Michael O'Sullivan
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For 1,053 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Michael O'Sullivan's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 The Disappearance of Eleanor Rigby: Them
Lowest review score: 0 Lethal Weapon 4
Score distribution:
1,053 movie reviews
    • 73 Metascore
    • 80 Michael O'Sullivan
    One big, fat, honking comic book of a sci-fi-martial-arts adventure flick.
    • 57 Metascore
    • 80 Michael O'Sullivan
    A mostly unsentimental little gem.
    • 68 Metascore
    • 80 Michael O'Sullivan
    Shaolin Soccer really loves what it mocks, after all, and that grandly goofy affection -- nay, joy -- for all things chop socky is purely, utterly contagious.
    • 71 Metascore
    • 80 Michael O'Sullivan
    I can't get over the nagging feeling that Pleasantville's beguiling spell was cast by a real magician, only to be carelessly broken by the same clumsy charlatan.
    • 56 Metascore
    • 80 Michael O'Sullivan
    What keeps Phone Booth going, despite its premise, is the acting and the writing, both of which are top-notch.
    • 66 Metascore
    • 80 Michael O'Sullivan
    Well acted, moodily shot and tautly written, this Tattoo may feel like you've seen some of it (or its ilk) before. Still, its haunting images get under the skin, leaving an indelible impression.
    • 69 Metascore
    • 80 Michael O'Sullivan
    Like its Southern California setting, the sunny semi-autobiography is tempered with just the right touch of Jenkins's smoggy cynicism.
    • 61 Metascore
    • 80 Michael O'Sullivan
    Enormously entertaining.
    • 64 Metascore
    • 80 Michael O'Sullivan
    Disturbing, darkly beautiful.
    • 43 Metascore
    • 80 Michael O'Sullivan
    A film whose effects are as hard to wash away as blood.
    • 71 Metascore
    • 80 Michael O'Sullivan
    It's over-the-top. It's wild. It's filled with outrageous behavior all around.
    • 61 Metascore
    • 80 Michael O'Sullivan
    A taut, escapist legal thriller.
    • 76 Metascore
    • 80 Michael O'Sullivan
    In Sheridan's warm and glowing treatment, the moral of the story feels less like a reheated fable than like something utterly, indescribably original.
    • 91 Metascore
    • 80 Michael O'Sullivan
    Overflowing with madcap visual flair and following a rambling thread of a plot that seems, at times, more the product of free association than an actual script, The Triplets of Belleville is a triumph of animated style over substance.
    • 78 Metascore
    • 80 Michael O'Sullivan
    Poignant, heartbreaking proof that, sometimes, love is just not enough.
    • 69 Metascore
    • 80 Michael O'Sullivan
    Contrary to expectation, it's neither a movie about religion nor the coming together of enemies. What it is, at heart, is a movie about love.
    • 74 Metascore
    • 80 Michael O'Sullivan
    An okay movie made nearly great by one great thing: the bravura, mercilessly watchable performance of Charlize Theron.
    • 73 Metascore
    • 80 Michael O'Sullivan
    Like a haiku, it is not what is said, but what is unsaid, that leaves the most lasting echoes.
    • 71 Metascore
    • 80 Michael O'Sullivan
    Engrossing, educational, amusing and disturbing. And who could ask for more than that from a film?
    • 83 Metascore
    • 80 Michael O'Sullivan
    In its small, achingly beautiful way, this is the lesson that Osama teaches us: When one human being suffers, it is all of us who share her pain.
    • 78 Metascore
    • 80 Michael O'Sullivan
    Powerful yet ambiguous.
    • 72 Metascore
    • 80 Michael O'Sullivan
    Sorry, stinging fire ants couldn't make me reveal the outcome of this witty and, yes, surprisingly suspenseful adventure.
    • 68 Metascore
    • 80 Michael O'Sullivan
    Personal and private almost to the point of self-absorption, the film is ultimately saved from neurotic narcissism by the director's self-deprecating humor and unapologetic honesty about his own dysfunction.
    • 75 Metascore
    • 80 Michael O'Sullivan
    May, at times, be deadpan to the point of stiffness, but it's far from dead.
    • 41 Metascore
    • 80 Michael O'Sullivan
    The strongest magnet in this psychedelic morass is Johnny Depp who, as the story's antic, disgusting and seductive spirit guide, is impossible to look away from.
    • 65 Metascore
    • 80 Michael O'Sullivan
    A handsome and effective-if over-long-tear-jerker about thwarted love between grown-ups who should know better.
    • 71 Metascore
    • 80 Michael O'Sullivan
    Shot with a shaky hand-held camera, Wonderland is a sentimental fairy tale with a gritty documentary feel.
    • 60 Metascore
    • 80 Michael O'Sullivan
    Is Spartan a perfect, or even a great, movie? Probably not. But in its prickly irascibility and deeply unsettling intelligence, it makes for a very, very good one.
    • 51 Metascore
    • 80 Michael O'Sullivan
    It's just more wry than funny, more a gently subversive comedy of modern manners than the simpering date movie it seems to be masquerading as.
    • 58 Metascore
    • 80 Michael O'Sullivan
    Yes, it's essentially a remake of a sequel, albeit a sequel that happens to be one of the greatest horror movies ever made, but it more than surpasses the original.

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