Megan Lehmann
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For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.8 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 In America
Lowest review score: 0 The Hillside Strangler
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 58 Metascore
    • 25 Megan Lehmann
    A stinker.
    • 48 Metascore
    • 25 Megan Lehmann
    Incoherent, laugh-free comedy.
    • 41 Metascore
    • 25 Megan Lehmann
    Lurches so wildly and meaninglessly between genres and time frames that all it creates is motion sickness.
    • 55 Metascore
    • 25 Megan Lehmann
    The gay sex scenes that punctuate Eloy de la Iglesia's limp Spanish comedy, Bulgarian Lovers, are frequent and graphic, and it often seems as if the lackluster story exists solely to showcase them.
    • 38 Metascore
    • 25 Megan Lehmann
    Riddick-ulous.
    • 52 Metascore
    • 25 Megan Lehmann
    It's awkward, listless and fails to reach any sort of climax.
    • 30 Metascore
    • 25 Megan Lehmann
    An exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound.
    • 47 Metascore
    • 25 Megan Lehmann
    Tedious and obnoxiously manipulative.
    • 37 Metascore
    • 25 Megan Lehmann
    It's just another discordant note in this tone-deaf movie -- a trashy, exploitative, thoroughly unpleasant experience.
    • 31 Metascore
    • 12 Megan Lehmann
    Kicks off as a cheap piece of retro schlock and quickly devolves into a putrid bloodbath with a thin narrative made utterly indecipherable by the first-time director's clueless approach to filmmaking.
    • 36 Metascore
    • 12 Megan Lehmann
    A confusing mishmash.
    • 30 Metascore
    • 12 Megan Lehmann
    Unfathomable balderdash.
    • 22 Metascore
    • 12 Megan Lehmann
    Kicks off with an inauspicious premise, mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper.
    • 39 Metascore
    • 12 Megan Lehmann
    The only feeling the character seems capable of is lust -- and when he hits on the male nurse looking after his newborn baby in the hospital, this hollow, unfunny "comedy" moves from merely tedious to nasty.
    • 9 Metascore
    • 12 Megan Lehmann
    As if the witless cultural stereotypes weren't bad enough, misogyny is rampant -- bare-breasted women abound, yet the protagonist remains fully clothed while having a bullet removed from his butt.
    • 46 Metascore
    • 12 Megan Lehmann
    How do you inject life into a film whose central character is dull, slow, stupid and grim?If you're Arnaud Desplechin, you don't.
    • 1 Metascore
    • 12 Megan Lehmann
    Amateurish, irritatingly gabby indie.
    • 20 Metascore
    • 12 Megan Lehmann
    Contains much more prosaic ingredients. Like props and sound effects that could have been borrowed from an off-off-Broadway play, a host of painfully strained performances and a plot that's almost unbearably stupid.
    • 27 Metascore
    • 12 Megan Lehmann
    This witless action comedy begins to insult the audience's intelligence from the opening scene.
    • 41 Metascore
    • 12 Megan Lehmann
    The cheap-looking special effects, embarrassingly clunky attempts at humor and one-dimensional characters are bad enough, but the PG-rated movie's most offensive crime is its uncomfortably lewd interactions between adults and kids.
    • 33 Metascore
    • 12 Megan Lehmann
    The family at the center of "Catch" is likable and authentic, but the seriousness of their plight sits uneasily with the shoddily assembled escapist goof it generates.
    • 15 Metascore
    • 0 Megan Lehmann
    Nasty, borderline bigoted, stunningly amateurish film.
    • 18 Metascore
    • 0 Megan Lehmann
    Not as bad as rumor would have it. It's worse.
    • 19 Metascore
    • 0 Megan Lehmann
    Another repulsive, fetishistic trawl through the life and crimes of a serial killer.
    • 15 Metascore
    • 0 Megan Lehmann
    Exploitative rubbish.
    • 19 Metascore
    • 0 Megan Lehmann
    The narrative itself, attributed to three former "Seinfeld" writers who also worked on "The Grinch," reeks of desperation.

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