For 862 reviews, this critic has graded:
  • 52% higher than the average critic
  • 5% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 7.4 points higher than other critics. (0-100 point scale)

Noel Murray's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 A Christmas Story
Lowest review score: 10 A Love Song for Bobby Long
Score distribution:
  1. Negative: 27 out of 862
862 movie reviews
    • 74 Metascore
    • 75 Noel Murray
    Iron Island is at its most compelling early, as Rasoulof explores his human-scaled ant farm, detailing how people make lives for themselves in cramped quarters, using cardboard partitions and jerry-rigged appliances.
    • 71 Metascore
    • 75 Noel Murray
    Almost as fascinating as the depiction of modern Cameroon law is the snapshot of how the 21st century has found its way into rural Africa. Cameroon has always been one of the more developed African nations, but the place where Sisters In Law takes place still consists mainly of tumbledown shacks strung together chaotically.
    • 67 Metascore
    • 75 Noel Murray
    These characters are still rich, and their potential growth still compelling. Here's hoping we meet them again in another five years.
    • 71 Metascore
    • 75 Noel Murray
    La Moustache recalls the "everyday suspense" films of Roman Polanski and the existential woe of Michelangelo Antonioni, but it isn't as strange or penetrating as the former, or as artfully shot as the latter.
    • 73 Metascore
    • 75 Noel Murray
    Hacke is in almost every shot, taking in the performances and sometimes singing and dancing along, inviting the audience to share in the joy of discovery.
    • 61 Metascore
    • 75 Noel Murray
    Whatever its pretensions of social relevance, Sérgio Machado's Lower City is essentially an exploitation movie, and not a half-bad one at that.
    • 76 Metascore
    • 75 Noel Murray
    Builds slowly--maybe too slowly--to a mano-a-mano standoff, just like "The Twilight Samurai," and just like the earlier film, the new one presents its climactic swordfight matter-of-factly, with no superheroics and a lot of hesitation.
    • 66 Metascore
    • 75 Noel Murray
    Theirs is a well-worn story that may not need to be told, but they do tell it well.
    • 69 Metascore
    • 75 Noel Murray
    A raucous, relevant documentary, capturing the mood of the times and the participants' best anecdotes.
    • 60 Metascore
    • 75 Noel Murray
    For all the hubbub, the film succeeds in relating Shakespeare to modern times, thanks mainly to the use of energetic pop music and the gameness of the performers.
    • 64 Metascore
    • 75 Noel Murray
    Because Justice is from the Wiseman school of documentaries, there's no narration and people don't share their thoughts with the camera, which means the movie can come off as a little hollow.
    • 72 Metascore
    • 75 Noel Murray
    Luhrmann works aggressively for laughs early in the picture, playing up the gaudiness and piggishness of the old-guard dancers in camera angles as extreme and unflattering as a mid-'80s David Lee Roth video.
    • 74 Metascore
    • 75 Noel Murray
    It's fascinating to see how the Black Bears got onto their current path, but we don't see enough of the journey.
    • 81 Metascore
    • 75 Noel Murray
    In its overt attempts to balance high-spirited spy adventure with more realistic acting and actio--conveying the realities of government-sponsored murde--Casino Royale is a step in the right direction for the Bond franchise. But it's a small, tentative step.
    • 78 Metascore
    • 75 Noel Murray
    The Aura holds together as a dreamy variation on "Reservoir Dogs'" heist-gone-wrong fatalism and the know-thyself confrontations of David Mamet's "Homicide."
    • 89 Metascore
    • 75 Noel Murray
    von Donnersmarck gives his debut feature, The Lives Of Others, no particular style, and the absence of visual risk-taking renders an exciting premise ponderous and stolid.
    • 69 Metascore
    • 75 Noel Murray
    The movie is never going to have broad appeal. Though Sasanatieng makes a few swings at real poignancy--which don't really connect--mostly this is the kind of relentlessly postmodern "fun" best served in small portions, and preferably on dessert plates.
    • 76 Metascore
    • 75 Noel Murray
    Regular Lovers isn't a folly-of-youth story that aches with emotion, like "Au Revoir," "Les Enfants" or "The Squid And The Whale." It's drier, and simpler.
    • 74 Metascore
    • 75 Noel Murray
    Even though 2 Or 3 Things' central irony is blunt, Ludin's tone remains measured throughout, and never self-serving.
    • 62 Metascore
    • 75 Noel Murray
    If Seraphim Falls' audience appreciates its good points and ignores an ending that tries too hard, they'll just be following a grand genre-buff tradition.
    • 64 Metascore
    • 75 Noel Murray
    Sayar and Schnendar are likeable performers, and if Bilu and Hager had pushed the "private school for girls" side of Close To Home a little harder, they could have had a sharp satire on their hands. Instead, it's all played straight and close to the surface.
    • 78 Metascore
    • 75 Noel Murray
    As a place to enter and meditate, Into Great Silence is imminently worthy, but as a documentary, it doesn't do enough to probe the meaning of the quotation Gröning returns to repeatedly: "Oh Lord, you have seduced me, and I was seduced."
    • 54 Metascore
    • 75 Noel Murray
    The problem with Exterminating Angels is that its explanatory side overwhelms its playfully perverse side.
    • 82 Metascore
    • 75 Noel Murray
    There's a kind of dry tastefulness about The Wind That Shakes The Barley's historical recreations, even when Loach is staging rapes and executions.
    • 48 Metascore
    • 75 Noel Murray
    A fragile little movie, occasionally ridiculous, but with M. Night Shyamalan's "Lady In The Water," Giamatti proved that he can make even the weirdest material believable.
    • 54 Metascore
    • 75 Noel Murray
    Develops its story slowly and carefully, nearly always opting for the plausible over the sensational.
    • 75 Metascore
    • 75 Noel Murray
    Up to the last five minutes, Poison Friends stays true to that heady, idealistic-to-a-fault world of academia.
    • 60 Metascore
    • 75 Noel Murray
    The film is striking and often charming, and any movie that places three tall, lanky types aboard a miniature boat named "Titanique" can't be slammed too much. But in the end, it's easier to admire than to love.
    • 65 Metascore
    • 75 Noel Murray
    It's so rare these days to see a documentary that aspires to be cinematic that Beyond Hatred may seem at first to be slightly better than it is.
    • 74 Metascore
    • 75 Noel Murray
    But while Kervel will probably have to have her own children before she fully understands the changes parents go through, she's bound to adjust to her folks' whims. Having no power of her own, what choice does she have?