Michael Wilmington
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For 1,277 reviews, this critic has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 13.1 points higher than other critics. (0-100 point scale)

Michael Wilmington's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 Shine
Lowest review score: 0 Chaos
Score distribution:
1,277 movie reviews
    • 73 Metascore
    • 88 Michael Wilmington
    Intoxicatingly well-crafted entertainment about hunting down your enemy.
    • 74 Metascore
    • 88 Michael Wilmington
    The acting -- especially by Borrows, Ian Hart and Hackett -- is strong and transparent, utterly convincing. The whole movie has a seamless flow and an utterly convincing sense of time and place.
    • 67 Metascore
    • 88 Michael Wilmington
    It's a movie drama with a surface so bleak and an interior so hot with eroticism that it twists your guts to watch it.
    • 82 Metascore
    • 88 Michael Wilmington
    This film--one of the best and most memorable documentaries of the year so far--brings that truth-teller to us once again.
    • 68 Metascore
    • 88 Michael Wilmington
    Once again, as love dies and illusions crumble, this natural actress (Isabelle Huppert) shines with human fire. [26 March 1999, Friday, p.B]
    • 86 Metascore
    • 88 Michael Wilmington
    It's a movie imbued with a fierce intimacy -- a tone and style similar to cinema verite documentary -- but it's not a banal realism, even if the characters and settings in contemporary working-class Liege initially seem mundane.
    • 71 Metascore
    • 88 Michael Wilmington
    The movie scrambles our responses and covers so much ground, with such zest, that its two and a half hours race past like a firestorm.
    • 83 Metascore
    • 88 Michael Wilmington
    An old nightmare, made shiny new.
    • 80 Metascore
    • 88 Michael Wilmington
    It's a film objet d'art to contemplate and treasure.
    • 85 Metascore
    • 88 Michael Wilmington
    Honest, poignant and very funny, full of memorable, moving moments.
    • Chicago Tribune
    • 64 Metascore
    • 88 Michael Wilmington
    This magnificent pair are the heart of Techine's film, and the sense of frayed, aging beauty and handsomeness they now carry helps project the picture's main theme: the imperishability of true love.
    • 76 Metascore
    • 88 Michael Wilmington
    One of the most remarkable English-language feature debuts of recent years.
    • Chicago Tribune
    • 86 Metascore
    • 88 Michael Wilmington
    Ten
    A film made by a master, with a simplicity that is really revolutionary. It's a work capable of changing the ways you look at the movies - and at life.
    • 58 Metascore
    • 88 Michael Wilmington
    A contemporary Russian movie that you could honestly call revolutionary, more for its style than its politics.
    • 93 Metascore
    • 88 Michael Wilmington
    The splendid new documentary Crumb, a sympathetic yet woundingly candid portrait, catches the artist with much the same skill. [26 May 1995]
    • Chicago Tribune
    • 73 Metascore
    • 88 Michael Wilmington
    A movie with surprises, some of which you should discover for yourself. But its main surprises may be the power of Collette's performance and the beautifully controlled mood and atmosphere Brooks creates.
    • 74 Metascore
    • 88 Michael Wilmington
    The beauties of Shower lie in its human observation, in its funny interplay, candor, lusty acting and hearty simplicity - and also in its warm imagery and the fascinating symbolic use it makes of water.
    • 60 Metascore
    • 88 Michael Wilmington
    It's hard to watch and listen to Together without, in some sense, having your heart lifted by its music.
    • 61 Metascore
    • 88 Michael Wilmington
    In The Weather Man, Nicolas Cage, a great oddball movie star who sometimes takes enormous risks, has a good, risky part again.
    • 68 Metascore
    • 88 Michael Wilmington
    For a film that points out so much wrong with German society and shows such dubious, dangerous behavior, it leaves the audience with high spirits and a sense of crazy exhilaration.
    • 81 Metascore
    • 88 Michael Wilmington
    A film that art-house audiences in 1959 loved madly. And who can blame them? A buoyant, searingly colorful retelling of the Orpheus and Eurydice myth set in Rio de Janiero, writer-director's Marcel Camus' movie is a romance heightened by its backdrop.
    • 57 Metascore
    • 88 Michael Wilmington
    The movie looks like far more than a million dollars and it offers the kind of smart, picaresque good time you get from books like "The Reivers" and "Huckleberry Finn" and movies like "Bronco Billy" and "Bonnie and Clyde."
    • 63 Metascore
    • 88 Michael Wilmington
    A gargantuan epic, a historical adventure-drama of overwhelming visual grandeur.
    • 50 Metascore
    • 88 Michael Wilmington
    This century's Planet of the Apes is a rouser, a screaming-banshee fun house.
    • 59 Metascore
    • 88 Michael Wilmington
    These are real characters, fully observed, gutsily written, beautifully acted by the two leads.
    • 64 Metascore
    • 88 Michael Wilmington
    Has the kind of super-cinematic qualities and bravura acting that make up for almost anything.
    • Chicago Tribune
    • 76 Metascore
    • 88 Michael Wilmington
    So intense and warm are Leigh's feelings for his characters, that we may remember Hannah and Annie long afterward as old friends -- imperfect yet lovable, pals with whom we've suffered and laughed a lot.
    • 78 Metascore
    • 88 Michael Wilmington
    Showing us a world through a child's eyes, A Time for Drunken Horses speaks so truthfully and well that it breaks the heart and scars the conscience.
    • 70 Metascore
    • 88 Michael Wilmington
    Shot with a Peter Greenaway-like austere impudence and edited brilliantly (by Jed Parker), this is an entertaining movie, and a moving one--even if, like me, you're not especially fond of these paintings or that scene.
    • 87 Metascore
    • 88 Michael Wilmington
    A deceptively simple French film about teaching that keeps enlarging as you watch it, becoming beautiful and inspiring in a way most films never touch.

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