For 326 reviews, this critic has graded:
  • 21% higher than the average critic
  • 5% same as the average critic
  • 74% lower than the average critic
On average, this critic grades 9.3 points lower than other critics. (0-100 point scale)

Mike Hale's Scores

Average review score: 56
Highest review score: 90 Louis C.K.: Oh My God
Lowest review score: 10 Amish Mafia: Season 1
Score distribution:
  1. Negative: 25 out of 326
326 tv reviews
    • 70 Metascore
    • 70 Mike Hale
    Out There has a bookish feel to it, as if an indie graphic novel had been transferred directly to the screen.
    • tbd Metascore
    • 70 Mike Hale
    There are clearly larger ideas at play in Knock Knock, It’s Tig Notaro, having to do with healing and human contact and getting back to roots, that don’t quite come into focus. The meta-Americana of Ms. Notaro and Mr. Dore’s travels can be amusing or it can be awkward and slightly condescending. The film’s memorable bits come not from performance but from the serendipity of the road.
    • tbd Metascore
    • 70 Mike Hale
    The show is more imaginative and detailed than others of its type, with a loopy idiosyncrasy that trumps synthetic American quirkiness, and its offhand, seemingly throwaway comic touches come with a dash of Irish poetry.
    • 84 Metascore
    • 70 Mike Hale
    [Dr. Oz's presence is not] fatal to the enjoyment provided by the eight hours of NY Med, and we can also forgive the familiar situations and stock characters.
    • 72 Metascore
    • 70 Mike Hale
    Ripper Street is reasonably clever and sometimes even witty in its depictions of forward-thinking detectives pioneering the forensic methods and investigative procedures that will eventually become the grist for a thousand television shows.
    • 67 Metascore
    • 70 Mike Hale
    [Garbus] packages it well in a film that's like a more meticulous and dignified version of one of those network television prime-time crime compendiums--a "48 Hours Mystery" with more heart and brain.
    • 76 Metascore
    • 70 Mike Hale
    Indian Summers lacks the thing that makes “Downton” irresistible despite its sometimes irritatingly muddled storytelling: Julian Fellowes’s ability to create an endless roster of distinctive, quirky characters (and the show’s ability to find actors to match them). Mr. Rutman’s people are more off-the-shelf, but he keeps them moving and orchestrates their predictable perils and heartbreaks with some panache.
    • 72 Metascore
    • 70 Mike Hale
    A fairly entertaining conglomeration of nostalgia, postwar intrigue, comic-book science fiction and screwball comedy (with frequent interludes of bone-crunching violence).
    • 74 Metascore
    • 70 Mike Hale
    A prickly alliance founded on mutual respect and constantly threatened by both history and present, unpleasant circumstance, it’s more subtle and moving than your average TV bromance and brings out the best in Common and Mr. Mount.
    • 79 Metascore
    • 70 Mike Hale
    That ensemble may be enough reason to spend 12 hours or so at the fictional Litchfield prison, even if the drama occasionally lags. It’s a surprisingly congenial place.
    • 66 Metascore
    • 70 Mike Hale
    Some of the situations--the tension between Eph and his son, Zach (Max Charles, replacing Ben Hyland); a new romance between Vasiliy and Dutch--are dull plot stretchers, setting up future crises and filling time until the story lines mesh. Or so we can hope. Meanwhile, the show still gets the tone mostly right and offers consistent pleasure in its details.
    • 80 Metascore
    • 70 Mike Hale
    As with most programs in the illustrated-lecture format (the lecturer in this case being the narrator, Christopher Plummer), the early material is the best. TCM, bless its soul, spends three of the seven hours just getting from Thomas Edison, Georges Melies and the Lumiere brothers through the silent era, and those first three episodes are a treat.
    • 72 Metascore
    • 70 Mike Hale
    [The first episode is] a little dawdling and predictable and unsure of its tone, with cardboard characters and flat dialogue. Things pick up after that, though--once everyone’s been brought onstage and the story set in motion, the episodes have more snap, and the horror scenes go from pedestrian to actually creepy.
    • 74 Metascore
    • 70 Mike Hale
    An entertaining, wistful, happy-sad film that feels shorter than its 95 minutes.
    • 78 Metascore
    • 70 Mike Hale
    It’s a better-than-average, serious-minded science-fiction cartoon, with well-executed space chases and battles but also an introspection more reminiscent of Japanese anime than of the usual American children’s animation.
    • 74 Metascore
    • 70 Mike Hale
    Family Tree can feel a little loose and inconsequential.... But that also means that we get to spend more time with Mr. Guest’s crack cast of improvisers and there are moments in each half-hour that pay off.
    • tbd Metascore
    • 70 Mike Hale
    Sometimes, the series veers into the kind of curdled romanticism that otherwise terse westerns are prone to; this can happen with the noble-Indian subplots, and it surfaces in a case in the new season involving a Japanese-American internment camp. But we’re always pulled back in by the performance of Mr. Taylor, an Australian actor who absolutely aces the laconic American lawman.
    • 71 Metascore
    • 70 Mike Hale
    As Gordon, Ben McKenzie is solid in a more theatrical version of the upright-cop role he played in “Southland.” Donal Logue is reliably blustery and sarcastic as Bullock. The biggest impressions are made by the villains, whose smaller roles are looser and more fun.... The real star of the Gotham pilot is its consistent style, a combination of production design, cinematography and writing that manages to evoke both the bang-pow 1940s spirit of the original “Batman” and post-”Blade Runner” neo-noir.
    • 63 Metascore
    • 70 Mike Hale
    At its best the show’s language is inventively and diversely funny, drawing laughs in two or three or four different ways within the space of seconds.... There are moments, though--and they come more often as the episode goes along--when the tone turns a little more earnest and brushes up against the sentimental.
    • tbd Metascore
    • 70 Mike Hale
    Its clash of arrested adolescence and premature old age is also more openly sentimental, but the writing has enough of an edge to balance it out.
    • 72 Metascore
    • 60 Mike Hale
    Nothing stands out (including the blandly pretty cinematography and insistent music), but it’s saucier than the sum of its parts.
    • 64 Metascore
    • 60 Mike Hale
    Strike Back won't make anyone forget "24" or "MI-5" or even "The Unit," but it has its pleasures for the aficionado of guns and flesh in exotic locales.
    • 61 Metascore
    • 60 Mike Hale
    None of this narrative padding is especially gripping, and some of it borders on dull, but the quality of the construction is above average.
    • 51 Metascore
    • 60 Mike Hale
    There’s nothing in the early episodes of Benders that’s as explosively funny as any random 10 minutes of “Louie” or “Curb.” But it can impart a sort of calming buzz--if you lower your expectations for laughs in the same way that the show diminishes expectations that its characters will achieve any kind of triumph.
    • 76 Metascore
    • 60 Mike Hale
    Those three central performances [Carrie (Claire Danes), Saul (Mandy Patinkin), and Quinn (Rupert Friend)], along with that of F. Murray Abraham as the C.I.A. sensei Dar Adal, still carry the show, though it’s starting to feel as if we’ve seen everything Ms. Danes has to offer as Carrie.
    • 76 Metascore
    • 60 Mike Hale
    These highlight reels can be enjoyed for their own sakes. Mr. Burns and Ms. Novick try to construct a larger story around the career of Barry Bonds, who set the single-season and career home run records while becoming embroiled in the steroid scandals, but it never really coheres into something that can give shape to the entire four-hour documentary.
    • 59 Metascore
    • 60 Mike Hale
    The referential humor of Scream Queens tends to be better on the “Halloween” side of the equation than on the “Heathers” side, and some of its sendups of horror movies--or of horror-movie sendups--are pretty funny.... Scream Queens bogs down, though, when it enters another familiar Brennan-Falchuk-Murphy territory, which could be called identity entertainment
    • tbd Metascore
    • 60 Mike Hale
    It's hard to say for sure after watching only one episode, but a more confrontational and high-adrenaline Top Chef Masters may bump up ratings at the cost of making the show less distinctive. Part of its appeal has been that it focused attention on the chefs' virtuosity, and not merely on the weekly competition.
    • 69 Metascore
    • 60 Mike Hale
    The storytelling in The Fades can be convoluted and creaky, but there's some wit to the writing, and the horror and battle scenes are legitimately frightening, by TV standards.
    • 66 Metascore
    • 60 Mike Hale
    Watching the pilot again, though, it became harder to ignore the soap opera underpinnings and the twee sentimentality.
    • 72 Metascore
    • 60 Mike Hale
    Friday Night Dinner, which had its first season on the British Channel 4 this spring, is a rowdier, sweatier, more profane show that will probably seem more typically British to American fans of "Fawlty Towers" or "The Royle Family."
    • 75 Metascore
    • 60 Mike Hale
    The film’s inevitable compressions, made worse by the amount of empty, self-congratulatory celebrity blathering, mean that every Pryor fan will have omissions to complain about. But the best strategy is probably to sit back and enjoy what’s there.
    • 62 Metascore
    • 60 Mike Hale
    [A] glossy, silly, intermittently entertaining new series.
    • 60 Metascore
    • 60 Mike Hale
    The strained '40s-speak starts to recede in the third episode (four were sent to critics), and, not coincidentally, the performances begin to improve--what looked like community theater acting in the pilot suddenly seems more natural.
    • 75 Metascore
    • 60 Mike Hale
    Unfortunately, the three hours of the show, while they include chases, sexual entrapment, grisly murders and lots of spycraft, never exceed the tension in those quiet opening scenes.
    • 69 Metascore
    • 60 Mike Hale
    Eventually, though, what seemed intriguing starts to feel slack and inconsequential, as the focus remains on police-procedural investigations and the duplicities in the Bowmans’ marriage. You start to hunger for answers.
    • 70 Metascore
    • 60 Mike Hale
    Mild, affable and familiar, Brooklyn Nine-Nine is a show the whole family can snicker at.
    • 78 Metascore
    • 60 Mike Hale
    It’s treacle, but it’s distinguished by several things, beginning with its relatively dry style and careful modulation of tone and volume--even the shouting and the car chases are discreetly tasteful.
    • 64 Metascore
    • 60 Mike Hale
    The question is what they'll be given to do going forward, beyond generic relationship material, domestic comedy and the occasional action set piece.
    • 60 Metascore
    • 60 Mike Hale
    That set is easily the most interesting thing about the show so far.... In Ms. Lange’s absence, the role of malevolent den mother appears to have gone to Lady Gaga, and that’s a pretty steep drop-off. Other members of the Horror Story repertory company return and continue to do amusing work, however. The story they inhabit this time around barely comes into focus in the first episode, which plays like a series of vignettes with only the loosest of connections.
    • 70 Metascore
    • 60 Mike Hale
    Grantchester will be breezy fun for fans of the form, though the more discerning will be put off by how rudimentary the actual murder mysteries are after being squeezed into 50 minutes (half the norm for this type of show). Others are liable to find it faintly ridiculous, more of a haiku than an actual drama.
    • 67 Metascore
    • 60 Mike Hale
    The Pillars of the Earth will go down painlessly for the fan of this sort of epic; while it's predictable and never exactly sweeping, it's certainly eventful, and the production values are above average.
    • 54 Metascore
    • 60 Mike Hale
    Some viewers won't find much of anything in Bob's Burgers funny, but in fairness it's at least partly a question of style--of whether you respond to the show's minimalist, conversational, antijoke aesthetic.
    • 94 Metascore
    • 60 Mike Hale
    This narrative pokiness is redeemed, as usual, by the machine-tooled professionalism of the production, the lavish attention to the mock-medieval costumes and setting, and the mostly crisp, understated acting by the international cast.... More than ever, though, you may find yourself impatient for the plot to wind around to the more engaging story lines.
    • 74 Metascore
    • 60 Mike Hale
    Episodes end with a sit-down interview labeled "Amy Goes Deep"--everything on this show is a double-entendre--in which Ms. Schumer might talk to a sex columnist, a phone-sex operator or a pornography cameraman. That’s a lot of extra business for a half-hour sketch show, and as charming and quick on her feet as Ms. Schumer is in these segments, they can feel like filler.
    • 64 Metascore
    • 60 Mike Hale
    It's decent popcorn TV, if you've got nothing better to do.
    • 73 Metascore
    • 60 Mike Hale
    Jonathan Strange & Mr Norrell is great to look at. It moves along at a gallop, and it’s not boring, even if it’s not exactly engaging either. Most important, it has appealing performances by Bertie Carvel as Strange and particularly by Eddie Marsan as the crabbed and proud Norrell.
    • 68 Metascore
    • 60 Mike Hale
    It's all just window dressing on a standard crime drama, however, and while the pilot sets up running story lines involving the gangster and the officials he controls, they feel squeezed and a little perfunctory.
    • 75 Metascore
    • 60 Mike Hale
    As crime shows go, it’s pretty good. As comic book shows go, it’s a demonstration of how tricky it can be to turn a comic book into a show.... It’s just that too much of the story feels indistinct, like disconnected chunks of a much-better-than-average cop show.
    • tbd Metascore
    • 60 Mike Hale
    Death Valley's scattershot satire has so many targets--scary-monster series, cop shows, mockumentaries, Hollywood posers, the suburban weltschmerz of the Valley--that despite the lackluster production and hit-and-miss writing some of the jokes are likely to connect.
    • 59 Metascore
    • 60 Mike Hale
    Ringer is nearly all melodramatics, but the pilot has a throwback, B-movie vibe that's entertaining--empty calories, but with a little kick.
    • 69 Metascore
    • 60 Mike Hale
    It still has plenty of clever touches in word and picture.... But it’s not particularly scary, and doesn’t even feel that creepy or freakish, despite the sideshow setting and the obvious attempt to emulate one of the eeriest of American movies, Tod Browning’s “Freaks,” from 1932.
    • 74 Metascore
    • 60 Mike Hale
    Mr. Gregg hits the same appealing note of wry authority that he struck in “The Avengers” (it’s not yet clear whether he has any others), and the newcomer Brett Dalton shows some charm as a Bond-style operative. Joss Whedon, meanwhile, has fun with the show’s obligatory jabs of self-awareness.... The first week’s adventure feels perfunctory, though, even given the constraint of introducing characters and back story, and most of the team members are still strictly two-dimensional.
    • 66 Metascore
    • 60 Mike Hale
    Credibility aside, the slow disintegration plays out in satisfyingly tense if formulaic fashion.
    • 48 Metascore
    • 60 Mike Hale
    Kirstie, with Ms. Alley mugging through her role as a kindhearted narcissist, is more like the Ford Focus. If it’s late and it’s all the rental company has left, you might as well take it.... Rhea Perlman is funny as Thelma, but the real revelation of Kirstie is Michael Richards as the shady chauffeur, Frank.
    • tbd Metascore
    • 60 Mike Hale
    Some of these segments are quite amusing, but they're rarely more amusing than they would have been if published in The Onion (the newspaper or the Web site).
    • 71 Metascore
    • 60 Mike Hale
    The story ends with a final, not quite believable, flourish on John's part, but Mr. Mackintosh carries it off, riding comfortably above his middling material.
    • 65 Metascore
    • 60 Mike Hale
    The series is in the "NYPD Blue" and "Southland" vein, trying for realism. It isn't in those shows' league, but it's a welcome change from the glossy triviality of other summer filler like "Rookie Blue" or "The Good Guys."
    • 68 Metascore
    • 60 Mike Hale
    Hatfields & McCoys is a perfectly respectable piece of work, and probably better than we could have expected for a History mini-series....The mini-series's main problem is that six-hour running time.
    • 37 Metascore
    • 60 Mike Hale
    Do No Harm is a resolutely lightweight entertainment whose silliness isn't necessarily a deal breaker--if you turn off the right parts of your brain, you might enjoy it.
    • 73 Metascore
    • 60 Mike Hale
    The result--for the person with a casual interest in cars, anyway--is a show that at this point lacks the character of the British original but is, particularly in its second and third episodes, reasonably entertaining by American reality-TV standards.
    • 62 Metascore
    • 60 Mike Hale
    Matador is definitely B-level--serviceable dialogue, not-quite-cartoonish characters, gimmicky editing--but it’s not grindhouse.
    • 66 Metascore
    • 60 Mike Hale
    When you do sketch-style comedy, though, you’re only as good as your next idea, and in two subsequent episodes the situations aren’t as distinctive. Jay Baruchel gives Josh an appealing blend of desperation, gallantry and squirming calculation. He’s carrying all the weight, though: The cast includes Eric Andre as Josh’s pick-up-artist best friend, Britt Lower as his sister and Maya Erskine as his ex, but none of their characters are more than foils.
    • 79 Metascore
    • 60 Mike Hale
    Rather than tackle Ms. Sontag’s ideas or their value head-on, the director, Nancy Kates, continually deflects the discussion along other lines: Ms. Sontag as closeted bisexual, serial heartbreaker, liberal provocateur, narcissist, celebrity, camera subject, Jew, cancer survivor.
    • 64 Metascore
    • 60 Mike Hale
    The executive producers, Shana Goldberg-Meehan and Greg Malins, both worked on "Friends," and the jokes in Better With You have the polish and the off-center, sneakily funny quality that marked that show. But the single-family multigeneration setup seems to have facilitated an undertone of nastiness and desperation in the humor, most clearly expressed in the condescending portrayal of the youngest couple.
    • 79 Metascore
    • 60 Mike Hale
    The film’s producers include the two executors of Jackson’s estate, and it is predictably admiring, though Mr. Lee keeps it from feeling too fawning, at least until the closing minutes. What it resembles more than anything is a deluxe extended episode of a television music-biography series like “Unsung” (or “Behind the Music” minus the scandals).
    • 47 Metascore
    • 60 Mike Hale
    The good side of the kabuki-like formalism of the Bruckheimer approach is that the story moves like a bullet toward the inevitable apprehension of the fugitive, flying past leaden dialogue and plot holes so quickly that if you enjoy the crime-drama formulas that are in play, you can enjoy the show.
    • 78 Metascore
    • 60 Mike Hale
    If you've seen the many hours of "The Blue Planet" and "Planet Earth," or are a regular watcher of the nature documentaries constantly available on cable, then you've already seen most of what Great Migrations has to offer, or some version of it.
    • 73 Metascore
    • 60 Mike Hale
    The new film, despite the astounding story it tells, is the most conventional, least urgent and, cinematically, the least interesting of the three.
    • 73 Metascore
    • 60 Mike Hale
    However, beyond its stars (and a welcome guest appearance in the pilot by Dallas Roberts), Elementary is a mixed bag. Mr. Doherty, whose primary credit is a long stint on the voluptuously melodramatic "Medium," is good on atmosphere and character but not so strong on plot mechanics.
    • 63 Metascore
    • 60 Mike Hale
    The 11-year-old boy at the center of the story has never spoken and is also the show's narrator. It's a perfectly acceptable device, if not a particularly interesting one in this case.
    • 61 Metascore
    • 60 Mike Hale
    What the production lacks in moral dimension or psychological acuity it occasionally makes up for in entertainment value.... Madoff is Mr. Dreyfuss’s show, though, and while the charismatic character he puts on screen, generous and loyal to a fault, may not jibe with our impression of the real Mr. Madoff, he’s fun to watch.
    • 71 Metascore
    • 60 Mike Hale
    It’s two characters for the price of one--or for the price of sitting through the three hours (over two nights) of an opaque and contrived thriller.
    • 59 Metascore
    • 50 Mike Hale
    Killing Fields relies on the kind of obviously staged or at least partly artificial action that typifies the reality-TV end of true crime.
    • tbd Metascore
    • 50 Mike Hale
    There's nothing inherently interesting about the show's attempt to combine stock ethnic-family sitcom formulas with retro-kitsch nostalgia, and viewers (especially those who have worked in family Chinese restaurants) may find the simplifications and stereotypes appalling.
    • 87 Metascore
    • 50 Mike Hale
    The flashback structure, which could have been cumbersome and distracting, is impressively seamless. But, despite these positives, things start to go off track as early as the second episode.... [Director Cary Joji Fukunaga] doesn’t show much ability here to animate Mr. Pizzolatto’s dialogue-heavy encounters.... There are some nice moments in the later episodes, and they’re the ones with the fewest words.
    • 54 Metascore
    • 50 Mike Hale
    Into the Badlands is a perfectly average television show.
    • 51 Metascore
    • 50 Mike Hale
    TV Land proves again that no one in basic cable does a more proficient, professional job of executing and packaging traditional sitcoms. What’s not so admirable: the creator and writer Matthew Carlson’s pilot script.
    • 68 Metascore
    • 50 Mike Hale
    It offers the minor pleasures of formulaic fantasy and weekly puzzle solving, though in a cheaper-looking and less original package than usual.
    • 56 Metascore
    • 50 Mike Hale
    It feels cobbled together, from the premise of “Chuck,” “Jake 2.0” and other shows to scenes and situations that recall better productions like “Person of Interest,” “Homeland” and “Raiders of the Lost Ark.”
    • 61 Metascore
    • 50 Mike Hale
    Sirens stands at the far end of a current spectrum in which jokes are considered too obvious and old-fashioned a way of getting laughs. Unfortunately, the show doesn’t replace them with funny circumstances or characters we care about.
    • 58 Metascore
    • 50 Mike Hale
    Much of the time in the early episodes is spent on the preparations for this mission [for one last big score] and on laying out a complicated network of alliances and animosities, and it gets to be a slog. Helping to keep us interested are Mark Ryan, providing a comic touch as a grizzled quartermaster, and Luke Arnold as a not-so-charming rogue named John Silver, not yet Long.
    • 65 Metascore
    • 50 Mike Hale
    It’s all a little too smooth and unexceptional, though--nothing in the central performances, the writing, the action or the computer effects goes beyond proficient, and nothing has the stark, strange, sometimes brutal feeling that made “Battlestar Galactica” compelling. For Syfy, the search goes on.
    • 52 Metascore
    • 50 Mike Hale
    Across the four early episodes provided for review, Pierce's hallucinations are already beginning to feel like stunts covering up for a lack of ideas.
    • 67 Metascore
    • 50 Mike Hale
    It accomplishes its inspirational, educational and motivational goals. It doesn’t totally succeed as dramatic reality television, but perhaps that’s to be expected given how high the stakes are, both for the transgender cause and for Ms. Jenner’s personal brand. Not a whole lot happens in the first hour of I Am Cait, and there’s not much to be learned for anyone who has watched the ABC interview.
    • 91 Metascore
    • 50 Mike Hale
    [Peter Dinklage, Ciaran Hinds, Paul Kaye, and Dianna Rigg are] all fun to watch, even when their characters don’t have anything in particular to do besides relay information that we need to keep up with the story or keep straight the seven (so we’re told) warring families.
    • 55 Metascore
    • 50 Mike Hale
    Turning Dracula into a fanged insurgent battling ruthless oligarchs is a nifty idea, and the electricity plot allows for diverting steampunk-meets-“Bride of Frankenstein” visuals. But nothing about the show is as much fun as it should be. The storytelling is slow and anemic, spelling everything out at length.
    • 60 Metascore
    • 50 Mike Hale
    Mr. Leary is trying to do something here that gets at the raunch and joy of the rock lifestyle but also offers a serious consideration of its consequences. He ends up not doing either very well.
    • 47 Metascore
    • 50 Mike Hale
    When Dominion isn’t preoccupied with filling in its portentous back story, it provides some capably filmed action and a higher grade of acting than usual for this kind of show.
    • tbd Metascore
    • 50 Mike Hale
    Origins is no worse than average among the class of shows--“24,” “The Unit,” “MI5”--that mix high-tech intelligence gathering with bloody commando action.
    • 66 Metascore
    • 50 Mike Hale
    At least the Sopranos knew how to have fun.... Mr. Momoa and Mr. Henderson acquit themselves well without generating any heat or much of any feeling. The best work is by Julianne Nicholson as Harold’s damaged wife and Zahn McClarnon as a foot soldier in Phillip’s drug operation.
    • 49 Metascore
    • 50 Mike Hale
    The medical scenes are competent but forgettable, while the scenes of Charlie's peregrinations are sometimes interesting and funny but surprisingly infrequent.
    • 62 Metascore
    • 50 Mike Hale
    What looks like a flat noir thriller could still make for a pretty entertaining police procedural.
    • 83 Metascore
    • 50 Mike Hale
    While Mr. Douglas glides through the film--demonstrating that his talent for portraying carnivorous lechery and polished duplicity works regardless of sexual orientation--and Mr. Damon is earnest and committed, the love, or whatever it was, between Thorson and Liberace never comes into emotional focus.
    • 64 Metascore
    • 50 Mike Hale
    It has more of the feel of a traditional family sitcom than the louder, jokier competition on Nickelodeon, but the humor is still pretty broad and the plotting blunt for anyone outside that age group.
    • tbd Metascore
    • 50 Mike Hale
    Peaky Blinders is literate (watch for the visual references to “L’Atalante” and Charon’s crossing) and sometimes great looking, with impressive evocations of hellish industrial sections of Birmingham that have a science-fiction feel. But for a sprawling soap opera that packs in Roma curses, shell shock, hash pipes, Chinatown prostitutes and gang members sporting the 1919 version of a half-shaved boy-band haircut, it doesn’t have quite enough juice.
    • 53 Metascore
    • 50 Mike Hale
    Reign looks good (the pilot was shot in Ireland), moves smoothly and features CW’s characteristic bland but competent performances.
    • 58 Metascore
    • 50 Mike Hale
    Hello Ladies is a diverting curiosity, nice to look at and good for a few squirmy laughs.
    • 49 Metascore
    • 50 Mike Hale
    What he did talk about, during a surprisingly old-fashioned opening monologue, was Donald Trump’s presidential aspirations, the Greek financial crisis and the dullness of soccer.... He spent the rest of the half-hour show introducing taped segments and scripted sketches. These were mostly underwhelming.
    • 47 Metascore
    • 50 Mike Hale
    Beyond that conceit [that none of the survivors are over 21], though, most of the action in the opening episodes is familiar ensemble soap opera with conspiracy-theory embroidery (the government knows more than it’s saying).

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