Michael O'Sullivan

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For 1,133 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 2.5 points lower than other critics. (0-100 point scale)

Michael O'Sullivan's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Shrek 2
Lowest review score: 0 Tomcats
Score distribution:
1,133 movie reviews
    • 41 Metascore
    • 80 Michael O'Sullivan
    Hilarious.
    • 67 Metascore
    • 80 Michael O'Sullivan
    The dynamic between Channing and Stiles is as compelling as a freeway wreck.
    • 53 Metascore
    • 80 Michael O'Sullivan
    More tasteful, sensitive and original than you might imagine.
    • 65 Metascore
    • 80 Michael O'Sullivan
    More love story than thriller, with the mystery providing only slack tension and the December-December romance that ultimately develops between Regina and Camargo crackling with drama and sexual tension aplenty.
    • 78 Metascore
    • 80 Michael O'Sullivan
    Haunting little film, whose chaotic universe is churned up by the conflict between the haves and the have-nots.
    • 89 Metascore
    • 80 Michael O'Sullivan
    Works as both historical allegory and moving family drama.
    • 72 Metascore
    • 80 Michael O'Sullivan
    Visually stylish surrealist drama.
    • 59 Metascore
    • 80 Michael O'Sullivan
    Sternfeld has created a garden on film that opens up its blooms for us, not in the dark of the movie house, but long after we've left the theater.
    • 82 Metascore
    • 80 Michael O'Sullivan
    It's a story of jaw-dropping chutzpah, grim, mostly hindsight-based humor and more stomach-churning drama than you could find in 10 screenplays.
    • 61 Metascore
    • 80 Michael O'Sullivan
    The film is a small study in the dignity of letting go.
    • 72 Metascore
    • 80 Michael O'Sullivan
    Good old-fashioned movie storytelling that steadily builds, over the course of nearly three hours, to a white-knuckle conclusion that satisfies on nearly every level.
    • 71 Metascore
    • 80 Michael O'Sullivan
    Sweet and wise little film.
    • 65 Metascore
    • 80 Michael O'Sullivan
    A sweet, true and, at times, universal love story it is.
    • 63 Metascore
    • 80 Michael O'Sullivan
    A blend of gentle comedy and poignant drama.
    • 55 Metascore
    • 80 Michael O'Sullivan
    A kicky, twisted thrill ride, with enough laughs to leaven what can be read, at heart, as a metaphor for the modern marriage.
    • 62 Metascore
    • 80 Michael O'Sullivan
    5x2
    Plays a little like a mystery, the central question of which is not whodunit but why.
    • 57 Metascore
    • 80 Michael O'Sullivan
    Startlingly erotic and surprisingly moving.
    • 72 Metascore
    • 80 Michael O'Sullivan
    Under normal circumstances, nothing kills a joke faster than trying to explain it. Yet here, such examination is the film's strong suit and provides much-needed respite, quite frankly, from the exhaustion of constant laughter.
    • 80 Metascore
    • 80 Michael O'Sullivan
    With its wise understanding of the magnetic pull (and invisible polarities) of family, Junebug is an auspicious debut for Morrison.
    • 73 Metascore
    • 80 Michael O'Sullivan
    What keeps The 40-Year-Old Virgin out of Rob Schneider territory, however, is: 1) the fact that it's pretty darn funny, and in a way that feels consistently real, and 2) the fact that it's actually an excellent date movie.
    • 66 Metascore
    • 80 Michael O'Sullivan
    In this modern retelling of the well-known fable, she is one princess-in-waiting who does not need rescuing by any knight in shining armor. [31 Jul 1998, Pg. N.47]
    • Washington Post
    • 82 Metascore
    • 80 Michael O'Sullivan
    The sprawling cast, the naturalistic, overlapping dialogue (here by screenwriter Jenny Lumet, daughter of director Sidney) and the swirling action: it seemed pure Robert Altman.
    • 75 Metascore
    • 80 Michael O'Sullivan
    It's in this final chapter that the director states his message, which is handled so lightly, almost incidentally, you might miss it. But it's a profound one. For what the girls learn is that the way to get what they want -- no, need -- isn't by hoarding something, but by letting go.
    • 84 Metascore
    • 80 Michael O'Sullivan
    The line between madness and genius is thin. Not to mention more than amply explored in any number of films about tortured artists. But to look at the almost religious ecstasy on Moreau's face is to feel the artist's passion and be inspired by it.
    • 74 Metascore
    • 75 Michael O'Sullivan
    Like "Butch Cassidy and the Sundance Kid," Flame and Citron is the story of handsome rogues with guns. It's fast-paced, stylish and thrilling.
    • 58 Metascore
    • 75 Michael O'Sullivan
    It does take half the movie before the story --really kicks in. When it does, it'll knock the air out of you.
    • 62 Metascore
    • 75 Michael O'Sullivan
    If you didn't know that it was based on a true story, Skin would be a little hard to believe.
    • 77 Metascore
    • 75 Michael O'Sullivan
    Together, under the assured direction of first-time feature filmmaker Oren Moverman, these three actors tell a story that is at once hard-hitting and bizarrely gentle.
    • 58 Metascore
    • 75 Michael O'Sullivan
    A tale so raucous, raunchy and punch-drunk with love for the rebellious spirit of rawk -- and so disdainful of those who have tried to squelch it -- that it pretty much negates any claims to objectivity, let alone factuality. In other words, it's not a documentary.
    • 73 Metascore
    • 75 Michael O'Sullivan
    In addition to McKay, Danes makes a sassy, sexy Sonja. And Efron more than gets by in his role as the sweet, plucky, starstruck newbie. It's a part that doesn't require much heavy lifting, though.

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