For 50 reviews, this critic has graded:
  • 72% higher than the average critic
  • 6% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Molly Eichel's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 The Fits
Lowest review score: 25 We Are Your Friends
Score distribution:
  1. Positive: 34 out of 50
  2. Negative: 3 out of 50
50 movie reviews
    • 52 Metascore
    • 63 Molly Eichel
    A small, dreamy romance.
    • 51 Metascore
    • 63 Molly Eichel
    Acts more like a primer for newbies unfamiliar with the show's history, giving no real insight into Lorne Michaels' long-running creation.
    • 61 Metascore
    • 63 Molly Eichel
    There are the bare bones of a plot, but the true purpose of this animated feature is to highlight Gibran's poetic essays, recited sonorously by Liam Neeson.
    • 51 Metascore
    • 63 Molly Eichel
    The execution may not be there, but at least it has good intentions. Then again, you know what they say about the road to hell.
    • 44 Metascore
    • 50 Molly Eichel
    The set pieces are fun, if not as spectacular as those in Jon Favreau's adaptation of Kipling's similar "The Jungle Book." And the plot moves at a nice pace.
    • 45 Metascore
    • 50 Molly Eichel
    A loving ode to screwball comedies from the Golden Age of Hollywood that never approaches the films it pays homage to.
    • 63 Metascore
    • 50 Molly Eichel
    Keanu doesn't go far enough. Key & Peele was searing and incisive about race and American culture, and Keanu doesn't even scratch the surface.
    • 31 Metascore
    • 50 Molly Eichel
    Watching people be miserable with each other for the movie's run-time does not always make for a pleasant experience.
    • 34 Metascore
    • 50 Molly Eichel
    There's nothing to say that crass can't be funny - and it sometimes is in Daley and Goldstein's iteration - but Vacation loses any of the ooey-gooey, family-friendly heart that made you really want Clark to get to Walley World to begin with.
    • 49 Metascore
    • 50 Molly Eichel
    What could have been an amusing and entertaining zombie flick is, instead, a slog.
    • 39 Metascore
    • 50 Molly Eichel
    The plot itself has little momentum, and what should feel dramatic instead feels inert.
    • 32 Metascore
    • 50 Molly Eichel
    While the plot is dumb and the script is worse, watching aliens explode in spectacular fashion isn't the worst excuse to spend to two hours in air-conditioning.
    • 55 Metascore
    • 50 Molly Eichel
    The irony of Anesthesia is that, while it uses interconnectivity as a storytelling mechanism, the characters do not really connect.
    • 26 Metascore
    • 50 Molly Eichel
    If you're looking for a reason to watch pretty people and cry, then, by all means, head to the theater. But it pales in comparison to other Sparks works, especially when it gets into medical-ethics territory.
    • 45 Metascore
    • 50 Molly Eichel
    A mid-point twist is particularly ridiculous, and in an attempt to reconcile this turning point, the final act of the movie becomes a mess.
    • 47 Metascore
    • 50 Molly Eichel
    Max
    When the films sticks with heart-tugging soldier stuff, it's not bad. When it goes beyond that premise, it becomes so entirely outlandish that it's not enjoyable anymore.
    • 34 Metascore
    • 50 Molly Eichel
    For every laugh that Zoolander 2 elicits, there's a pang that all this was funnier the first time around.
    • 18 Metascore
    • 25 Molly Eichel
    A piece of schlock from Garry Marshall.
    • 21 Metascore
    • 25 Molly Eichel
    Characters are introduced as archetypes to serve as jokes and little more.
    • 46 Metascore
    • 25 Molly Eichel
    Perhaps it's for the best that We Are Your Friends doesn't try to appeal to anyone outside its stars' own kind. Fewer people will have to see it.

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