Robert Bianco
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For 815 reviews, this critic has graded:
  • 57% higher than the average critic
  • 4% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.7 points lower than other critics. (0-100 point scale)

Robert Bianco's Scores

Average review score: 63
Highest review score: 100 Transparent: Season 1
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
815 tv reviews
    • 72 Metascore
    • 88 Robert Bianco
    Times have changed, but they haven't weakened the basic strength of Dickens' story or diminished his insights into a society in which the poor are left to their own oppressed devices unless they cross paths with the rich.
    • 89 Metascore
    • 88 Robert Bianco
    As you might expect from an experimental show that is doing its best to misbehave, there are times when Arrested goes too far. I could live without George Michael's crush on his first cousin, a story given more prominence in a future episode when it really needs less. But for now, I'd say stick with the Bluths, even when their behavior is more alarming than arresting. At least they're not dull. And this season, that's a development worth encouraging.
    • 75 Metascore
    • 88 Robert Bianco
    Damages is an enjoyably complex thriller.
    • 68 Metascore
    • 88 Robert Bianco
    All we need ask of Grey's is that it tell its stories well in its own way, and tonight it does.
    • 83 Metascore
    • 88 Robert Bianco
    Buffed to a typical HBO high gloss, Candelabra is a visual feast. But it shines brightest in those moments where it captures the rhythms of a relationship in its first blush of affection and its seemingly inevitable collapse.
    • 63 Metascore
    • 88 Robert Bianco
    Part mystery, part fantasy, part comedy, and all wildly imaginative exaggeration, Blood proves that there's still vibrant life--or death--left in the "star-crossed lovers" paradigm.
    • 72 Metascore
    • 88 Robert Bianco
    There may even be a few cheers for the audacity, inventiveness and achievement of Will Forte (Saturday Night Live), who created and stars in the show and has filled it with a warm, goofy spirit that always feels oddly appropriate to the subject matter.
    • 76 Metascore
    • 88 Robert Bianco
    As smartly written as it is played, Episodes offers the comic pleasures, not just of clashing cultures, but of contrasting comic styles.
    • 92 Metascore
    • 88 Robert Bianco
    There are needed bursts of humor that lighten the sometimes oppressive sense of a world on the verge of social collapse. And there's that visually pleasing re-creation of '60s style that both delights on its own and allows the show to comment through skewed reflection on modern times.
    • 78 Metascore
    • 88 Robert Bianco
    There are big moments, but much of the joy comes from small exchanges and throwaway jokes.
    • 66 Metascore
    • 88 Robert Bianco
    They may not enchant you, but they and their series, the best new hour this year, are unlikely to bore you. Would that every new show could say the same.
    • 66 Metascore
    • 88 Robert Bianco
    If it plays a bit fast and loose with facts, it's nowhere near as outrageous as its Showtime cousin The Tudors, whose ever-young, ever-fit Henry VIII was an affront to history and to common sense. Irons may not look anything like the real Pope Alexander, but he makes you believe in him - and for The Borgias' purposes, that's what matters.
    • 75 Metascore
    • 88 Robert Bianco
    You don't get the same kind of fun, gizmo fascination that livens up CSI. But you also don't get the leaden, expositionary dialogue CSI uses to explain those gizmos. [26 Sep 2002]
    • USA Today
    • 66 Metascore
    • 88 Robert Bianco
    ABC can add to that list of achievements the season's most entertaining new hour, straightforward division: V.
    • 73 Metascore
    • 88 Robert Bianco
    It firmly establishes its intriguing main character's brains, skills, and skewed-but-real moral code.
    • tbd Metascore
    • 88 Robert Bianco
    With each passing week, this series seems to more assuredly offer a first-class version of what so many viewers say they want: a humorous, heartfelt, realistic look at middle-class, middle-America family life.
    • tbd Metascore
    • 88 Robert Bianco
    As wonderful as Parsons and Sheldon certainly are, and as terrific as a Sheldon-centric episode like last week's can be, too much Sheldon would quickly become too much. We're not there yet, but it is one of those lines the writers should be careful not to cross.
    • 80 Metascore
    • 88 Robert Bianco
    It's old-school soap stuff to be sure, but at its frequent best, uses old twists in new ways.
    • 64 Metascore
    • 88 Robert Bianco
    Happily, it now seems to have landed on solid ground, with its best ensemble and most engaging stories in years.
    • 77 Metascore
    • 88 Robert Bianco
    Luckily, in Drew Barrymore and Jessica Lange, HBO has found precisely the right people to convey the peculiar blend of courage and craziness that were the two Edie Beales, daughter and mother.
    • 61 Metascore
    • 88 Robert Bianco
    At its best, it plays like a Woody Allen film, something you may notice most when secondary characters stop and explain themselves to the camera.
    • 79 Metascore
    • 88 Robert Bianco
    The British Mars produced only 16 episodes, and when the last of this season's final eight is over, you will have all the answers you need. What's more, they're satisfying and well worth the relatively short amount of time expended.
    • 78 Metascore
    • 88 Robert Bianco
    Lights has a rare ability to portray life in small-town America without being condescending or sentimental.
    • 76 Metascore
    • 88 Robert Bianco
    Hip, bright and done with a great deal of flair, Alias is like some candy-colored -- and very violent -- comic book come to life.
    • 76 Metascore
    • 88 Robert Bianco
    Leary is working with a fabulous cast, which is why he and co-creator Peter Tolan can dance so nimbly between realism and surrealism, drama and comedy.
    • 70 Metascore
    • 88 Robert Bianco
    For today, enjoy a home-grown version of a great series that's suspenseful, exciting and flat-out fun. That may not count as a miracle, but it's awfully good news nonetheless.
    • 63 Metascore
    • 88 Robert Bianco
    There is much to admire here, from the snap in the dialogue to the show's willingness to tackle issues of race in the workplace--but there might be even more if creator Matthew Carnahan (Dirt) could learn when to stop pushing.
    • 68 Metascore
    • 88 Robert Bianco
    Based on the real-life Hollywood adventures of Mark Wahlberg, Entourage is the almost shockingly entertaining story of an incredibly unlikely set of sitcom heroes: an up-and-coming star known for his looks more than his talent and his hanger-on friends. What could have been a recipe for disaster, or at the very least for one of those HBO shows people respect more than enjoy, is instead an unassuming treat.
    • 78 Metascore
    • 88 Robert Bianco
    You haven't quite seen a performance like Malek's, who drags us deeply into Elliot's wide-eyed psychosis and crushing loneliness, or a hero like Elliot--an unexpectedly sympathetic morphine addict with a history of delusions and psychotic breaks.... Who knows: Eventually he might even explain that title. Until then, enjoy a show that just might end up being named one of the summer's best.
    • 67 Metascore
    • 88 Robert Bianco
    There are times when the sheer force of Jones' personality undercuts his ability to be convincing as the voice of existential despair. But at the end, when he throws that force behind his final assault, his performance all makes sense. And it makes the final scenes, as Jackson's ebulliently portrayed confidence begins to crack, all the more shattering.

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