Matthew Gilbert
Select another critic »
For 847 reviews, this critic has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 7.4 points lower than other critics. (0-100 point scale)

Matthew Gilbert's Scores

Average review score: 58
Highest review score: 100 The Larry Sanders Show: Season 6
Lowest review score: 0 The Real Wedding Crashers: Season 1
Score distribution:
847 tv reviews
    • 79 Metascore
    • 70 Matthew Gilbert
    The show's setup has some charm, especially since Joan's reactions are anything but beatific. [26 Sept 2003, p.D4]
    • Boston Globe
    • 76 Metascore
    • 70 Matthew Gilbert
    Based on the first five new episodes, I'd say Boardwalk Empire does recover, mostly if not completely, but only after a period of creeping aimlessness.
    • 70 Metascore
    • 70 Matthew Gilbert
    The White Queen is gauzier than “The Tudors,” and it contains more overacting; but it scratches the same itch.
    • 79 Metascore
    • 70 Matthew Gilbert
    It's a welcome addition to nonfiction television and a loyal friend to the radio show.
    • 77 Metascore
    • 70 Matthew Gilbert
    Aliens in America is decent, and quiet, and genuinely sweet.
    • 71 Metascore
    • 70 Matthew Gilbert
    The pieces don't tend to add up to much; the suspects and victims often slip out of custody too easily; and each episode's crimes dovetail with some predictability. These aren't brain teasers. Still, the series has great hypnotic allure, as the murders and deaths drive Wallander further into himself.
    • 61 Metascore
    • 70 Matthew Gilbert
    A try at a male "My So-Called Life," with a heaping helping of "Dawson's Creek" on top. [7 Oct 2004]
    • Boston Globe
    • 69 Metascore
    • 70 Matthew Gilbert
    The cases on "Boston Legal" will inevitably become ridiculous; that's the trend in Kelley's shows, as he pushes the envelope beyond reason. But the show's regular cast has great promise. [2 Oct 2004]
    • Boston Globe
    • 71 Metascore
    • 70 Matthew Gilbert
    It’s flawed, with the kinds of cheesy trappings and historical freedoms that turn off some viewers.... But the series is nonetheless transporting in its way, largely because it doesn’t try too hard to soften or civilize the characters.
    • 55 Metascore
    • 70 Matthew Gilbert
    An engaging crime show that borrows plenty from the ''CSI" franchise but adds a layer of light character drama.
    • 80 Metascore
    • 70 Matthew Gilbert
    The cinematography is beautiful, and there seems to be nowhere around the Big Apple's tents and trailers that the camera won't go. There's just not much in the way of drama here.
    • 61 Metascore
    • 70 Matthew Gilbert
    The New Normal is sweet-natured, in the way the characters mingle their lives together; but the jokes, they are mighty spotty.
    • 64 Metascore
    • 70 Matthew Gilbert
    If the writers can keep avoiding pitfalls, this surprisingly pleasing show just may signify the end of the ''Seinfeld" curse.
    • 66 Metascore
    • 70 Matthew Gilbert
    It helps Perry that Silveri has surrounded him with a large ensemble filled with potential.
    • 64 Metascore
    • 70 Matthew Gilbert
    Lie to Me, based on the real-life lie-detection work of Dr. Paul Ekman, doesn't extend much beyond its genre's borders. But if you're fascinated by the poker-game elements of crime-solving and a man obsessed with "tells," you may connect with this show.
    • 62 Metascore
    • 70 Matthew Gilbert
    The show is just an undemanding, entertaining, and sometimes whimsical ride. Yup, it's likable.
    • 59 Metascore
    • 70 Matthew Gilbert
    I think How to Make It in America has a lot going for it, if show creator Ian Edelman can keep from indulging in New York hipster cliches.
    • 58 Metascore
    • 70 Matthew Gilbert
    Kings does dip in and out of predictability, when familiar Spelling soap operatics and political machinations break through the show's unique surface. But it still is a fascinating effort.
    • 77 Metascore
    • 70 Matthew Gilbert
    Tyler, Lopez, and Randy Jackson showed some promise last night, for a few reasons. First of all, Idol works better with three judges than four. You could already feel a warm triangular bond developing between Jackson, Tyler, and Lopez.
    • 68 Metascore
    • 70 Matthew Gilbert
    "Flight of the Conchords" is one of the few TV comedies that truly can be called unique.
    • 58 Metascore
    • 70 Matthew Gilbert
    The show has the makings of a more sincere, "Gilmore Girls"-like take on female bonding.
    • 74 Metascore
    • 70 Matthew Gilbert
    It's good, not great, and tonight's strong pilot gives way next week to a noticeably less stellar hour.
    • 63 Metascore
    • 70 Matthew Gilbert
    Coster-Waldau makes John so alien and distant as to be annoyingly inscrutable. But in Thursday's episode, we begin to learn more particulars about John's history, and how he maintains his secret. And that's when Coster-Waldau becomes more vivid and the show begins to rise above its silly murder-of-the-week plots
    • 67 Metascore
    • 70 Matthew Gilbert
    I'm on board with Tara, but so far mostly for the supporting characters, whose number expands in the coming weeks to include a self-empowered "Vita-self" saleswoman who is overly curious about Tara's disorder.
    • 83 Metascore
    • 70 Matthew Gilbert
    I admire this show--it's so original, and sequences such as the "Sound of Music" goof are right on. But I admire it more than I enjoy it.
    • 53 Metascore
    • 70 Matthew Gilbert
    Does it work? Mostly, but only if you can handle what is now commonly called "edge." [29 Jan 1999]
    • Boston Globe
    • 81 Metascore
    • 70 Matthew Gilbert
    Little Dorrit has so many virtues--indelible performances, stirring pathos, and an emotional and psychological heft unusual for Dickens--that you can forgive its one significant flaw.
    • 52 Metascore
    • 70 Matthew Gilbert
    Even as you may be tempted on occasion to roll (or close) your eyes, it’s hard not to be drawn in at least partway.
    • 55 Metascore
    • 70 Matthew Gilbert
    Then the second episode, and then the third, come along, and 1600 Penn evolves into a surprisingly likable single-camera comedy.
    • 67 Metascore
    • 70 Matthew Gilbert
    The plotting of The Bridge can be dense. That doesn’t undermine my enjoyment of the show, but there are moments in between revelations when I sometimes feel at sea.

Top Trailers