Robert Horton, Film.com
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For 189 reviews, this critic has graded:
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38% higher than the average critic
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2% same as the average critic
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60% lower than the average critic
On average, this critic grades 6.7 points lower than other critics.
(0-100 point scale)
Robert Horton's Scores
- Movies
| Average review score: | 52 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 63 out of 189
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Mixed: 87 out of 189
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Negative: 39 out of 189
189
movie reviews
- By critic score
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Robert Horton 50
A collection of movie situations, recognizable from the films of Coppola and Scorsese, with a less obvious debt to Kazan. -
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Robert Horton 50
There's no way out of the excruciating melodrama, and the film withers in its trap. -
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Robert Horton 50
Not a crowd-pleasing, or even audience-oriented, movie; it's a two-hour-plus mood piece. -
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Robert Horton 50
This lightweight concoction can't justify a trip out to the multiplex, unless you're a girl between the ages of 12 and 17, but it does provide a launching pad for a group of attractive people. -
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Robert Horton 50
As executive producer of the film, he (Freeman) clearly sees something in Alex Cross, a man much more interesting than the cheesy plot surrounding him. -
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Robert Horton 50
Beginnings don't come much more lurid than this, and the rest of End of Days never quite reaches this level of flat-out wildness again. -
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Robert Horton 50
For a good 40 minutes or so in the middle of this movie, De Palma is in his element. -
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Robert Horton 50
The story of Groove... provides an ingratiating road map to a cultural phenomenon. Just make sure you drink lots of water while you're there. -
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Robert Horton 50
Sometimes star power alone can keep you from walking out of a movie, and this is one of those times. -
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Robert Horton 50
This director's (Winterbottom) reach is impressive, but this time it doesn't quite grasp. -
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Robert Horton 50
It all coalesces in a TV-level pleasantness, which isn't quite enough to fill a big screen. -
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Robert Horton 50
Sandler repeats his sweet-souled doofus routine, with nerdy Patricia Arquette as the object of his affections. -
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Robert Horton 50
When the writing is good, Go is good, and when the writing is flat, things fall apart. -
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Robert Horton 50
This mild but amusing comedy wasn't written by Levinson, and the accents may be different, but the feel is similar. -
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Robert Horton 50
These film-making provocateurs are divided between sweet and sour, between the romance of classic screwball comedy and Mad magazine on acid. -
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Robert Horton 50
Destined to be remembered not for its laugh-per-minute ratio, but for breaking a barrier of crudeness in mainstream movies. -
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Robert Horton 50
Enough pep in this picture to make it rise above teen-movie expectations. -
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Robert Horton 50
There is a point in the movie when this mayhem crosses the line from wildly imaginative to downright insufferable. -
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Robert Horton 40
The brainchild of English director Ben Hopkins, who takes his time getting going. Too much time, really, as the first hour passes rather antsily, without quite achieving forward motion. -
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