metascore
    • 60 Matthew Gilbert
    It’s a shame the story doesn’t fully work, because some of the acting in Top of the Lake: China Girl is top of the line. I love the cast, even when the script fails them and they’re forced to make illogical scenes work.
    • 73 Metascore
    • 50 Matthew Gilbert
    The show is mildly entertaining at best, with a few pluses--unusual story lines, particularly the one set after World War II, some gorgeous scenery, and one or two likable performances--counterbalanced by a few negatives. Least tolerable among the negatives: the occasional Harlequin Romance moments that have you waiting for the lass to shed her corset while the evening wind blows through Fabio’s hair.
    • 73 Metascore
    • 50 Matthew Gilbert
    While it succeeds nicely on some of these fronts, at times managing to be gripping and thought provoking, it fails to cohere on other fronts, as writer Jack Thorne crams too many characters and too much story into a half-dozen hours.
    • 70 Metascore
    • 50 Matthew Gilbert
    The show digs into the issues too quickly, and with too much intensity, and the drama suffers. [22 July 2003, p.E1]
    • Boston Globe
    • 73 Metascore
    • 50 Matthew Gilbert
    The problem with the miniseries, written by Peter Harness and directed by Toby Haynes, is its lack of emotional potency, at least in the first two episodes. At moments, the amazingly constructed magical set pieces threaten to overwhelm both the fine points of the plot and the wonderful performances.
    • 72 Metascore
    • 50 Matthew Gilbert
    24 makes a feint toward change, before getting back on the same old mechanical cowboy ride.
    • 72 Metascore
    • 50 Matthew Gilbert
    The series as a whole has a much better sense of itself, and a more confident tone, since Eli, his colleagues, and the viewers all understand that the guy is in fact a visionary. The coyness of season one is gone. The show, cocreated by Greg Berlanti, nonetheless falls short of being destination television.
    • 63 Metascore
    • 60 Matthew Gilbert
    You won't be drawn to True Blood if you don't like a heightened, almost cartoonish atmosphere. Paquin, giggly but calmly assertive, is something of an acquired taste as Sookie.
    • 72 Metascore
    • 50 Matthew Gilbert
    The movie is so carefully stylized, any and all emotional import has been sucked out of it.
    • 72 Metascore
    • 50 Matthew Gilbert
    The actors aren’t bad at all, but the script seems to block them from deepening their performances and coloring in the gray along the way.
    • 43 Metascore
    • 40 Matthew Gilbert
    The show doesn't ever really develop a comic center, or a heart. It's just a bunch of pointless monkey business.
    • 57 Metascore
    • 40 Matthew Gilbert
    The show might even have been engaging, if the one-liners came less frequently and the characters had a little more dimension. As it is, Sheldon and Leonard are merely laughable, if sweet, and they are even less fleshed out than the characters on "Two and a Half Men."
    • 66 Metascore
    • 60 Matthew Gilbert
    OK, watching celebrities get taken down does have its nice side. [20 Apr 2003, p.N5]
    • Boston Globe

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