Robert Horton, Film.com
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For 189 reviews, this critic has graded:
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38% higher than the average critic
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2% same as the average critic
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60% lower than the average critic
On average, this critic grades 6.9 points lower than other critics.
(0-100 point scale)
Robert Horton's Scores
- Movies
| Average review score: | 52 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 63 out of 189
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Mixed: 87 out of 189
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Negative: 39 out of 189
189
movie reviews
- By critic score
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Robert Horton 50
This director's (Winterbottom) reach is impressive, but this time it doesn't quite grasp. -
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Robert Horton 50
The story of Groove... provides an ingratiating road map to a cultural phenomenon. Just make sure you drink lots of water while you're there. -
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Robert Horton 50
As executive producer of the film, he (Freeman) clearly sees something in Alex Cross, a man much more interesting than the cheesy plot surrounding him. -
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Robert Horton 50
It may be possible that people who never go to the movies will stumble across Blow Dry and find it a charming way to spend an hour and a half, but the rest of us will have the ending written in our heads by the end of the first five minutes. -
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Robert Horton 50
There's no way out of the excruciating melodrama, and the film withers in its trap. -
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Robert Horton 50
A generally dumb movie with a smart, appealing, gutsy leading lady. -
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Robert Horton 50
A Mexican film that reaches for a very weird and risky tone, and, I think, fails. -
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Robert Horton 50
Beginnings don't come much more lurid than this, and the rest of End of Days never quite reaches this level of flat-out wildness again. -
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Robert Horton 50
Sometimes star power alone can keep you from walking out of a movie, and this is one of those times. -
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Robert Horton 50
A collection of movie situations, recognizable from the films of Coppola and Scorsese, with a less obvious debt to Kazan. -
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Robert Horton 50
A difficult time rising above the level of a reasonably nice TV-movie. -
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Robert Horton 50
When the writing is good, Go is good, and when the writing is flat, things fall apart. -
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Robert Horton 50
These film-making provocateurs are divided between sweet and sour, between the romance of classic screwball comedy and Mad magazine on acid. -
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Robert Horton 50
Not a crowd-pleasing, or even audience-oriented, movie; it's a two-hour-plus mood piece. -
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Robert Horton 50
There is a point in the movie when this mayhem crosses the line from wildly imaginative to downright insufferable. -
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Robert Horton 50
It all coalesces in a TV-level pleasantness, which isn't quite enough to fill a big screen. -
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Robert Horton 50
Destined to be remembered not for its laugh-per-minute ratio, but for breaking a barrier of crudeness in mainstream movies. -
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Robert Horton 50
This lightweight concoction can't justify a trip out to the multiplex, unless you're a girl between the ages of 12 and 17, but it does provide a launching pad for a group of attractive people. -
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Robert Horton 50
There's very little here that rises above the level of a competent straight-to-video picture, except that whenever Paul Newman and Linda Fiorentino are onscreen together they create something special. -
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Robert Horton 50
This mild but amusing comedy wasn't written by Levinson, and the accents may be different, but the feel is similar. -
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Robert Horton 40
Edward Norton, who created a buzz of excitement in his first year in movies, stubs his toe with Worm... It's the same guy we've seen in countless mean streets pictures, but Norton doesn't find anything new to do with him. He's Ratso Rizzo defanged. -
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Robert Horton 40
So wound up in its own bungee cords, it leaves itself hopelessly tied in knots. -
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Robert Horton 40
Does have its share of bona fide chuckles, but it falls shy of its possibilities. -
