Megan Lehmann
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For 326 reviews, this critic has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this critic grades 5.8 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 54
Highest review score: 100 In America
Lowest review score: 0 Swept Away
Score distribution:
  1. Negative: 97 out of 326
326 movie reviews
    • 38 Metascore
    • 50 Megan Lehmann
    A throwback to the kind of '80s action flicks that had titles like "Adrenaline Force," is enlivened by a raft of celebrity cameos, including a blink-and-you'll-miss-it appearance by Gibson.
    • 43 Metascore
    • 50 Megan Lehmann
    A skin-deep examination of a shallow lifestyle that draws a conclusion so logical it's almost superfluous.
    • 52 Metascore
    • 50 Megan Lehmann
    Despite his innate appeal and nimble line readings, Grace can't surmount the deficiencies of the underdog character screenwriter Victor Levin ("Mad About You") has saddled him with.
    • 66 Metascore
    • 50 Megan Lehmann
    If it weren't for the estrogen-fueled action scenes -- choreographed by director Cory Yuen with wit and style -- So Close would be as disposable as the shampoo ad it all too often resembles.
    • 60 Metascore
    • 50 Megan Lehmann
    A postcard-pretty psychological drama that's too moody and enigmatic for its own good.
    • 47 Metascore
    • 50 Megan Lehmann
    Unfortunately, the vehicle chosen for the corn-rowed cutie's Hollywood coming-out party is pretty lame.
    • 37 Metascore
    • 50 Megan Lehmann
    A cinematic petit four.
    • 48 Metascore
    • 50 Megan Lehmann
    Many of Kampmeier's characters are either ill-defined or clichéd.
    • 19 Metascore
    • 50 Megan Lehmann
    A harmless celebration of idiocy that is the cinematic equivalent of an overeager, block-headed puppy chasing its tail.
    • 46 Metascore
    • 50 Megan Lehmann
    The film is too low-key to be the farcical rock-and-roll jape it sometimes seems to strive for, yet too lighthearted to be affecting.
    • 36 Metascore
    • 50 Megan Lehmann
    If you've come to appreciate Hal Hartley's idiosyncratic style through films like "Flirt" and "The Unbelievable Truth," his take on the monster movie genre will intrigue you. But, ultimately, disappoint you.
    • 63 Metascore
    • 50 Megan Lehmann
    The film - dimly lit and with an ominous soundtrack that verges on overkill - is largely a showcase for the heavy-lidded Renner.
    • 54 Metascore
    • 50 Megan Lehmann
    There's really nothing new here, though, and lacking the drama and humor of "Fahrenheit 9/11," it is even more likely to be preaching to the converted.
    • 36 Metascore
    • 50 Megan Lehmann
    An interesting addition to a genre that tends too often to disregard artistic technique.
    • 37 Metascore
    • 50 Megan Lehmann
    Too unfocused to make any point worth taking with us into the 2004 presidential campaign.
    • 42 Metascore
    • 50 Megan Lehmann
    Boasts a stellar ensemble cast and some priceless one-liners -- but those pearls of acerbic wit have been strung together on a cheap piece of thread which almost inevitably breaks in the third act.
    • 58 Metascore
    • 50 Megan Lehmann
    The character of ZigZag is not sufficiently developed to support a film constructed around him.
    • 43 Metascore
    • 50 Megan Lehmann
    Startlingly immature.
    • 56 Metascore
    • 50 Megan Lehmann
    This frigid and inaccessible period piece wears its glumness like a shroud.
    • 52 Metascore
    • 38 Megan Lehmann
    Can that achingly abstract thing called love be captured in a beaker or dissected like a frog splayed on a slab? That's the belabored premise of this dorky, clinically structured romance cooked up in the Sundance Institute's screenwriter and filmmaker labs.
    • 30 Metascore
    • 38 Megan Lehmann
    Any one episode of "The Sopranos" would send this ill-conceived folly to sleep with the fishes.
    • 36 Metascore
    • 38 Megan Lehmann
    Ryan spends much of the grubby-looking boxing drama Against the Ropes with her face screwed up in distaste, as if a dirty sock is being waved under her nose. Perhaps it's because the movie she's in stinks.
    • 46 Metascore
    • 38 Megan Lehmann
    Some solid performances and pretty scenery don't do much to conceal that there's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale.
    • 41 Metascore
    • 38 Megan Lehmann
    It's a simple-minded celebration of speed that pretends to be nothing else, even throwing in the occasional wink to acknowledge its own silliness.
    • 73 Metascore
    • 38 Megan Lehmann
    Snoozy and unconvincing.
    • 43 Metascore
    • 38 Megan Lehmann
    The problem is that there's not a sympathetic character among the nasty, brutish males. And the women, except for a flashy cameo by a swimsuit-clad Paris Hilton, are given short shrift.
    • 77 Metascore
    • 38 Megan Lehmann
    Indulgent, tedious documentary.
    • 50 Metascore
    • 38 Megan Lehmann
    "Schindler's List" it ain't, and the whole is rendered occasionally surreal by Janusz Stoklosa's laughably heavy-handed score.
    • 52 Metascore
    • 38 Megan Lehmann
    Tries to be many things -- romantic comedy, mockumentary, a satire on beauty and aging -- but ends up succeeding at none.
    • 50 Metascore
    • 38 Megan Lehmann
    Lee gives his childhood hero altogether too much face time to defend himself against the numerous allegations and charges of assault, both physical and sexual.

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