Peter Travers
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For 2,305 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 5 points higher than other critics. (0-100 point scale)

Peter Travers' Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Spirited Away
Lowest review score: 0 Atlas Shrugged: Part I
Score distribution:
2,305 movie reviews
    • 31 Metascore
    • 25 Peter Travers
    This is Berg's debut outing as a director, but other first-timers, namely Joel Coen (Blood Simple) and Danny Boyle (Shallow Grave), had it all over him for blending horror and hilarity.
    • 45 Metascore
    • 25 Peter Travers
    "Irritating" doesn't begin to describe Julia Roberts as Katherine, an art-history prof who arrives at Wellesley in 1953.
    • 42 Metascore
    • 25 Peter Travers
    Except for a rare scene of shaggy charm, nothing works. Nothing.
    • 43 Metascore
    • 25 Peter Travers
    The title of this limp retread of "Minority Report" -- both films are based on stories by Philip K. Dick -- presumably refers to the reason the big names involved did this movie.
    • 48 Metascore
    • 25 Peter Travers
    Director Antoine Fuqua (Training Day) can stage action, but he can't save a trivializing, reactionary script featuring a Hollywood star (read America) as a global savior.
    • 43 Metascore
    • 25 Peter Travers
    This third hunk of Pie is a worn-out gross-out, a remnant of a genre that now seems so five minutes ago.
    • 48 Metascore
    • 25 Peter Travers
    Something cold and mechanical has seeped into the sequel. The divas push so hard for fun, it kills the spontaneity that fun needs to breathe.
    • 47 Metascore
    • 25 Peter Travers
    Director Luke Greenfield, the auteur behind "The Animal," starring Rob Schneider, wants to pass off this limp-dick farce as social satire. Ha!
    • 30 Metascore
    • 25 Peter Travers
    What the filmmakers fail to recognize is that history on the page is quite different from what it needs to be onscreen, namely alive and visceral.
    • 58 Metascore
    • 25 Peter Travers
    Grating.
    • 18 Metascore
    • 25 Peter Travers
    The only people likely to get a kick out of Gigli -- the first screen teaming of Ben Affleck and Jennifer Lopez -- are Madonna and her director hubby Guy Ritchie. Finally there's a movie as jaw-droppingly awful as their "Swept Away."
    • 28 Metascore
    • 25 Peter Travers
    When a Spike Lee film doesn't fly, it sinks like a stone.
    • 24 Metascore
    • 25 Peter Travers
    Every scare is telegraphed. Every surprise is recycled from a better thriller. Even the devil would send this one back.
    • 45 Metascore
    • 25 Peter Travers
    A dreary film that's damn near torture to sit through.
    • 47 Metascore
    • 25 Peter Travers
    Never achieves liftoff.
    • 31 Metascore
    • 25 Peter Travers
    It's too bad Martin already made “What's the Worst That Could Happen?” The title really fits this one.
    • 31 Metascore
    • 25 Peter Travers
    Environmentalists are up in arms. "Where did the shit go?" they want to know. The answer is painfully obvious: into the screenplay.
    • 38 Metascore
    • 25 Peter Travers
    Stupefyingly stupid thriller.
    • 36 Metascore
    • 25 Peter Travers
    It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.
    • 16 Metascore
    • 25 Peter Travers
    The 'roo doesn't talk, except in a dream sequence…I'm dying here.
    • 38 Metascore
    • 25 Peter Travers
    Despite Joan Cusack, whose comic spark earns the film its only star, Raising Helen is like tumbling into chick-flick hell.
    • 35 Metascore
    • 25 Peter Travers
    Here's a shrieking bore of a horror flick.
    • 38 Metascore
    • 25 Peter Travers
    A movie utterly devoid of wit , excitement and any reason for being.
    • 36 Metascore
    • 25 Peter Travers
    Feels fake, forced and indigestible.
    • 42 Metascore
    • 25 Peter Travers
    "Your incompetence is most taxing," says the chief vampire (Bill Nighy). A line that pretty much nails this rusty Blade.
    • 19 Metascore
    • 25 Peter Travers
    The jokes? "Chicks are for fags," says Lloyd. The film is subtitled When Harry Met Lloyd. Believe me, you don't want to be there.
    • 30 Metascore
    • 25 Peter Travers
    Nothing can save this repetitive bore. Dude, where's your memory?
    • 47 Metascore
    • 25 Peter Travers
    What's left is a lot of strenuous playacting when what's called for is the finesse of the Japanese original. Skip this stub-toed substitute.
    • 25 Metascore
    • 25 Peter Travers
    It's probably the movie event of the summer if you're an eight-year-old girl who doesn't get out much.
    • 39 Metascore
    • 25 Peter Travers
    Alexander breaks the key rule that makes movies move: Show, don't tell.
    • 23 Metascore
    • 25 Peter Travers
    I'd prefer to think of Sandler in "Punch-Drunk Love," the one good movie of the three he did this year.
    • 44 Metascore
    • 25 Peter Travers
    Is it the clumsy script or the switch in directors -- Beeban Kidron in for Sharon Maguire -- that has sucked out the charm of the original and replaced it with crude pratfalls and enough shag gags to stuff the next three Austin Powers movies?
    • 47 Metascore
    • 25 Peter Travers
    Don't ask whether or not you should take The Day After Tomorrow seriously. Don't take it at all.
    • 19 Metascore
    • 25 Peter Travers
    Talk about your quick-buck exploitation.
    • 39 Metascore
    • 25 Peter Travers
    It's not just hard to believe any of this, it's impossible. And director Jon Turteltaub (Phenomenom) directs with robotic cheerlessness.
    • 61 Metascore
    • 25 Peter Travers
    The result is a failed and lifeless experiment in which everything goes wrong.
    • 33 Metascore
    • 25 Peter Travers
    A comedy so devoid of wit and point that not mentioning the other actors trapped in this rathole would be an act of charity.
    • 36 Metascore
    • 25 Peter Travers
    Here's a comedy of punishing tedium that pretends to be hip when it's so five minutes ago.
    • 34 Metascore
    • 25 Peter Travers
    Demolition Man is sleek and empty as well as brutal and pointless.
    • 45 Metascore
    • 25 Peter Travers
    What Murphy's doing isn't acting; it's masturbation.
    • 33 Metascore
    • 25 Peter Travers
    The movie that might have been goes down in flames.
    • 51 Metascore
    • 25 Peter Travers
    This flabby comedy deserves only one thing: to fall on its fat one.
    • 33 Metascore
    • 25 Peter Travers
    Jonah is fated to ride alone. Don't make the mistake of keeping him company.
    • 50 Metascore
    • 25 Peter Travers
    The movie left me with the feeling of being trapped with a person of privilege who won't stop with the whine whine whine.
    • 46 Metascore
    • 25 Peter Travers
    Cage and Baruchel work hard to stay accessible, but the computer-generated effects come on like heavy artillery blowing away any hint of flesh and blood. The Sorcerer's Apprentice should be rated U for Untouched by Human Hands.
    • 37 Metascore
    • 25 Peter Travers
    Some bad movies should carry a leper's bell to warn off ticket buyers. Such a contagion is Charlie St. Cloud, a load of mawkish swill starring Zac Efron (bereft of the talent he showed in "Me and Orson Welles").
    • 22 Metascore
    • 25 Peter Travers
    Sorry, no XOXO for this slick, hollow hooey.
    • 47 Metascore
    • 25 Peter Travers
    It could have been the 21st-century Showgirls. I wouldn't have missed that for the world. Instead, Burlesque, starring Cher and Christina Aguilera playing drag queen versions of themselves with all the vitality of Madame Tussauds wax dolls, is a bust that lacks the pizzaz and bugfuck nuttiness of Paul Verhoeven's 1995 trash epic.
    • 27 Metascore
    • 25 Peter Travers
    Upchuckingly unfunny.
    • 43 Metascore
    • 25 Peter Travers
    I wanted Paquin, who deserves better than this, to call on her vampire pals from "True Blood" and yell, "sic em!" Oh wait, they're already bloodless.
    • 33 Metascore
    • 25 Peter Travers
    At one point, Black puts out a fire by pissing on it. It's my job as a critic to piss on this dumb excuse for a movie. Consider it done.
    • 45 Metascore
    • 25 Peter Travers
    This lame-ass chick-flick sampling of "Crazy Heart" is more like country Kryptonite.
    • 38 Metascore
    • 25 Peter Travers
    It's hard to deny that The Rite is guilty of sins against its audience.
    • 42 Metascore
    • 25 Peter Travers
    The movie ultimately reveals itself as a pretender with no balls. Creatively, it's all wet.
    • 28 Metascore
    • 25 Peter Travers
    The real plague is the movie, a sci-fi hodgepodge of bad history and worse special effects.
    • 33 Metascore
    • 25 Peter Travers
    It's the perfect Valentine's date night movie, but only with someone you hate.
    • 45 Metascore
    • 25 Peter Travers
    It's a lame trailer, but the movie itself is much, much worse.
    • 36 Metascore
    • 25 Peter Travers
    Gordon, who died shortly after the first Arthur, never had to see the luckless 1988 sequel that made his beloved characters seem like strangers. The new Arthur, insipid when it should be infectious, leaves the same deadly impression.
    • 31 Metascore
    • 25 Peter Travers
    Nothing works. Nothing.
    • 45 Metascore
    • 25 Peter Travers
    Start hating me now, Twihards, but the sexless, bloodless, padded and plodding Breaking Dawn, Part 1 is the worst Twilight movie to date. (I don't get it either.)
    • 39 Metascore
    • 25 Peter Travers
    Hal claims that a Lantern's only enemy is fear itself. The thought of a sequel to this shamelessly soulless Hollywood product scares me plenty.
    • 29 Metascore
    • 25 Peter Travers
    Even wild man Gary Oldman, as a priest ready to eighty-six the wolfman with silver nail polish, can't liven up this humorless hogwash. And it's just sad to see the legendary Julie Christie stuck playing the grandmother.
    • 41 Metascore
    • 25 Peter Travers
    Larry Crowne is more than a missed opportunity. It's alarmingly, depressingly out of touch.
    • 50 Metascore
    • 25 Peter Travers
    The cheap thrills wear off way fast, and we're left with atrocious acting, feeble writing and clueless directing (from first-timer Steven Quale). The horror! The horror!
    • 61 Metascore
    • 25 Peter Travers
    We're getting more of the same, but less of the impact, like weed from a bad dealer.
    • 46 Metascore
    • 25 Peter Travers
    Yikes! Chris Renaud and Kyle Balda direct strictly for short-attention spans on a fruit-loopy palette that made me want to puke. Had Dr. Seuss lived (he died in 1991), I'm confident he would have puked as well.
    • 41 Metascore
    • 25 Peter Travers
    Way to go, Battleship: Take the crassest of cynical junk, slather it in jingoism and sell it as rah-rah fun for right-wingers.
    • 43 Metascore
    • 25 Peter Travers
    Since the new Recall is totally witless, don't expect laughs. Originality and coherence are also notably MIA.
    • 37 Metascore
    • 25 Peter Travers
    This feeble followup to 2010's godawful "Clash of the Titans" sucketh the mighty big one.
    • 40 Metascore
    • 25 Peter Travers
    The shopworn script by Pablo F. Fenjves, who ghost-wrote the unpublished O.J. Simpson book, If I Did It: The Confessions of the Killer, gets no help from director Asger Leth (Ghosts of Cite Soleil).
    • 48 Metascore
    • 25 Peter Travers
    The movie plays like an evangelical prayer meeting, though I'd hold the hallelujahs. The characters we came to admire as vulnerable misfits hit the stage like visiting royalty and with a nonstop perkiness that makes the Von Trapps look like manic-depressives.
    • 37 Metascore
    • 25 Peter Travers
    Here they're just putting "Pirates of the Caribbean" in a saddle and pretending we won't notice.
    • 40 Metascore
    • 25 Peter Travers
    I don't know what to make of Act of Valor. It's like reviewing a recruiting poster.
    • 37 Metascore
    • 25 Peter Travers
    Here's Madge one more time doing something for which she is eminently unsuited – directing.
    • 42 Metascore
    • 25 Peter Travers
    This Parker spits in our collective eye. Don't blame us for spitting back.
    • 48 Metascore
    • 25 Peter Travers
    I can't detect the hand of Hill in even a single scene in Bullet in the Head. It plays like a Stallone vanity project, impure and stupefyingly simple.
    • 39 Metascore
    • 25 Peter Travers
    Is it the worst of the seven screen Sparks so far? Nope. My vote still goes to 2009's "The Last Song" with Miley Cyrus mothering those unhatched turtle eggs. But it's still pretty damn insufferable.
    • 33 Metascore
    • 25 Peter Travers
    The young Smith has energy, but not the acting chops. And he's no miracle worker. The burden of carrying this dull, lifeless movie is just too much. And it's hell on an audience. It's not a good sign when you sit there thinking – Make. It. Stop.
    • 40 Metascore
    • 25 Peter Travers
    This movie made my ears hurt. Raymond Chandler, Dashiell Hammett and James Ellroy could have turned this pulp into insinuating jazz. What's here is a cartoonish bore.
    • 55 Metascore
    • 25 Peter Travers
    There may be worse movies this summer than The Great Gatsby, but there won't be a more crushing disappointment.
    • 54 Metascore
    • 25 Peter Travers
    Whitney Houston deserved better than to go out onscreen with this botch job remake of a 1976 soap opera that never deserved another thought.
    • 28 Metascore
    • 25 Peter Travers
    Ah jeez. I actually wanted this one to be good. Or at least decent. Or at least a reminder of what got us all fired up about the first Die Hard in 1988. But A Good Day To Die Hard, the fifth in a creatively exhausted series, is total crap.
    • 52 Metascore
    • 25 Peter Travers
    The poster for this movie should read: Hello, Suckers!
    • 32 Metascore
    • 25 Peter Travers
    It galls me that Hollywood thinks we're shallow enough to swallow this swill. Or am I just being paranoid?
    • 36 Metascore
    • 25 Peter Travers
    The actors hit the jackpot, but only in terms of their paychecks. The audience gets a tension-free, tight-assed, "Casino" ripoff that leaves them thoroughly fleeced.
    • 41 Metascore
    • 25 Peter Travers
    A collection of moldy gags that director Tim Story tries to polish. Not with these turds, pal.
    • 44 Metascore
    • 25 Peter Travers
    Delivery Man is one joke stretched to the breaking point. Mine was reached.
    • 35 Metascore
    • 25 Peter Travers
    Watching De Niro and Stallone piss all over their most iconic roles provides no pleasure. It made me feel – Sad. Sad. Sad.
    • 42 Metascore
    • 25 Peter Travers
    All I can cull is: don't mess with Mother Nature and absolute power corrupts absolutely. Fortune-cookie stuff. Erase All.
    • 40 Metascore
    • 25 Peter Travers
    We also learn that five of his books, written in secret, will be published between 2015 and 2020. Can't wait to read them. Can't wait to forget this movie.
    • 35 Metascore
    • 25 Peter Travers
    The Expendables 3, trading on our affection for action stars of the past, has officially worn out its already shaky welcome.
    • 39 Metascore
    • 25 Peter Travers
    It could have been crazy-good trash.
    • 36 Metascore
    • 25 Peter Travers
    Stephen Rodrick's New York Times article about the making of The Canyons had humor, suspense and propulsion. They should have made that movie. What we have here is dead on arrival.
    • 28 Metascore
    • 20 Peter Travers
    An indigestible chunk of romantic marshmallow.
    • Rolling Stone
    • 32 Metascore
    • 20 Peter Travers
    Add Showtime to the pile of Hollywood dreck that represents nothing more than the art of the deal.
    • 56 Metascore
    • 20 Peter Travers
    CQ
    Writer-director Roman Coppola is trying to capture a time he's too young to remember, when the French New Wave reinvigorated film art.
    • 15 Metascore
    • 20 Peter Travers
    While the first movie steadily tighened its vise, the second loosens its grip through strained acting and incoherent plotting.
    • Rolling Stone
    • 48 Metascore
    • 20 Peter Travers
    Director Gillian Armstrong turns Sebastian Faulks' pungent novel about World War II into a soporific.
    • 45 Metascore
    • 20 Peter Travers
    How the hell did Ben Affleck, 29, wind up replacing Harrison Ford, 59, as our hero? Who's next as Ryan -- Ozzy Osbourne's guppy son, Jack? Chronology hasn't been this royally fucked with since Memento.
    • 48 Metascore
    • 20 Peter Travers
    Give the girls a cheer, but remember: "Bring It On" is still the poo, Missy. Take a big whiff.
    • 25 Metascore
    • 20 Peter Travers
    Say the word, girl (Lopez), the next time you're offered one of these barrel scrapers: Enough!
    • 61 Metascore
    • 20 Peter Travers
    From the lowercase lettering of the title to the deadly familiarity of the plot, there is much to grate on your nerves in this TV Afterschool Special trying to pass as a real movie.
    • 48 Metascore
    • 20 Peter Travers
    We have to suffer through two hours of this rancid summer cheese.
    • 28 Metascore
    • 20 Peter Travers
    There should be a place in hell for hacks who turn out derivative terror trash and then pretend they're doing an important investigative piece on Vatican corruption.
    • Rolling Stone
    • 54 Metascore
    • 20 Peter Travers
    The Hughes boys blow it by burying a fine cast -- Robbie Coltrane as a cop and Ian Holm as a royal sawbones are standouts -- in stock scares, sappy romance and cliches that really are from hell.
    • 54 Metascore
    • 20 Peter Travers
    Launches the fall season with a crashing thud.
    • 39 Metascore
    • 20 Peter Travers
    A romantic thriller of more than usual ineptitude.
    • 47 Metascore
    • 20 Peter Travers
    The big problem with Big Trouble, despite a fine cast and director (Sonnenfeld made "Get Shorty" and "Men in Black"), is that the damn thing isn't funny.
    • 43 Metascore
    • 20 Peter Travers
    I'd rather be buried in a mound of Floridian chad than watch director Donald Petrie force Bullock to jump through another desperately unfunny comic hoop.
    • Rolling Stone
    • 38 Metascore
    • 20 Peter Travers
    Where's Sandler in all this? Lost in gimmicks that smack of desperation. Damn it.
    • Rolling Stone
    • 42 Metascore
    • 20 Peter Travers
    Stinks worse than dino dung. Sure, the creatures look good.
    • 52 Metascore
    • 20 Peter Travers
    Overheated, underdone farce. Race for the exit.
    • 39 Metascore
    • 20 Peter Travers
    So what's not to like? There's the bad CGI, the choppy pacing, the comically intense acting, the repetition, the dullness and mostly the idiot plot about how there's only one male dragon and everything will be fine if they kill the Big Dick. Wha? Somebody get a hose and put this Fire out.
    • 27 Metascore
    • 20 Peter Travers
    Beware all male viewers who enter here, you are in chick-movie hell.
    • 43 Metascore
    • 20 Peter Travers
    Promises a road movie of blissful comic romance and delivers a series of dramatic dead ends.
    • 32 Metascore
    • 20 Peter Travers
    Exhibits rank incompetence on every level.
    • 56 Metascore
    • 20 Peter Travers
    It's not the trite talk that sends Cruel Intentions into a tailspin, it's the lightweight casting.
    • 52 Metascore
    • 20 Peter Travers
    Does romantic comedy have to come off as sugared stupidity? It does here.
    • 35 Metascore
    • 20 Peter Travers
    Get out your pooper-scoopers. Doo happens June 14th, warn the ads for Scooby-Doo. And they say there's no truth in Hollywood.
    • 49 Metascore
    • 20 Peter Travers
    Doesn't deliver an ounce of charm.
    • Rolling Stone
    • 13 Metascore
    • 20 Peter Travers
    It feels manufactured to be suitable for mass consumption.
    • 32 Metascore
    • 12 Peter Travers
    I don't know what to say about the acting, writing and directing in G.I. Joe because I couldn't find any.
    • 7 Metascore
    • 12 Peter Travers
    That generous half star rating I tacked onto this comedy abomination is all for Paris Hilton. Come on, it takes guts (or gross dim-wittedness) to appear on screen again after "House of Wax."
    • 24 Metascore
    • 12 Peter Travers
    Ninety minutes pass like an eternity. Verdict: Down for the count.
    • 31 Metascore
    • 12 Peter Travers
    What I can't figure is why anyone would want to release this tripe in theaters just when Fanning has nearly lived it down. They ain't no friends of mine, or any other moviegoer.
    • 32 Metascore
    • 12 Peter Travers
    Misery is enduring this Rocky Horror Paris Show.
    • 28 Metascore
    • 12 Peter Travers
    Toss this ugly-ass crap to the curb, along with the other multiplex garbage, and see a romance that gets it right. I'm talking "(500) Days of Summer."
    • 47 Metascore
    • 12 Peter Travers
    You'd get more of a jolt from Angela Lansbury on "Murder, She Wrote" and more intellectual stimulation from a cozy game of Clue.
    • 57 Metascore
    • 12 Peter Travers
    To be honest, I started hearing things, too. Just when Jones was delivering an inexcusably sappy speech about baseball being "a symbol of all that was once good in America," I heard the words "If he keeps talking, I'm walking."
    • 30 Metascore
    • 12 Peter Travers
    If you see one Minnesota movie this year, make it "Fargo." This botch job should be stamped direct to video.
    • 44 Metascore
    • 12 Peter Travers
    Girl 6 is shameless stuff -- pompous, sentimental and attitudinizing. To swat the Spikeman with his own symbol, the film feels like he phoned it in.
    • 13 Metascore
    • 12 Peter Travers
    Fair Game, written and directed by men, allows model Cindy Crawford to make her screen debut as Miami lawyer Kate McQueen.
    • 16 Metascore
    • 12 Peter Travers
    Whatever juice is left in the "Cop" franchise or in the once unstoppable career of Eddie Murphy peters out ignominiously in this poor excuse for a sequel.
    • 39 Metascore
    • 12 Peter Travers
    This is crap as we know it, a 113 minute package of romcom suck.
    • 23 Metascore
    • 12 Peter Travers
    Sucks bad, real bad.
    • 36 Metascore
    • 12 Peter Travers
    The half-star rating goes to John Krasinski for heroically rising above this vile dung heap of a movie.
    • 48 Metascore
    • 12 Peter Travers
    This tear-jerking twaddle, adapted by David Nicholls from his 2009 bestseller, is nearly as bad as Anne Hathaway's British accent, which is heading for infamy.
    • 45 Metascore
    • 12 Peter Travers
    In between scenes of the muscleheads torturing their victim, Bay indulges his taste for treating women as sluts and grisly brutality as a nifty excuse for a cheap laugh. Pain and Gain is personal all right. You leave these characters with the distinct impression that they're Bay's kind of people.
    • 29 Metascore
    • 10 Peter Travers
    It would be great to see this turd squashed under a truck, preferably a semi.
    • 32 Metascore
    • 10 Peter Travers
    The call on this one is: dead on arrival.
    • 21 Metascore
    • 10 Peter Travers
    Filming this mess in North Carolina (strike three).
    • 44 Metascore
    • 10 Peter Travers
    This putrid dish marks a new low for director Roland Joffe.
    • 14 Metascore
    • 10 Peter Travers
    Say this for the soundtrack, it drowns out the lousy dialogue.
    • 33 Metascore
    • 10 Peter Travers
    Abort! Abort! It's that time of year when Hollywood releases movies it should never have made in the first place.
    • 47 Metascore
    • 10 Peter Travers
    The language is leaden, the pace glacial and the characters indecipherable. It's easier to read the actors -- they all seem eager to win an Oscar. Fat chance.
    • 25 Metascore
    • 10 Peter Travers
    The script that Nicholas Klein has conjured from Bono's idea is a quicksand that sucks down a solid cast.
    • 26 Metascore
    • 10 Peter Travers
    What Lynch, who wrote the script at 19, sees as high drama is really high camp. And Fenn seems clueless on how to play her limbless character.
    • 48 Metascore
    • 10 Peter Travers
    The film takes a true story and drags it through a swamp of hyped-up Hollywood cliches.
    • 31 Metascore
    • 10 Peter Travers
    Gives us good reason to believe that January really is the month Hollywood studios use to bury their cheesiest mistakes.
    • 15 Metascore
    • 10 Peter Travers
    Laced with such rampant misogyny that the laughs stick in your throat.
    • 43 Metascore
    • 10 Peter Travers
    A slipshod sequel that looks tossed together over a weekend by people who couldn't care less.
    • 26 Metascore
    • 10 Peter Travers
    Dracula may stay undead in the new millennium, but there's not a sign of life - oh, that bloodless acting - in this sorry mess.
    • 12 Metascore
    • 10 Peter Travers
    A shit stain on the genre.
    • 43 Metascore
    • 10 Peter Travers
    Reeks like something produced from a squatting position.
    • 40 Metascore
    • 10 Peter Travers
    Crass manipulation can clean up at the box office, so do your part: Nail this flick as a bottom feeder and pay the bad word forward to three others.
    • Rolling Stone
    • 22 Metascore
    • 10 Peter Travers
    Peet is always worth watching, but the role does her no favors, and the script, involving a kidnapping and a surprise cameo by Neil Diamond - you heard me - smacks of desperation beyond saving.
    • 26 Metascore
    • 10 Peter Travers
    Painfully flat gross-out comedy.
    • 24 Metascore
    • 10 Peter Travers
    It's not just that the movie itself is wicked awful, it's that Mr. Deeds brings out the worst in Adam Sandler.
    • 30 Metascore
    • 10 Peter Travers
    John Q. is as fake as that tear, an exploitative mess trying to pass as social activism.
    • 20 Metascore
    • 10 Peter Travers
    In one scene, raw sewage is dumped on Joe. See Joe Dirt and you'll know how that feels.
    • 21 Metascore
    • 10 Peter Travers
    A script by Peter Gaulke and Gerry Swallow that is minus a shred of Farrelly wit.
    • 17 Metascore
    • 0 Peter Travers
    Unwatchable, unbearably unfunny farce.
    • 35 Metascore
    • 0 Peter Travers
    Transformers 2 has a shot at the title Worst Movie of the Decade.
    • 20 Metascore
    • 0 Peter Travers
    One of the worst movies of this or any year.
    • 33 Metascore
    • 0 Peter Travers
    There is no wrong time to flush this turd. The only bright spot comes during the outtakes over the final credits.
    • 26 Metascore
    • 0 Peter Travers
    The laughs to be had in this deliciously awful sequel are all unintentional. A bummer for film buffs, but a ball for fans of the misbegotten.
    • 41 Metascore
    • 0 Peter Travers
    Awful.
    • 29 Metascore
    • 0 Peter Travers
    Putridly written, directed and acted.
    • 29 Metascore
    • 0 Peter Travers
    The real horror here is watching Sandra Bullock drop her big Miss Congeniality smile to A-C-T! She does this by not smiling. What happened to the range she showed in "Crash" and "Infamous?"
    • 32 Metascore
    • 0 Peter Travers
    Talk about your pious frauds. I've got a better way to show your disgust for Internet scum: Don't see Untraceable.
    • 29 Metascore
    • 0 Peter Travers
    It's early in the year, but I defy any 2008 comedy to be as stupid, slack and sexless as Fool's Gold. And I'm counting Paris Hilton's appalling "The Hottie and the Nottie," which is marginally better.
    • 24 Metascore
    • 0 Peter Travers
    The first big-studio movie released in 2009 has a damn fine chance of being the worst. Bride Wars isn't just chick-flick hell for guys, it should numb the skulls of moviegoers of all sexes and ages.
    • 25 Metascore
    • 0 Peter Travers
    Memo to Beyoncé Knowles: You were so good as Etta James in "Cadillac Records," so why'd you go spoil everything with a rank cheeseball thriller that buries you in clichés and won't even help you dig yourself out?
    • 43 Metascore
    • 0 Peter Travers
    Simultaneously full of itself and full of sh--, Brooklyn's Finest is a cop movie so shallow, dumb, derivative and infuriating that it feels like a parody of bad cop movies.
    • 42 Metascore
    • 0 Peter Travers
    How do I hate Armageddon? Let me count the ways.
    • 16 Metascore
    • 0 Peter Travers
    If the devil made them all do it, he's one dull bastard.
    • Rolling Stone
    • 50 Metascore
    • 0 Peter Travers
    If you have to ask why this sucks, you deserve to waste your money. Why not also check out "Like Mike," "Juwanna Man" and "Hey Arnold! The Movie"?
    • 31 Metascore
    • 0 Peter Travers
    The bloodsuckers in this thriller may not have much bite, but here's a movie that can -- it's guaranteed -- drain the life out of an audience in minutes.
    • 26 Metascore
    • 0 Peter Travers
    When studios plant these stink bombs in theaters, do they really think that audiences won't notice the stench?
    • 38 Metascore
    • 0 Peter Travers
    Bad Boys II has everything. Everything loud, dumb, violent, sexist, racist, misogynistic and homophobic that producer Jerry Bruckheimer and director Michael Bay can think of puking up onscreen.
    • 25 Metascore
    • 0 Peter Travers
    I could puke.
    • 17 Metascore
    • 0 Peter Travers
    A movie this unspeakably awful can make an audience a little crazy. You want to throw things, yell at the actors, beg them to stop. But the film drags on, digging horrible memories into the brain -- like Bruce Willis and Danny Aiello's singing.
    • 9 Metascore
    • 0 Peter Travers
    With this kind of epic ineptitude -- hell, the flick is set in the year 3000 -- you go for "worst of the millennium."
    • Rolling Stone
    • 36 Metascore
    • 0 Peter Travers
    Lethal Weapon 3 offers mediocrity wielded by experts. It's not a movie, it's a machine.
    • 56 Metascore
    • 0 Peter Travers
    Derivative and blindingly dull, Quick Change is an occasion for a quick nap.
    • 21 Metascore
    • 0 Peter Travers
    Allen screws up his directing debut with a script that smothers his wit in a blanket of bland.
    • 33 Metascore
    • 0 Peter Travers
    The only tragedy you'll face is paying good money to this swill.
    • 37 Metascore
    • 0 Peter Travers
    In a year of craptaculars, The Tourist deserves burial at the bottom of the 2010 dung heap. It offers talented people trapped in creative inertia. A microscope and a search party could not discover any trace of chemistry between Johnny Depp and Angelina Jolie.
    • 28 Metascore
    • 0 Peter Travers
    Who's the idiot responsible for this fiasco? You can't blame the Tea Party, an organization of 9 million that the film's producers are exploiting to get butts into seats. There's an object lesson in objectivism for you.
    • 42 Metascore
    • 0 Peter Travers
    Transformers: Dark of the Moon - high on any list of the worst blockbusters ever - is a movie bereft of wit, wonder, imagination, and any genuine reason for being. Watching it makes you die a little inside.
    • 22 Metascore
    • 0 Peter Travers
    Everything in One for the Money rings cringingly false, from Heigl's absurd Snooki accent to Plum's romance with Joe Morelli, an Italian cop, played by – faith and begorrah – Jason O'Mara. To dismiss Julie Anne Robinson's direction as clueless would be a kindness.
    • 17 Metascore
    • 0 Peter Travers
    The film is in black-and-white so the gore doesn't spray quite as colorfully. But you'll still puke up a storm. Not so much at the movie, whose shock value wears off quicky, but at Six, who seems to hate himself almost as much as his audience. Masochists will give the movie a thumbs-up, as long as their thumb isn't already up their ass.
    • 23 Metascore
    • 0 Peter Travers
    A total bust, a stupefyingly unfunny and shamelessly lazy farce packed with cringe-worthy jokes and overt product placement.
    • 22 Metascore
    • 0 Peter Travers
    Bad beyond belief.
    • 32 Metascore
    • 0 Peter Travers
    One look at the dreadful mess that is Ghost Rider: Spirit of Vengeance will turn your whisper into a primal Cage scream: MAKE THIS MOVIE STOP!
    • 21 Metascore
    • 0 Peter Travers
    What to say about this lame-brained, limp dick attempt to update a classic Brothers Grimm tale into an f-bomb throwing vomit-inducing 3D franchise? I say, screw the damn thing and run the other way.
    • 18 Metascore
    • 0 Peter Travers
    The Devil Inside manages not only to scrape the barrel's bottom but to drill a hole in said bottom and funnel deeper into the scum.
    • 34 Metascore
    • 0 Peter Travers
    I hate Safe Haven. It's a terrible thing to do to your Valentine.
    • 27 Metascore
    • 0 Peter Travers
    Just stay away. It's awful.
    • 32 Metascore
    • 0 Peter Travers
    The Bay-man has made the worst and most worthless Transformers movie yet. I know, hard to believe, right? How could any summer blockbuster be as dull, dumb and soul-sucking as the first three Transformers movies? Step right up.
    • 31 Metascore
    • 0 Peter Travers
    Teenagers, even non-ninjas and non-turtles, have been eating up this cinematic waste product for weeks now. In one way, Teenage Mutant Ninja Turtles is a triumph for producer Michael Bay in that it is equally as godawful as his "Transformers: Age of Extinction" and a hit nonetheless.
    • 14 Metascore
    • 0 Peter Travers
    Droolingly stupid weepie. Useful tip: The movie dies way quicker than she does.
    • 23 Metascore
    • 0 Peter Travers
    When Macbeth said, "It is a tale told by an idiot, full of sound and fury signifying nothing," he must have had visions about Courtney Solomon's Getaway, a car chase thriller with zero thrills and a stench that all the perfumes of Arabia couldn't erase.
    • 30 Metascore
    • 0 Peter Travers
    One idea, mixed with lame jokes, and stretched beyond coherence. Vampire Academy doesn't need a review. It needs a stake in the heart.
    • 31 Metascore
    • 0 Peter Travers
    Winter's Tale is preposterous twaddle.