For 2,310 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 I'll See You in My Dreams
Lowest review score: 0 Bones
Score distribution:
2,310 movie reviews
    • 40 Metascore
    • 25 Mick LaSalle
    It's a strange thing, this type of whimsy. Kari offers us ideas in place of characters, and yet he expects us to see through these ideas to the real-life conditions they represent - and then to respond to them in kind.
    • 36 Metascore
    • 25 Mick LaSalle
    As far as formulaic, empty and disappointing comedies go, The Watch is far from the worst. About every seven or eight minutes, perhaps a dozen times over the course of the picture, the movie generates a medium-size laugh. Not a big laugh.
    • 53 Metascore
    • 25 Mick LaSalle
    More than the usual bad or even numbingly horrible movie. It's an amalgam of many of the modern cinema's worst tendencies and modern filmmaking's most unfortunate misconceptions.
    • 45 Metascore
    • 25 Mick LaSalle
    A single 125-minute monstrosity of a cop movie.
    • 35 Metascore
    • 25 Mick LaSalle
    Could hardly be called a success -- it's rather a likable disaster.
    • 14 Metascore
    • 25 Mick LaSalle
    In the long history of bad movies about bad illnesses, A Little Bit of Heaven just might be the worst.
    • 67 Metascore
    • 25 Mick LaSalle
    You can almost say it simulates an experience of brain injury in the audience: Nothing adheres, nothing connects. It's just nonstop cuteness, poses and emptiness - with nothing logically following from one moment to the next. It would be exaggerating to call it torture, and yet why split hairs?
    • 47 Metascore
    • 25 Mick LaSalle
    Going after one innocent man was bad enough. Going after another constitutes a pattern. This marshal isn't a hero. He's a menace.
    • 49 Metascore
    • 25 Mick LaSalle
    Everything connected with the lovers, who are the point of the movie, is either ordinary or unwittingly funny, and the laughs come early.
    • 68 Metascore
    • 25 Mick LaSalle
    The film occupies that peculiar space that many of us would prefer to believe doesn’t exist, a movie that’s worthy but often inert, by turns enriching and enervating: a good boring movie.
    • 44 Metascore
    • 25 Mick LaSalle
    Perfunctory, thrill- free sequel.
    • 56 Metascore
    • 25 Mick LaSalle
    It's a tepid, quiet and uneventful film, directed almost in slow motion, with no narrative propulsion and with a succession of very similar scenes. The actors speak softly and pause a lot. And in the background is the steady hum of the soundtrack.
    • 54 Metascore
    • 25 Mick LaSalle
    Serious intent may be lurking somewhere in there, but it's buried under layers of stupidity - not just stupid jokes, which is what you want from Sandler, but also stupid, shallow thinking.
    • 45 Metascore
    • 25 Mick LaSalle
    One of those comedies in which almost everything good about it is extraneous. There are funny lines and quirky bits, but in terms of story and character, the movie is empty and pointless.
    • 43 Metascore
    • 25 Mick LaSalle
    The strain and desperation are apparent from the first scene.
    • 30 Metascore
    • 25 Mick LaSalle
    A wretched comedy about middle-aged romance.
    • 42 Metascore
    • 25 Mick LaSalle
    Floats is corny and false, with a script by Steven Rogers that's almost 100 percent artificial sweetener.
    • 44 Metascore
    • 25 Mick LaSalle
    A great role becomes an unenviable chore, in which a superb comic actress finds herself trying to sell a series of unfunny comic situations by mugging and pushing with all her might. It's an unflattering spectacle for all concerned.
    • 69 Metascore
    • 25 Mick LaSalle
    An agony of bad plotting and whimsical, lifeless scenes.
    • 36 Metascore
    • 25 Mick LaSalle
    These people are so stupid that they make us think, well, wait a second: Maybe those livers and kidneys could be put to better use.
    • 25 Metascore
    • 25 Mick LaSalle
    The film is intended to be light and whimsical, but with a core of sincere emotion. But it's as if the thing were made by Martian anthropologists who assume that human audiences are as twisted as the people onscreen.
    • 22 Metascore
    • 25 Mick LaSalle
    But Congo leads to nothing but a fierce battle with the gray gorillas, a kind of guns vs. fangs scene; and a convenient and incongruous volcano eruption that looks as artificial as a video game.
    • 23 Metascore
    • 25 Mick LaSalle
    Falls apart immediately, then limps on for 45 minutes more.
    • 29 Metascore
    • 25 Mick LaSalle
    It’s just bad. It’s boring, folks.
    • 34 Metascore
    • 25 Mick LaSalle
    For all it does right, there's something seriously wrong.
    • 63 Metascore
    • 25 Mick LaSalle
    You know there is something seriously wrong with Anna Karenina when you start rooting for the train.
    • 56 Metascore
    • 25 Mick LaSalle
    A mix of the powerful and the ridiculous, and eventually the ridiculous wins. The movie deals with a big subject that has received scant treatment in movies - the genocide in Bosnia in the 1990s - giving voice and testimony to what happened there. But the ill-conceived fictional elements take the picture right off the rails.
    • 30 Metascore
    • 25 Mick LaSalle
    If the first "Hangover" movie were this awful, there never would have been a Part Two. This is a joyless, unfunny mix of comedy and drama, a complete waste of time, with exactly one good joke in the entire movie. It comes in the first minute. After that, you can leave.
    • San Francisco Chronicle
    • 36 Metascore
    • 25 Mick LaSalle
    This is anti-funny, where every attempt at a joke is like a little rock thrown at your face.
    • 42 Metascore
    • 25 Mick LaSalle
    Holes in the script, overwrought camera work, dialogue that's embarrassing, and a plot device that's obvious 10 minutes into the movie - all these are major problems.

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