Michael O'Sullivan
Select another critic »
For 1,006 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 2.4 points lower than other critics. (0-100 point scale)

Michael O'Sullivan's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 The Missing Picture
Lowest review score: 0 Lethal Weapon 4
Score distribution:
1,006 movie reviews
    • 53 Metascore
    • 80 Michael O'Sullivan
    New Suit is devilishly good fun.
    • 64 Metascore
    • 80 Michael O'Sullivan
    The documentary makes an effective and rather chilling case that there is an almost unbroken chain between Adolf Hitler and Saddam Hussein.
    • 73 Metascore
    • 80 Michael O'Sullivan
    In its heart burns the indomitable flame of the human spirit.
    • 65 Metascore
    • 80 Michael O'Sullivan
    More love story than thriller, with the mystery providing only slack tension and the December-December romance that ultimately develops between Regina and Camargo crackling with drama and sexual tension aplenty.
    • 77 Metascore
    • 75 Michael O'Sullivan
    Together, under the assured direction of first-time feature filmmaker Oren Moverman, these three actors tell a story that is at once hard-hitting and bizarrely gentle.
    • 58 Metascore
    • 75 Michael O'Sullivan
    It does take half the movie before the story --really kicks in. When it does, it'll knock the air out of you.
    • 73 Metascore
    • 75 Michael O'Sullivan
    In addition to McKay, Danes makes a sassy, sexy Sonja. And Efron more than gets by in his role as the sweet, plucky, starstruck newbie. It's a part that doesn't require much heavy lifting, though.
    • 58 Metascore
    • 75 Michael O'Sullivan
    A tale so raucous, raunchy and punch-drunk with love for the rebellious spirit of rawk -- and so disdainful of those who have tried to squelch it -- that it pretty much negates any claims to objectivity, let alone factuality. In other words, it's not a documentary.
    • 62 Metascore
    • 75 Michael O'Sullivan
    This trio of losers somehow forms a kind of loony family. Like the one in "Little Miss Sunshine," which also used the metaphor of a broken-down car to drive home its point, the interpersonal dynamics are out of whack, but not unworkable.
    • 76 Metascore
    • 75 Michael O'Sullivan
    It's the rare 2 1/2 -hour film that doesn't make you look at your watch once. The Girl With the Dragon Tattoo is such a film.
    • 46 Metascore
    • 75 Michael O'Sullivan
    It's both straight-faced spy film and sly spy spoof. That's a difficult balancing act, but director James Mangold gets it exactly right.
    • 58 Metascore
    • 75 Michael O'Sullivan
    Believe it or not, there's life in the old boy yet. After a disappointing third outing, this "Shrek" brings the cycle of fairy-tale-themed films to a fine finish.
    • 56 Metascore
    • 75 Michael O'Sullivan
    Regardless of the silliness of the situation -- or, in truth, because of it -- they're a joy to watch.
    • 74 Metascore
    • 75 Michael O'Sullivan
    Like "Butch Cassidy and the Sundance Kid," Flame and Citron is the story of handsome rogues with guns. It's fast-paced, stylish and thrilling.
    • 62 Metascore
    • 75 Michael O'Sullivan
    If you didn't know that it was based on a true story, Skin would be a little hard to believe.
    • 53 Metascore
    • 75 Michael O'Sullivan
    After all, it isn't every kid's movie that wrestles with the subject of faith in a higher power, or sin, or the afterlife. And it isn't every kid's film that can do it so entertainingly. Sure, that's heavy stuff if you're looking for it. But it doesn't spoil the great, great fun to be had in Narnia - or the magical spell it casts - if you're not.
    • 61 Metascore
    • 75 Michael O'Sullivan
    Sometimes a movie makes a point that's been made before, but makes it so beautifully and so quietly that it feels like you're discovering it for the first time. Hideaway does that, with the obliqueness of an off-hand comment. The glancing touch makes it all the more hard-hitting.
    • 64 Metascore
    • 75 Michael O'Sullivan
    In addition to all the rollicking, ribald humor, Tamara Drewe also has a couple of flashes of darkly comic violence. In a literary sense, it's poetic justice, really. Punishment meted out for bad behavior.
    • 81 Metascore
    • 75 Michael O'Sullivan
    A lean and hungry thing. With the sparest of storytelling, the French filmmaker ("35 Shots of Rum") devours her audience, swallowing us up in a yarn that is as enigmatic as it is engrossing.
    • 60 Metascore
    • 75 Michael O'Sullivan
    The final, deeply satisfying conclusion to the trilogy of Swedish thrillers based on Stieg Larsson's bestselling novels.
    • 59 Metascore
    • 75 Michael O'Sullivan
    Rolls straight over silly, smashing through stupid without stopping and then barreling into a kind of insane comic brilliance without so much as a speed bump to slow it down.
    • 69 Metascore
    • 75 Michael O'Sullivan
    A worthy addition to the Christmas movie canon. It's funny and good-looking, with an impeccable voice cast of U.K. actors. It's also unexpectedly fresh, despite the familiar-sounding premise.
    • 65 Metascore
    • 75 Michael O'Sullivan
    For a kids' movie, the humor, at times, strays a bit too far into grown-up territory.
    • 66 Metascore
    • 75 Michael O'Sullivan
    The most compelling thing about Winter in Wartime, the Netherlands' official entry for Best Foreign Language Film at this year's Oscars, is not the story. And the story is pretty darn compelling.
    • 85 Metascore
    • 75 Michael O'Sullivan
    It's a muscular, physical movie, pieced together from arresting imagery and revelatory gestures, large and small.
    • 41 Metascore
    • 75 Michael O'Sullivan
    An invigorating blast of cinematic adrenaline.
    • 66 Metascore
    • 75 Michael O'Sullivan
    Like the best ad man, he makes his point by making us laugh.
    • 65 Metascore
    • 75 Michael O'Sullivan
    Crystal, 65, and Goodman, 61, are a long time out of college, but they somehow manage to carry off the callowness of youth.
    • 57 Metascore
    • 75 Michael O'Sullivan
    Thoughts become things. That's the message of Rise of the Guardians, a charming if slightly dark and cobwebbed animated feature about how believing in something makes it real, or real enough.
    • 45 Metascore
    • 75 Michael O'Sullivan
    Bad role models sometimes make the most interesting movie characters. The ill-mannered, unkempt, foulmouthed and hot-tempered title character of Hesher is just such a walking contradiction.