Michael Rechtshaffen
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For 591 reviews, this critic has graded:
  • 59% higher than the average critic
  • 5% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 2.2 points lower than other critics. (0-100 point scale)

Michael Rechtshaffen's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Charlotte's Web
Lowest review score: 0 I Know Who Killed Me
Score distribution:
  1. Negative: 75 out of 591
591 movie reviews
    • 57 Metascore
    • 60 Michael Rechtshaffen
    This first feature by veteran visual effects supervisor Eric Brevig has its transporting, if benign, charms.
    • 57 Metascore
    • 60 Michael Rechtshaffen
    Thanks mainly to his (Jackson) considerable presence, Coach Carter works more effectively than expected.
    • 55 Metascore
    • 60 Michael Rechtshaffen
    Curiously, despite the ever-energetic Tony Scott at the throttle, the sleek new edition isn't as transporting as it should have been.
    • tbd Metascore
    • 60 Michael Rechtshaffen
    Writer-director Marni Zelnick makes an assured debut, coaxing considerable production value out of her limited budget while weaving in an understated, enlightening conservation message that feels organic to the story.
    • 38 Metascore
    • 60 Michael Rechtshaffen
    Boasting two terrific performances by Uma Thurman and Evan Rachel Wood as the adult and teenage versions of the same character.
    • 47 Metascore
    • 60 Michael Rechtshaffen
    Ending with neither a bang nor a whimper, the finale falls somewhere in between. It's an improvement over its concurrently shot, babbling predecessor, but it ultimately fails to capture any of that jaw-dropping sense of exhilaration that made the original such a must-see event.
    • 52 Metascore
    • 60 Michael Rechtshaffen
    With his stirring visual sense very much intact here, Salles sets the creepy mood eloquently, but the picture -- ultimately fails to reward all the little shivers with any satisfying jolts.
    • 63 Metascore
    • 60 Michael Rechtshaffen
    Whether the con is truly on or the filmmakers have simply taken an awful lot of poetic license where the post-Michael Moore documentary format is concerned, moviegoers certainly have less amusing ways to be bamboozled.
    • 41 Metascore
    • 60 Michael Rechtshaffen
    The plot's pretty lame, the dialogue is downright hokey, and the characters are a bore, but somehow Final Destination 3 (an oxymoron if there ever was one) still delivers a certain degree of over-the-top amusement.
    • 39 Metascore
    • 60 Michael Rechtshaffen
    While Phillippe's tongue seldom ventures far from his cheek in addressing the cult of celebrity, he maintains a nice technical grip on the tension and intensity — at least until things start to unravel toward the end.
    • 67 Metascore
    • 60 Michael Rechtshaffen
    Strip away all the flimsy copycat stuff, including the cheesy retro synth score, and what lurks beneath is a perceptive portrait of contemporary thirtysomething relationships, no silly sleuthing required.
    • 41 Metascore
    • 60 Michael Rechtshaffen
    Although some of the supporting performances can be a bit choppy, director Schirmer sets an effectively unsettling naturalistic visual tone, bathing all those dark impulses in sunny Indiana daylight.
    • 53 Metascore
    • 60 Michael Rechtshaffen
    Unfortunately, where episodes of the series used to take their cue from a question posed by one of Carrie's columns, writer-director Michael Patrick King never finds that focus, and Sex and the City loses its tart edge in the process.
    • 63 Metascore
    • 60 Michael Rechtshaffen
    While the end result feels a tad overstuffed at 92 minutes, it's entirely understandable if, after more than half a century of being identified as "that guy," Miller's in no hurry to relinquish the spotlight.
    • 58 Metascore
    • 60 Michael Rechtshaffen
    That butting of heads, as performed by actors as strong and soulful as Craig and Schreiber, lends Defiance an emotional charge, even as the film itself struggles dramatically to find its way out of those woods.
    • 44 Metascore
    • 60 Michael Rechtshaffen
    Proves lightly entertaining in spite of its more heartfelt tendencies.
    • tbd Metascore
    • 60 Michael Rechtshaffen
    Filmmaker Nicholas Mross takes a straight-ahead, even-handed approach to the controversial payment system.
    • 63 Metascore
    • 60 Michael Rechtshaffen
    Uneven but nonetheless emotionally gratifying.
    • 52 Metascore
    • 60 Michael Rechtshaffen
    While Disney’s Tinker Bell and the Legend of the NeverBeast might not ever be accused of risk-taking, the new adventure does feel a shade or two darker than previous installments.
    • 54 Metascore
    • 60 Michael Rechtshaffen
    No doubt about it, the show's certifiably bizarro, stream-of-consciousness sensibility has made the transition notably intact, which should please its young male fan base.
    • 40 Metascore
    • 60 Michael Rechtshaffen
    Although the film has its undeniably immersive, convincing moments, the merging of dramatic re-creations and on-camera "performances" proves less seamlessly executed than those masterfully coordinated land, sea and air missions.
    • 64 Metascore
    • 60 Michael Rechtshaffen
    While Gretchen Mol delivers a delightfully exuberant lead performance, the film itself seldom goes beyond skin deep.
    • 52 Metascore
    • 60 Michael Rechtshaffen
    Emotions run raw in this behind-the-scenes look at drummer Patty Schemel and her drug-fuelled run with the 90s grunge rock band, Hole.
    • tbd Metascore
    • 60 Michael Rechtshaffen
    Darling's documentary is garden-variety filmmaking, but it does an effective job in illustrating how years of fiscal crises have forced academia and industry to forge alliances that once would have been considered unlikely.
    • 53 Metascore
    • 50 Michael Rechtshaffen
    While screenwriter Howard Himelstein and director Mike Barker have done a workable job of drawing the Wilde social satire out of the drawing room, the film never quite manages to travel at the same buoyant velocity as the acerbic wit.
    • 55 Metascore
    • 50 Michael Rechtshaffen
    A fresh, young energetic cast is this wobbly musical comedy's main claim to "Fame."
    • 56 Metascore
    • 50 Michael Rechtshaffen
    Maybe Roth was too busy paying tribute to all his childhood influences to take the necessary steps, but even in this uneasy era of SARS and other airborne horrors, his flesh-eating virus movie never convincingly gets under the skin.
    • 31 Metascore
    • 50 Michael Rechtshaffen
    The laughs tend to come in fits and starts, built around individual set pieces rather than being generated organically out of the storytelling.
    • 57 Metascore
    • 50 Michael Rechtshaffen
    Saving the day is Harrelson's low-key, rooted performance, adding an unexpected layer of poignancy when things take a decidedly darker turn.
    • 46 Metascore
    • 50 Michael Rechtshaffen
    Jamie Foxx finds his funny bone is firmly intact in the effervescent, urban-flavored romantic comedy Breakin' all the Rules.

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