Owen Gleiberman
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For 2,346 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.4 points higher than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Truman Show
Lowest review score: 0 What the #$*! Do We (K)now!?
Score distribution:
2,346 movie reviews
    • 73 Metascore
    • 91 Owen Gleiberman
    It takes skill these days, if not nerve, to put a vital, happy nuclear family on screen and to invite us to share in every quiet tremor, every gentle jostle and smile of their steady, deep-flowing contentment.
    • 52 Metascore
    • 91 Owen Gleiberman
    Watching Bounce, you look at him (Affleck) and believe how much he's got at stake, and you look at Paltrow and know why.
    • 62 Metascore
    • 91 Owen Gleiberman
    Turns the tricks of psychology into duplicitous high play.
    • 57 Metascore
    • 91 Owen Gleiberman
    Turns out to be a supple, intriguing, and beautifully staged movie. It features Dillon, in his most forceful performance since ''Drugstore Cowboy.''
    • 51 Metascore
    • 91 Owen Gleiberman
    Acting doesn't get more personal, or much greater.
    • 62 Metascore
    • 91 Owen Gleiberman
    When the submarine has to dive 400 meters beneath the surface to avoid detection, you can practically feel the water pressure crushing in on the sailors.
    • 71 Metascore
    • 91 Owen Gleiberman
    Linklater has hardly been a slacker this year. I'll take the tricky confrontational babble of Tape over some of the gauzier soliloquies in ''Waking Life,'' but either way, he's a filmmaker in love with the music of talk, and let's bless him for that.
    • 75 Metascore
    • 91 Owen Gleiberman
    Rarely have two actresses been so effortless in their intimacy.
    • 56 Metascore
    • 91 Owen Gleiberman
    This is the richest role Paltrow has had since ''Shakespeare in Love,'' and she rises to the challenge. She digs deep into Plath's mercurial nature, giving us a Sylvia who's fiercely independent and alive yet burdened with demons of insecurity that bubble up in a rage.
    • 80 Metascore
    • 91 Owen Gleiberman
    The nature of silent comedy was to elevate its heroes into myths, but after ''Charlie'' I can't wait to see Chaplin's movies again, this time to glimpse the man on the other side of the icon.
    • 67 Metascore
    • 91 Owen Gleiberman
    A big, square, rousing political thriller docudrama.
    • 65 Metascore
    • 91 Owen Gleiberman
    Branagh, chewing on a plummy Georgia accent, makes the divorced, boozing, and womanizing Magruder a smug yet touchingly vulnerable legal player.
    • 71 Metascore
    • 91 Owen Gleiberman
    On the eve of Wuornos' 2002 execution, Broomfield digs deep into her abusive hell of a background (beatings, incest, sleeping homeless in the frozen Michigan woods) as well as her quasi-psychotic defense mechanisms.
    • 77 Metascore
    • 91 Owen Gleiberman
    Brashly engaging.
    • 62 Metascore
    • 91 Owen Gleiberman
    Like all courtroom dramas, A Few Good Men is gimmicky and synthetic. It's also an irresistible throwback to the sort of sharp-edged entertainment Hollywood once provided with regularity.
    • 64 Metascore
    • 91 Owen Gleiberman
    Trekkies is hilarious, fascinating, and, at times, almost scary.
    • 57 Metascore
    • 91 Owen Gleiberman
    It's not every comedy that can make you laugh with ridicule and cringe in empathetic horror at the same time.
    • 54 Metascore
    • 91 Owen Gleiberman
    The movie is on some level a stunt, but it has the fervent, sun-dazed pull of an authentic experience unfolding in real time, with glints of drama, comedy, and terror mixed into the almost-but-not-quite tedium.
    • 76 Metascore
    • 91 Owen Gleiberman
    A dazzlingly crafted documentary about the teenage surf punks of lower Los Angeles who singlehandedly transformed skateboarding into the extreme sport it has become.
    • 65 Metascore
    • 91 Owen Gleiberman
    A deft, funny, shrewdly unsettling tribute to such slasher-exploitation thrillers as "Terror Train," "New Year's Evil," and Craven's own "A Nightmare on Elm Street."
    • 78 Metascore
    • 91 Owen Gleiberman
    Godzilla is still the most awesome of tacky movie monsters.
    • 64 Metascore
    • 91 Owen Gleiberman
    Funny, pungent, and weirdly gripping.
    • 83 Metascore
    • 91 Owen Gleiberman
    The writer-director, Peter Sollett, cast the film with kids from his own neighborhood, who give themselves over to the camera with a spirit of improvised play that morphs into vivid, layered acting.
    • 90 Metascore
    • 91 Owen Gleiberman
    Remains a majestic explosion of pure cinema. It's a hallucinatory poem of fear, projecting, in its scale and spirit, a messianic vision of human warfare stretched to the flashpoint of technological and moral breakdown.
    • 51 Metascore
    • 91 Owen Gleiberman
    Shrewd, tough, and lively -- a junior-league "One Flew Over the Cuckoo's Nest."
    • 70 Metascore
    • 91 Owen Gleiberman
    Hoffman plays Dan Mahowny's addiction to instant money as something dirty and private and, at the same time, soul-quickening.
    • 51 Metascore
    • 91 Owen Gleiberman
    After a while, a didactic overdeliberateness seeps into Noé's design, but there's no doubt that he's a new kind of dark film wizard: a poet of apocalyptic shock.
    • 65 Metascore
    • 91 Owen Gleiberman
    A crowd-pleaser in the deepest sense, mixes heartbreak and happiness together until you don't even want to see them apart.
    • 80 Metascore
    • 91 Owen Gleiberman
    A richly tender and moving experience.
    • 63 Metascore
    • 91 Owen Gleiberman
    Does more than capture the excitement of marching bands; it gets their clockwork beauty as well.