For 2,000 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 1 point higher than other critics. (0-100 point scale)

Mick LaSalle's Scores

  • Movies
Average review score: 60
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
2,000 movie reviews
    • Metascore: 100
    • Mick LaSalle 100
    A masterpiece.
    • Metascore: 99
    • Mick LaSalle 75
    Everything Melville shows us, he shows us for a reason, and these reasons are never obscure but are rather pertinent to the action and to the moral movement of the world and the characters.
    • Metascore: 98
    • Mick LaSalle 100
    It turns out that Pepe Le Moko is even better than "Algiers."
    • Metascore: 98
    • Mick LaSalle 100
    Seeing it is a time-bending experience, a way of visiting the past and glimpsing the past's idea of the future. A masterpiece of art direction, the movie has influenced our vision of the future ever since, with its imposing white monoliths and starched facades.
    • Metascore: 97
    • Mick LaSalle 100
    First, this movie should be enjoyed. Later, marveled at. And then, once the excitement has faded, 4 Months, 3 Weeks and 2 Days really should be studied, because director Cristian Mungiu creates scenes unlike any ever filmed.
    • Metascore: 96
    • Mick LaSalle 100
    An ungainly masterpiece, but Chaplin's ungainliness is something one can grow fond of.
    • Metascore: 95
    • Mick LaSalle 100
    But make no mistake, whether the movie is fair or horribly unfair - I know nothing of the actual facts and can't make that determination - its portrait of Zuckerberg is a hatchet job of epic and perhaps lasting proportions.
    • Metascore: 95
    • Mick LaSalle 100
    One of the most innovative and best made films of the past year. Every now and then, even Dick Cheney gets to like a great movie.
    • Metascore: 94
    • Mick LaSalle 75
    A fine picture because it can still, without fail, make an entire audience of children shut up and fall in love with a little green alien with big eyes and a turtlelike body.
    • Metascore: 94
    • Mick LaSalle 100
    It is an exhilaration from beginning to end. It's the movie equivalent of that rare sort of novel where you find yourself checking to see how many pages are left and hoping there are more, not fewer.
    • Metascore: 94
    • Mick LaSalle 75
    A worthy, fascinating film..
    • Metascore: 94
    • Mick LaSalle 100
    This one enters the pantheon of great American war films.
    • Metascore: 94
    • Mick LaSalle 75
    In the moment, it's intermittently transcendent, heartrending and beautiful ... and busy, repetitious and boring.
    • Metascore: 94
    • Mick LaSalle 100
    There is no turning away from the screen.
    • Metascore: 94
    • Mick LaSalle 75
    Though an estimable success overall, The Return of the King has several scenes too many and too great a concentration on battles.
    • Metascore: 94
    • Mick LaSalle 75
    Amour is also unforgettable and one of a kind, two hours of torment that, in the end, you will probably not regret.
    • Metascore: 93
    • Mick LaSalle 100
    Its deeply anarchic sensibility has kept Taxi Driver fresh all these years. (Review twenty years after release).
    • Metascore: 93
    • Mick LaSalle 100
    In this one masterpiece, Federico Fellini achieved the ideal balance -- between social observation and unconscious imagery, between artistic discipline and freedom, and between the neo-realism of 1950s Italian cinema and the orgiastic flights of his later work.
    • Metascore: 93
    • Mick LaSalle 100
    Perfect pitch.
    • Metascore: 92
    • Mick LaSalle 75
    By the end, The Diving Bell and the Butterfly achieves a victory over difficult material, but celebrating that fact doesn't preclude recognizing the story is not a natural for movies and remains an uneasy match.
    • Metascore: 92
    • Mick LaSalle 75
    This is the most realistic film about teaching that you're ever likely to see.
    • Metascore: 92
    • Mick LaSalle 50
    Anderson almost brings off a picture worthy of his grandiose ambition.
    • Metascore: 92
    • Mick LaSalle 100
    Gets it right. It's a wonderful movie. Watching it, one can't help but get the impression that everyone involved was steeped in Tolkien's work, loved the book, treasured it and took care not to break a cherished thing in it.
    • Metascore: 92
    • Mick LaSalle 100
    Toy Story 3 is a better film than "Wall-E" and "Up" in that it succeeds completely in conventional terms. For 103 minutes, it never takes audience interest for granted. It has action, horror and vivid characters, and it always keeps moving forward.
    • Metascore: 91
    • Mick LaSalle 50
    It's an endurance test. Though never boring, the movie is a fairly long slog through the snow.
    • Metascore: 91
    • Mick LaSalle 75
    Clearly a minor classic, mainly for reasons besides its crime story plot -- namely, the urbane fatalism of its cast and the overall mood of inevitability that hangs over every scene.
    • Metascore: 91
    • Mick LaSalle 100
    An absolute delight, combining the cheap thrills of a biopic with the gentler, but more lasting, pleasures of a brilliant character study.
    • Metascore: 91
    • Mick LaSalle 100
    Feels positively Greek in its magnitude, a lament about fate, age, time and life.
    • Metascore: 91
    • Mick LaSalle 75
    Until this film, these Shin Bet directors had never consented to an interview. Now that they've spoken - and have said the unexpected - we can only wonder if their words will have an influence.
    • Metascore: 90
    • Mick LaSalle 75
    It's a movie filled with surprises, including one outright kick in the head that qualifies as one of the biggest movie moments of 1992. [18 Dec 1992]