Richard Corliss, Time
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For 893 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 7.2 points higher than other critics. (0-100 point scale)

Richard Corliss' Scores

  • Movies
Average review score: 66
Highest review score: 100 Kill Bill: Vol. 1
Lowest review score: 0 Untraceable
Score distribution:
  1. Negative: 85 out of 893
893 movie reviews
    • 84 Metascore
    • 80 Richard Corliss
    By the end of the movie, whether or not you're a member of Sinn Fein, the Brits' brutality toward the Conlons will get your Irish up.
    • 84 Metascore
    • 90 Richard Corliss
    The viewer almost has to be a journalist--or a good editor--to sniff out the meat under all the fat.
    • 84 Metascore
    • 50 Richard Corliss
    I'm a notorious softie, and I found things to like about the film, most particularly Clooney's performance; but I remained untouched.
    • 84 Metascore
    • 100 Richard Corliss
    As thoughtful as it is handsomely acted. Caine's subtle, bold performance should guarantee him an aisle seat on Oscar night.
    • 84 Metascore
    • 100 Richard Corliss
    Hero is the masterpiece. It employs unparalleled visual splendor to show why men must make war to secure the peace and how warriors may find their true destiny as lovers.
    • 84 Metascore
    • 90 Richard Corliss
    This is a bold, drastic and utterly persuasive inhabiting of a doomed fighter by a performer who has graduated from the shirtless rom-com Romeo of the last decade to indie-film actor du jour.
    • 83 Metascore
    • 90 Richard Corliss
    Embrace the movie -- surely the most vivid and persuasive creation of a fantasy world ever seen in the history of moving pictures -- as a total sensory, sensuous, sensual experience.
    • 83 Metascore
    • 50 Richard Corliss
    Something got lost in the move from storyboard to screen, and in the stretch from seven minutes to 103. [27 June 1988]
    • 83 Metascore
    • 90 Richard Corliss
    A gravely beautiful fairy tale of longing and loss. [20 Sept 1993, p.82]
    • 83 Metascore
    • 90 Richard Corliss
    It is vigorous, subtle, thematically daring, visually gorgeous.
    • 83 Metascore
    • 90 Richard Corliss
    A contemplative crime drama with a high startlement quotient.
    • 83 Metascore
    • 100 Richard Corliss
    Bursting with earned emotion, Hugo is a mechanism that comes to life at the turn of a key in the shape of a heart.
    • 83 Metascore
    • 60 Richard Corliss
    Hanks has a wonderful scene, late in the film, that shows a strong man collapsing into frailty. It hints at the emotional depth the movie might have plundered. The rest of Captain Phillips must rely for its drive on the relentless mechanical agitation of Henry Jackman’s score. It can’t save an overly muscled docudrama that is more pounding that truly gripping.
    • 83 Metascore
    • 100 Richard Corliss
    The most beguiling romantic comedy this side of "Broadcast News." [11 Jan 1988]
    • 83 Metascore
    • 100 Richard Corliss
    Reitman's blend of comedy and drama, romance and social observation make Up in the Air the ideal movie --- and maybe even a cure -- for the Great Recession blues.
    • 83 Metascore
    • 90 Richard Corliss
    This being a Tarantino film, the conversations are as long and lurid and finely choreographed as the martial-arts set pieces.
    • 83 Metascore
    • 100 Richard Corliss
    We the viewers are its beneficiaries, watching and waiting for something awful to happen. Here it does, first subtly, then spectacularly. The twist is not revealed until the last shot--if you keep your avid eyes open.
    • 83 Metascore
    • 90 Richard Corliss
    Big and pretty, vigorous, thoughtful, this Hamlet expands the story with helpful flashbacks.
    • 83 Metascore
    • 100 Richard Corliss
    A final word for those of you who just don't care for musicals: The movie's true lyricism is less in its score than in its visual and emotional palette, and in watching Depp rise to the majesty of madness. So give Sweeney Todd a try. Even Victor, when he finally saw it, agreed: it's bloody great.
    • 83 Metascore
    • 90 Richard Corliss
    The film is about joy--in conniving and surviving, in connecting with audiences, in its own fizzy, jizzy style.
    • 82 Metascore
    • 100 Richard Corliss
    Unforgiven questions the rules of a macho genre, summing up and maybe atoning for the flinty violence that made Eastwood famous. [10 Aug 1992]
    • 82 Metascore
    • 90 Richard Corliss
    This is a survival manual turned into an existential prison-break movie; it cuts deep and, at its ecstatic climax, soars high.
    • 82 Metascore
    • 70 Richard Corliss
    I wish I found The Illusionist as pleasing to sit through (twice) as to write about. I'm glad there's a "new" "Tati" film to add to his small, important body of work, yet I wish that the creator of "The Triplets of Belleville" had made a true Chomet film instead. I'll be waiting for that, with a hope to be found nowhere in this handsome, airless movie.
    • 82 Metascore
    • 100 Richard Corliss
    The movie is a museum of emotions, brought to contemporary life through the director's artistry and his leading lady's fire. Here, they show us, is how people felt, and hurt, in another time. Their love and pain can touch us today.
    • 82 Metascore
    • 90 Richard Corliss
    The Squid and the Whale is domestic tragedy recollected as comedy: a film whose catalog of deceits and embarrassments, and of love pratfalling over itself, makes it as (excruciatingly) painful as it is (exhilaratingly) funny.
    • 82 Metascore
    • 100 Richard Corliss
    Three of the hippest indie film princes make a perfect commercial comedy.
    • 82 Metascore
    • 90 Richard Corliss
    The Trip may have familiar elements - it's pretty much "My Dinner With Andre" pinned to the plot of Alexander Payne's "Sideways" - but the badinage provides an immediate and lasting kick, as well as the spectacle of two champion combatants at the top of their game.
    • 82 Metascore
    • 80 Richard Corliss
    Enjoy the savory witches' brew that Cuaron has cooked up in his Harry pot. For on its own terms, this one is truly wizard.
    • 82 Metascore
    • 80 Richard Corliss
    It's a long drink of water at the fountain of pop-social memory.
    • 82 Metascore
    • 100 Richard Corliss
    A kind of mashup of "Our Town" and "Village of the Damned," the film is both draining and enthralling.