Melanie McFarland
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For 198 reviews, this critic has graded:
  • 39% higher than the average critic
  • 1% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 11.5 points lower than other critics. (0-100 point scale)

Melanie McFarland's Scores

Average review score: 53
Highest review score: 100 Deadwood: Season 3
Lowest review score: 0 Moonlight: Season 1
Score distribution:
  1. Positive: 75 out of 198
  2. Negative: 59 out of 198
198 tv reviews
    • 75 Metascore
    • 80 Melanie McFarland
    "Ugly Betty" may be the fall's best new series.
    • 77 Metascore
    • 80 Melanie McFarland
    The series quickly establishes itself as an elegant study in horror.
    • 68 Metascore
    • 80 Melanie McFarland
    Turns like this take the series further into Aaron Spelling territory than it ever was, an idea that may offend those who can't let go of the notion that HBO is supposed to be better than regular TV.
    • 73 Metascore
    • 80 Melanie McFarland
    The show could be almost too funny to be appreciated on normal television, in the same way "Arrested [Development]" was.
    • 79 Metascore
    • 80 Melanie McFarland
    "This American Life" lost none of its authenticity in transition from radio to Showtime.
    • 77 Metascore
    • 80 Melanie McFarland
    It is something rare and wonderful, a remarkable, original vision.
    • 73 Metascore
    • 80 Melanie McFarland
    There's a lot to love about Torchwood, especially for fans of the early days of "The X-Files," when it was more of a clever horror anthology series and the alien conspiracy had yet to take over the plot.
    • 63 Metascore
    • 80 Melanie McFarland
    Guide to Style is smart, fun and instructive, emphasizing enlightenment over shame and choice over following orders.
    • 66 Metascore
    • 80 Melanie McFarland
    You don't usually encounter the words "smart" and "soap" in close proximity, but this is one of those exceptions.
    • 86 Metascore
    • 80 Melanie McFarland
    All the praise heaped on Pushing Daisies, and every declaration about the dramedy's originality, is merited.
    • 85 Metascore
    • 80 Melanie McFarland
    One magnificently chilling shot near the end of the season two's first episode shows us just how busy Dexter's been all these years. Rarely has an image of evil looked so delectably good.
    • 79 Metascore
    • 80 Melanie McFarland
    Severe as the new situation may sound, the show initially explores this idea with humor--starting with a studio executive (played by Craig Bierko) coming in for a little touch-up to hide the scars of his, shall we say, therapy delivered by his mistress.
    • 78 Metascore
    • 80 Melanie McFarland
    The premiere showed a few early signs of greatness from a handful of the designers; you'll have to watch to find out to whom I'm referring.
    • 48 Metascore
    • 80 Melanie McFarland
    It seems Darren Star has moved away from the fantasy of the upwardly mobile professional woman who seizes life's pleasures for everything they're worth; his ABC dramedy proves, time and again, that every treasure we hunt for comes with a higher price not listed on any receipt.
    • 86 Metascore
    • 80 Melanie McFarland
    Outlandish creativity is the central feature here, a switch that inspires viewers to discuss each competition in the same way you'd evaluate a work of art as opposed to hooting at the foulest examples of human behavior. [6 Dec 2005]
    • Seattle Post-Intelligencer
    • 61 Metascore
    • 80 Melanie McFarland
    "CSI: NY" is at least as good as its counterparts, and everything you expect it to be. [22 Sep 2004]
    • Seattle Post-Intelligencer
    • 89 Metascore
    • 80 Melanie McFarland
    Leary has emerged as a creative force to be reckoned with; he writes the show with co-creator Peter Tolan in addition to starring in it. His rapid-fire wit and comedic cadence permeate the wiry, combative dialogue that serves the series so well. [21 June 2005, p.E1]
    • Seattle Post-Intelligencer
    • 90 Metascore
    • 80 Melanie McFarland
    The women aren't as shrill as they've been in the past, and even Sheila (Callie Thorne), the histrionic widow of Tommy's dead cousin has become a decent comedic foil. Better yet, Susan Sarandon steps up to the plate this season as a confident, rich woman - not a girl, a woman, Tommy points out - who wants to seduce Franco (Daniel Sunjata). [30 May 2006, p.D1]
    • Seattle Post-Intelligencer
    • 75 Metascore
    • 80 Melanie McFarland
    What it does is invite you to enjoy the dysfunction, maybe relate a little. Worthy punctuation for the end of Sunday evening. [5 Nov 2004, p.C1]
    • Seattle Post-Intelligencer
    • 66 Metascore
    • 80 Melanie McFarland
    This often results in some highly entertaining, enlightening footage. Watching Justin Timberlake crumble when he thought his house had been swiped by the government for back taxes - well, that just brought a tear to my eye. [3 Apr 2003, p.E1]
    • Seattle Post-Intelligencer
    • 59 Metascore
    • 70 Melanie McFarland
    "Supernatural" plays like a high-octane B-flick. You could be mildly ashamed at how much you like it.
    • 69 Metascore
    • 70 Melanie McFarland
    "How I Met Your Mother" may not break any comedic ground, but it's the sort of comfortable, reliable hitter CBS needs on Monday nights.
    • 56 Metascore
    • 70 Melanie McFarland
    Davis fills the "leader of the free world" shoes admirably, quickly demonstrating herself to be a formidable presence when she tangles with Sutherland.
    • 73 Metascore
    • 70 Melanie McFarland
    True, it's not quite "Tales From the Crypt" but is better than "Tales From the Darkside."
    • 63 Metascore
    • 70 Melanie McFarland
    A classy, stimulating look at six true mavericks through the eyes of six people in various stages of iconoclastic development.
    • 61 Metascore
    • 70 Melanie McFarland
    Borders on terrific at times and falters in others.
    • 61 Metascore
    • 70 Melanie McFarland
    A promising cast and respected executive producers conspire to give "The Unit" a shot at being this spring's breakout hit. But the real proof's in the pilot, a thrilling balance between the action of this sharpshooting brotherhood and the schemes of their secretive, slightly overbearing wives.
    • 68 Metascore
    • 70 Melanie McFarland
    "Sons & Daughters" is supposed to feel like a heightened version of your own family, and in many ways it succeeds.
    • 78 Metascore
    • 70 Melanie McFarland
    "Weeds' " executive producers, headed by creator Jenji Kohan, get kudos for keeping the show's balance of heartfelt drama and screwy comedy intact.
    • 59 Metascore
    • 70 Melanie McFarland
    The premiere breathe[s] like a moody, dark theatrical release -- one that tastes like Quentin Tarantino muddled with Michael Mann -- as opposed to a pilot from executive producer John Wells.

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