For 942 reviews, this critic has graded:
  • 56% higher than the average critic
  • 4% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 4.2 points higher than other critics. (0-100 point scale)

Mike Clark's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Cinderella Man
Lowest review score: 12 Jawbreaker
Score distribution:
942 movie reviews
    • 86 Metascore
    • 100 Mike Clark
    Joins company with "Sullivan's Travels" and "Sunset Boulevard" as the quintessential Hollywood peek-a-boos...[and] Tim Robbins' modulated performance rates rhapsodic praise. [10 Apr 1992]
    • USA Today
    • 68 Metascore
    • 100 Mike Clark
    Tempers moments of despair with deliriously romantic passages abetted by James Horner's traditionally lush score and photography by John Toll ("Legends of the Fall's" Oscar winner).
    • 94 Metascore
    • 100 Mike Clark
    For a brutal black comedy about L.A. hitmen, Pulp Fiction bursts out of its binding with loopy delights. [14 Oct 1994]
    • USA Today
    • 78 Metascore
    • 100 Mike Clark
    A perfect fit between filmmaker (Memento's Christopher Nolan) and material (Norway's same-name psycho-chiller from 1997), this remake gets all there is to get out of a peculiar premise with promise.
    • 78 Metascore
    • 100 Mike Clark
    A contender for the year's best film.
    • USA Today
    • 65 Metascore
    • 100 Mike Clark
    There've been few screen moments more moving this year than Cruise's initial reaction to his brother's almost superhuman math prowess. [16 Dec 1988]
    • USA Today
    • 86 Metascore
    • 100 Mike Clark
    A singular accomplishment so specifically keyed to Spacey's talents that it mandates going out on a limb to say it contains the performance that will ultimately be regarded as "the one."
    • 90 Metascore
    • 100 Mike Clark
    The rawest, most sustained screen portrayal of 20th century combat.
    • 93 Metascore
    • 100 Mike Clark
    With flawless precision, the movie flows seamlessly between a virtual newsreel approach (to chronicle senseless, arbitrary atrocities on the people) and a slightly more direct narrative technique that characterized the film's three dominant characters - each one cast to perfection. [15 Dec 1993]
    • USA Today
    • 93 Metascore
    • 100 Mike Clark
    This is a great movie, but it needs a sales job because it's in Mandarin.
    • 74 Metascore
    • 100 Mike Clark
    Tightly constructed and controlled.
    • USA Today
    • 87 Metascore
    • 100 Mike Clark
    Though the movie may not change many minds about McNamara, it richly humanizes him, a valuable feat atop all the fascinating reflection.
    • 86 Metascore
    • 100 Mike Clark
    A great movie just got greater, thanks to this thorough restoration. [Director's Cut; 27 June 1997, p.D3]
    • USA Today
    • 51 Metascore
    • 100 Mike Clark
    This twisted space opera serves up carcasses in six-digit figures but is foremost a sendup for the ages.
    • 83 Metascore
    • 100 Mike Clark
    With special effects so convincing you don't even think about them, a head-case hero and a three-dimensional villain who is his equal, socko Spider-Man 2 has something for everyone.
    • 90 Metascore
    • 100 Mike Clark
    A movie this diminutive can be easily oversold, but we might see it on some year-end best lists. It eats at you, just like renewed love.
    • 83 Metascore
    • 100 Mike Clark
    This is the kind of people-driven story that the movies used to give us - before special effects took over.
    • 94 Metascore
    • 100 Mike Clark
    This is a building-block movie: Its stand-out excellence becomes apparent only gradually.
    • 77 Metascore
    • 100 Mike Clark
    Despite the film's sporadic lulls, both director and star are on full beam. The first and third hours of this 20th-century epic are as dazzling as big-scale movies get.
    • 86 Metascore
    • 100 Mike Clark
    As good as "Unforgiven." Or, to put it another way, as good as any movie Eastwood has ever directed.
    • 79 Metascore
    • 100 Mike Clark
    A masterpiece. (9 Jan 1998, p.3D)
    • USA Today
    • 91 Metascore
    • 100 Mike Clark
    Still mesmerizes on the strength of George C. Scott's chew-your-behind performance. [5 Nov. 1999, p.6E]
    • USA Today
    • 69 Metascore
    • 100 Mike Clark
    A premier boxing movie and a forceful Depression remembrance for the socially conscious, Cinderella Man also ices it for stargazers that Russell Crowe is the dominant screen actor working today.
    • 81 Metascore
    • 100 Mike Clark
    Violence is in the spirit of the hardest-hitting film noir offerings from the '50s, but far more explicit. It's also in the spirit of the Western.
    • 80 Metascore
    • 100 Mike Clark
    The only things missing from making this showdown worthy of a Western is Murrow's sheriff's badge, a dusty street and maybe a spittoon for McCarthy's infamous invectives.
    • 87 Metascore
    • 100 Mike Clark
    It's a heart-wrenching portrayal of unfulfilled Wyoming love, but this time, we don't mean Alan Ladd and Jean Arthur in "Shane."
    • 59 Metascore
    • 100 Mike Clark
    The generally faithful script is by Anne Rice herself, the director is "The Crying Game"'s Neil Jordan, and both seem true to themselves and as true as they can be to artistic and visceral expectations. [11Nov1994 Pg. 01.D]
    • USA Today
    • 66 Metascore
    • 100 Mike Clark
    Emma is the peak of the recent Austen pack and a star-maker, too -- an antidote to a summer in which even good movies have subordinated writing and characters to special effects. [02 Aug 1996, Pg.01.D]
    • USA Today
    • 89 Metascore
    • 100 Mike Clark
    This subject demands consummate screen treatment and now has absolutely gotten it from director/producer Spike Lee. [10 Jul 1997, Pg.02.D]
    • USA Today
    • 76 Metascore
    • 100 Mike Clark
    Emperor is like Full Metal Jacket - uneven, fuzzy, imperfect, and one of the reasons the movies were invented. [20 Nov 1987, p.1D]
    • USA Today