For 635 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.9 points higher than other critics. (0-100 point scale)

Mike Scott's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Restrepo
Lowest review score: 20 The Paperboy
Score distribution:
  1. Negative: 45 out of 635
635 movie reviews
    • 92 Metascore
    • 80 Mike Scott
    Inside Llewyn Davis isn't as goofy as 2008's "Burn After Reading," nor as solemn as 2009's "A Serious Man," but it's an embraceable film just the same.
    • 90 Metascore
    • 80 Mike Scott
    Like everyone else in Russell's cast, Lawrence appears to be having a blast in the role. It's downright contagious.
    • 78 Metascore
    • 80 Mike Scott
    Under the Skin is, in short, a film that does just that: gets under one's skin, shining a light on what it means to be human -- even if what we end up seeing is something less than comforting.
    • 76 Metascore
    • 80 Mike Scott
    Khan in particularly is wonderful in Batra's film, which takes the time to indulge in quiet moments that Khan expertly fills with his expressive face and sense ease in front of a camera.
    • 53 Metascore
    • 80 Mike Scott
    One heck of a fun film -- and the most enjoyable and rewarding superhero movie I've seen in a while.
    • 79 Metascore
    • 80 Mike Scott
    Here is a film that not only entertains, but also educates and -- thanks to Jodo's deep confidence and energetic artistic optimism -- one that also inspires.
    • 64 Metascore
    • 80 Mike Scott
    Songs such as "We Shall Overcome," "Wade in the Water" and "This Little Light of Mine" are powerful to begin with. Listening to them, music-video-style, over footage shot during the era, however, elevates them.
    • 74 Metascore
    • 80 Mike Scott
    Joe
    The result is intense and powerful, a full-color portrait of the importance of never surrendering.
    • 68 Metascore
    • 80 Mike Scott
    Here's a film that feeds the heart and the soul.
    • 79 Metascore
    • 80 Mike Scott
    Makes for riveting viewing. Dawn of the Planet of the Apes is among the more brisk 2 hours and 10 minutes I've spent in a theater in some time -- and it's easily the most rewarding of this year's summer tentpole films.
    • 62 Metascore
    • 80 Mike Scott
    The sum total is a film with great music, a great story and a great vibe in general -- not to mention those Carney-crafted moments, built around joy, possibility and self-transformation. In other words: Carney has given us another pearl.
    • 76 Metascore
    • 80 Mike Scott
    It is fast, it is fun.
    • 89 Metascore
    • 80 Mike Scott
    Ida
    Agata Kulesza is pitch-perfect as the tortured aunt, weighed down by years of shame and sorrow. In a quieter but equally impactful role is newcomer Agata Trzebuchowska as Ida, a character defined by a quiet, rigid stoicism but who, with her cherubic face, engenders great empathy.
    • 78 Metascore
    • 75 Mike Scott
    Director David Yates picks up where he left off with "Order of the Phoenix," assembling a nicely paced and artfully shot adventure.
    • 49 Metascore
    • 75 Mike Scott
    For all of its faults, ends up being relentlessly watchable as well, a summertime popcorn spectacle plopped down in the middle of the fall movie season.
    • 73 Metascore
    • 75 Mike Scott
    It is classless, it is tasteless, it is idiotic, it is juvenile and it is something your mother totally wouldn't approve of. But it also is flat-out hilarious, a go-for-broke comedy that not only is the best laugher released so far this summer, but one of the best so far this year.
    • 66 Metascore
    • 75 Mike Scott
    The result is a movie that, in its best moments, is delightful. It does lose a significant amount of steam halfway through -- likely due in part to its two hours of running time.
    • 55 Metascore
    • 75 Mike Scott
    Lee keeps things afloat with an appealing air of levity, including a fun but restrained use of split-screen, an homage to the 1970 doc, as well as cameos by that movie's Port-O-San guy and its peace-sign-flashing nuns.
    • 66 Metascore
    • 75 Mike Scott
    It's all good, goofy fun.
    • 58 Metascore
    • 75 Mike Scott
    A heartwarming -- and at times heartbreaking -- post-"Juno" road comedy for grownups.
    • 55 Metascore
    • 75 Mike Scott
    Tony Scott pushes all the right buttons, crafting a worthy -- and in many ways, a superior -- update.
    • 80 Metascore
    • 75 Mike Scott
    As a result, the slickly produced Food, Inc. is more deeply unsettling than it is out-and-out stomach-turning.
    • 45 Metascore
    • 75 Mike Scott
    Ends up being a pleasantly surprising blast from the past, a delightful and amusing touchstone to Allen's comedic prime.
    • 78 Metascore
    • 75 Mike Scott
    The movie documents much more than a talent competition -- it documents a political movement.
    • 73 Metascore
    • 75 Mike Scott
    It's great, gruesome fun, a well-written and fantastically cast romp.
    • 79 Metascore
    • 75 Mike Scott
    Precious is painful, it is harrowing, it is emotionally exhausting. It is also a singular film, one that is as difficult to compare to another as it is to forget.
    • 70 Metascore
    • 75 Mike Scott
    Brilliant in its simplicity, as he turns the floor over to the three masters with this simple instruction: The guitar. Discuss.
    • 83 Metascore
    • 75 Mike Scott
    It's also a British comedy, with that singularly British way of being clever and deliriously juvenile all at once, a combination that makes for scathing, laugh-out-loud, big-screen satire.
    • 71 Metascore
    • 75 Mike Scott
    Just as key to the movie's impact are its well-acted scenes of heart-wrenching emotion, although some stray perilously close to melodrama.
    • 53 Metascore
    • 75 Mike Scott
    Burton's most imaginative film in some time.