Melanie McFarland
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For 198 reviews, this critic has graded:
  • 39% higher than the average critic
  • 1% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 11.5 points lower than other critics. (0-100 point scale)

Melanie McFarland's Scores

Average review score: 53
Highest review score: 100 Deadwood: Season 3
Lowest review score: 0 Moonlight: Season 1
Score distribution:
  1. Positive: 75 out of 198
  2. Negative: 59 out of 198
198 tv reviews
    • 86 Metascore
    • 80 Melanie McFarland
    Outlandish creativity is the central feature here, a switch that inspires viewers to discuss each competition in the same way you'd evaluate a work of art as opposed to hooting at the foulest examples of human behavior. [6 Dec 2005]
    • Seattle Post-Intelligencer
    • 79 Metascore
    • 80 Melanie McFarland
    The premiere showed a few early signs of greatness from a handful of the designers; you'll have to watch to find out to whom I'm referring.
    • 71 Metascore
    • 80 Melanie McFarland
    The storytelling and performances are peerless in their intensity.... At the same time, there may be too much going on here for six episodes to do this show justice.
    • 76 Metascore
    • 80 Melanie McFarland
    What it does is invite you to enjoy the dysfunction, maybe relate a little. Worthy punctuation for the end of Sunday evening. [5 Nov 2004, p.C1]
    • Seattle Post-Intelligencer
    • 77 Metascore
    • 80 Melanie McFarland
    Cute and smart, "Earl's" pilot pulled a coup unheard of in recent network comedy memory, juggling un-P.C. humor with a winning sweetness.
    • 64 Metascore
    • 80 Melanie McFarland
    Considering all that it has going for it, "Threshold" has a more formidable foe in Friday night apathy. Out of all the shows that could possibly conquer that, though, you couldn't place your faith in a better choice than this excellent proof of intelligent TV life.
    • 81 Metascore
    • 80 Melanie McFarland
    Very British, coasting on quiet pauses, subtle digs and ironic discomfort -- a bonus for some, a strong negative for many.
    • 74 Metascore
    • 80 Melanie McFarland
    There's a lot to love about Torchwood, especially for fans of the early days of "The X-Files," when it was more of a clever horror anthology series and the alien conspiracy had yet to take over the plot.
    • 80 Metascore
    • 80 Melanie McFarland
    Plain wonderful.
    • 73 Metascore
    • 80 Melanie McFarland
    The show could be almost too funny to be appreciated on normal television, in the same way "Arrested [Development]" was.
    • 75 Metascore
    • 80 Melanie McFarland
    "Ugly Betty" may be the fall's best new series.
    • 58 Metascore
    • 80 Melanie McFarland
    "Psych" is one of those happy collisions of an intelligent script and an appealing cast.
    • 77 Metascore
    • 80 Melanie McFarland
    The series quickly establishes itself as an elegant study in horror.
    • 85 Metascore
    • 80 Melanie McFarland
    One magnificently chilling shot near the end of the season two's first episode shows us just how busy Dexter's been all these years. Rarely has an image of evil looked so delectably good.
    • 48 Metascore
    • 80 Melanie McFarland
    It seems Darren Star has moved away from the fantasy of the upwardly mobile professional woman who seizes life's pleasures for everything they're worth; his ABC dramedy proves, time and again, that every treasure we hunt for comes with a higher price not listed on any receipt.
    • 66 Metascore
    • 80 Melanie McFarland
    You don't usually encounter the words "smart" and "soap" in close proximity, but this is one of those exceptions.
    • 86 Metascore
    • 80 Melanie McFarland
    All the praise heaped on Pushing Daisies, and every declaration about the dramedy's originality, is merited.
    • 63 Metascore
    • 80 Melanie McFarland
    Guide to Style is smart, fun and instructive, emphasizing enlightenment over shame and choice over following orders.
    • 79 Metascore
    • 80 Melanie McFarland
    "This American Life" lost none of its authenticity in transition from radio to Showtime.
    • 77 Metascore
    • 80 Melanie McFarland
    It is something rare and wonderful, a remarkable, original vision.
    • 79 Metascore
    • 70 Melanie McFarland
    So just put your intelligence on hold for an hour or four, and you'll be ecstatic at Day 6's beginning.
    • 57 Metascore
    • 70 Melanie McFarland
    Whatever problems you may have had with "Carnivale" last season, give it a pass for, let's say, five episodes. That's more than enough time to figure out if the magic has returned. [7 Jan 2005]
    • Seattle Post-Intelligencer
    • 73 Metascore
    • 70 Melanie McFarland
    A significant improvement in the sequel is its keener sense of urgency and alarm, achieved by down-scaling the exposition and character development that bogged down the first hours of the original.
    • 70 Metascore
    • 70 Melanie McFarland
    It's a good show waiting to happen, television cliches and all. [5 Aug 2005]
    • Seattle Post-Intelligencer
    • 78 Metascore
    • 70 Melanie McFarland
    "Weeds' " executive producers, headed by creator Jenji Kohan, get kudos for keeping the show's balance of heartfelt drama and screwy comedy intact.
    • 59 Metascore
    • 70 Melanie McFarland
    "Supernatural" plays like a high-octane B-flick. You could be mildly ashamed at how much you like it.
    • 56 Metascore
    • 70 Melanie McFarland
    Davis fills the "leader of the free world" shoes admirably, quickly demonstrating herself to be a formidable presence when she tangles with Sutherland.
    • 61 Metascore
    • 70 Melanie McFarland
    Borders on terrific at times and falters in others.
    • 64 Metascore
    • 70 Melanie McFarland
    Unless you're a cold, cynical, seen-it-all kind of guy (or chick), odds are you'll find a lot to like about the first episode.
    • 62 Metascore
    • 70 Melanie McFarland
    A promising cast and respected executive producers conspire to give "The Unit" a shot at being this spring's breakout hit. But the real proof's in the pilot, a thrilling balance between the action of this sharpshooting brotherhood and the schemes of their secretive, slightly overbearing wives.