For 2,344 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.6 points higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 10,000 km
Lowest review score: 0 The Dukes of Hazzard
Score distribution:
2,344 movie reviews
    • 68 Metascore
    • 25 Mick LaSalle
    Its story meanders and doesn't build, and the pace is deadly.
    • San Francisco Chronicle
    • 40 Metascore
    • 25 Mick LaSalle
    They take on special powers that the filmmakers are incapable of making interesting, partly because the characters are ciphers, and partly because the story is listless and uninventive.
    • 46 Metascore
    • 25 Mick LaSalle
    The film doesn't make a case for Lavoe as an important artist.
    • 51 Metascore
    • 25 Mick LaSalle
    The comedy never really takes off because it's phony.
    • 37 Metascore
    • 25 Mick LaSalle
    A limp, slow-moving and desperately unfunny comedy.
    • 50 Metascore
    • 25 Mick LaSalle
    It takes a winning recipe and adds some distinctly Hollywood flavors...The result is a botched job.
    • 43 Metascore
    • 25 Mick LaSalle
    It's unpleasant where it should be pleasant, convoluted where it should be streamlined, anxiety provoking where it should be easy, and long, long, long - at least 20 minutes longer than it has a right to be.
    • 64 Metascore
    • 25 Mick LaSalle
    With The Way, writer-director Emilio Estevez has made a respectable failure. What's respectable - and undeniable - is that this is a sincere effort to make a film of sensitivity and spiritual richness.
    • 44 Metascore
    • 25 Mick LaSalle
    This is a half-hearted, derivative action film with not a single honest artistic impulse behind it.
    • 60 Metascore
    • 25 Mick LaSalle
    This sequel goes beyond disappointment into a sublime realm of embarrassment that's beyond and yet better than merely bad, because it fascinates: What on Earth were they thinking?
    • 67 Metascore
    • 25 Mick LaSalle
    A ghastly sequel to a charming animated film.
    • 67 Metascore
    • 25 Mick LaSalle
    Trust never lives up to its snappy opening. Everything is tongue-in-cheek here - yet it's never remotely clear what the point is or what's getting satirized. [16 Aug 1991]
    • San Francisco Chronicle
    • 48 Metascore
    • 25 Mick LaSalle
    It's off in many directions - false in its details, false in its relationships, false in its emotions - but probably the first and worst thing that needs to be said about it is that it's also overlong and dull.
    • 58 Metascore
    • 25 Mick LaSalle
    If you loved the earlier films, these are moments you will hold on to, but they're very few, and they're not enough.
    • 35 Metascore
    • 25 Mick LaSalle
    It's astonishing what little impact even the most imaginatively choreographed and well-filmed aerial escapades can have when they're presented as neither an expression of a character's personality, nor in the context of a compelling mission.
    • 30 Metascore
    • 25 Mick LaSalle
    It's a plodding, episodic film, reverent and sanctimonious, and its pro-Southern viewpoint -- a time-honored Hollywood tendency -- makes "Gone With the Wind" look like a Northern polemic.
    • 31 Metascore
    • 25 Mick LaSalle
    So there’s nothing here to see, except maybe the white dress that Vergara wears in her first scene.
    • 56 Metascore
    • 12 Mick LaSalle
    The best thing in the movie is Peter MacNicol as Dana's boss at the museum, a slippery character with an incomprehensible accent. [16 Jun 1989, p. E1]
    • San Francisco Chronicle
    • 16 Metascore
    • 0 Mick LaSalle
    The film is a failure in just about every way, save for its acting, which is adequate.
    • 44 Metascore
    • 0 Mick LaSalle
    No matter how guilty our knucklehead-protagonist's victims supposedly are, it's difficult to maintain a rooting interest.
    • 20 Metascore
    • 0 Mick LaSalle
    A dull, boring, poorly acted, limply written and thoroughly unappealing fantasy, featuring bland characters locked in a struggle of no interest.
    • 44 Metascore
    • 0 Mick LaSalle
    Achingly long and pointless, "Runs" is a movie about family that's dishonest in its presentation of every relationship.
    • 38 Metascore
    • 0 Mick LaSalle
    A graceless, embarrassing effort.
    • 54 Metascore
    • 0 Mick LaSalle
    Gerry is ragingly bad art that contributes to a definition of independent film as something no one would want to sit through.
    • 52 Metascore
    • 0 Mick LaSalle
    Quentin Tarantino and Robert Rodriguez had their fun with From Dusk Till Dawn, and now they need to stay away from each other. For their own good. Forever.
    • 29 Metascore
    • 0 Mick LaSalle
    No more than a minute into this, and it becomes obvious that the next 98 are going to be trouble.
    • 21 Metascore
    • 0 Mick LaSalle
    It is possible to watch 90 minutes of this comedy without once cracking a smile. [12 Jan 1994]
    • San Francisco Chronicle
    • 56 Metascore
    • 0 Mick LaSalle
    It's just not enough to say that The Three Stooges is the death of comedy. Rather, it's the death, burial, putrefaction and decomposition of comedy. It is where comedy, once alive, ends up as dust blowing in the wind, like something out of a really bad Kansas song.
    • 32 Metascore
    • 0 Mick LaSalle
    Proves that it's possible to make a movie so tasteless and so crude that audiences don't laugh. This is worthwhile information. It means there's a limit.
    • 22 Metascore
    • 0 Mick LaSalle
    It's so low it scrapes through the barrel and deep into the earth's core. It's the lowest piece of garbage to hit screens in months.

Top Trailers