For 740 reviews, this critic has graded:
  • 58% higher than the average critic
  • 5% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 65
Highest review score: 100 True Detective: Season 1
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 30 out of 740
740 tv reviews
    • 73 Metascore
    • 80 Robert Lloyd
    There is a lot of talk--practical and philosophical--about comedy, and Crashing is very good with the details of low-level nightlife. But what most makes the show entertaining are Pete’s episodic adventures with characters who will help form him, challenge him and wake him from his self-satisfied sleep into a better sort of happiness.
    • 69 Metascore
    • 80 Robert Lloyd
    It is a thing by turns, and even simultaneously, ridiculous and sublime, romantic and overwrought and the most genuinely moving precisely when it’s at its corniest.
    • 86 Metascore
    • 80 Robert Lloyd
    Without making any extraordinary claims for it, it is easy to watch and to recommend, mostly sweet-natured, with a host of well-shaded performances and almost nothing to insult your intelligence.
    • 75 Metascore
    • 80 Robert Lloyd
    It is amiably absurd and mildly profane, entertaining in a dry, droll way.
    • 79 Metascore
    • 80 Robert Lloyd
    Cop show, fantasy, mystery, comedy, romance, puzzle -- there are a lot of ways to approach "Life on Mars," which begins its second and final season tonight on BBC America, and they all pay off.
    • 81 Metascore
    • 80 Robert Lloyd
    It's a conclusion that seemed to me both contrived and honest, if that makes any sense, and it left me disturbed, though not, as Doctor Who often has, a sobbing wreck.
    • 74 Metascore
    • 80 Robert Lloyd
    [The taped linking] bits feel a little forced compared to the sketches, which are consistently smart and smartly acted and flow easily from ordinary premises to weird conclusions.
    • 63 Metascore
    • 80 Robert Lloyd
    While this sort of thing has been done before -- "Curb Your Enthusiasm" on the high end of Hollywood self-referentiality, and the nasty, brutish and short-lived "Fat Actress" with Kirstie Alley on the low -- it has been done here exceedingly well.
    • 81 Metascore
    • 80 Robert Lloyd
    Garbus, director of the Oscar-nominated, Emmy-winning "The Farm: Angola, USA," fills in many of the blanks--to an impressive extent, given the obsessively guarded privacy of her subject--in a film that is both meditative and exciting, like the game it concerns, and mercilessly penetrating even as it reserves judgment on a man whose outrageousness practically demands it.
    • 74 Metascore
    • 80 Robert Lloyd
    The show has a nice sense of detail and a comic puckishness that every zombie police procedural needs. At times genuinely scary in the way it's meant to be, it's also moving in the way it's meant to be.
    • 56 Metascore
    • 80 Robert Lloyd
    There is a tenderness that runs through the series and makes the trip worth taking, however improbable the road.
    • 64 Metascore
    • 80 Robert Lloyd
    Project Runway is a hard act to follow. Still, if you like watching people make (sometimes) beautiful clothes from nothing in no time--the first challenge is to make a little black dress from a little black T-shirt--The Fashion Show has that too.
    • 81 Metascore
    • 80 Robert Lloyd
    What makes it so engaging is not that the series finds anything new to twist, but that it works so well with and within the strictures of the well-thumbed genres it combines in equal parts: spy thriller, murder mystery, backstage drama, triangular romance.
    • 80 Metascore
    • 80 Robert Lloyd
    It's one of the best things to come out of the fall season, but as a recreational television watcher, I like it too.
    • 77 Metascore
    • 80 Robert Lloyd
    The show is consistently clever and lively, well played and directed, its corners filled with nice throwaway lines and small visual jokes.
    • 82 Metascore
    • 80 Robert Lloyd
    If Johnson sometimes stretches a point to make a point — the link between public hygiene and competitive skateboarding, say — he is always intriguing and entertaining, his show thought-provoking and compulsively fun to watch.
    • 87 Metascore
    • 80 Robert Lloyd
    It's a work whose immense vitality and a persuasive naturalism overcome its occasional paroxysms of style or hammered-home points.
    • 67 Metascore
    • 80 Robert Lloyd
    By not belaboring the point--Ryan is not crazy, there is nothing supernatural afoot--the show stays fresh, the gimmick fades. The humor is frequently scatological or sexual, but a mitigating sweetness enfolds it all.
    • 79 Metascore
    • 80 Robert Lloyd
    The real miracle here is how deftly the show avoids the soggy cliches of redemption so many of its forerunners have embraced. [26 Sept 2003, p.E1]
    • Los Angeles Times
    • 87 Metascore
    • 80 Robert Lloyd
    There are no heroes or villains here, only people working out or being carried toward their individual destinies. And in who we root for and in what we root for them to choose, we also define ourselves.
    • 76 Metascore
    • 80 Robert Lloyd
    It's too much to say that you can't go wrong with the fantastical or supernatural these days, but it's still a bet very much worth taking, and one that largely pays off here.
    • 85 Metascore
    • 80 Robert Lloyd
    You will find things still generally a mess come Sunday, but now there is at least the possibility of light.
    • 68 Metascore
    • 80 Robert Lloyd
    For all the self-protective aggressiveness and passive aggressiveness on display, Idiotsitter is tender at its core and toward its characters.
    • 68 Metascore
    • 80 Robert Lloyd
    Some of this is schematic, to be sure, but it grows more organic as it goes along, helped by a strong cast.
    • 71 Metascore
    • 80 Robert Lloyd
    It’s well-made and beautifully played, and one welcomes, for a change, the story of a person attempting to pull himself out of a life of crime instead of one sliding into it. We have had quite enough of those.
    • 75 Metascore
    • 80 Robert Lloyd
    As madly tied to one another as they are, the Rayburns are, in the first few episodes, at least, a little hard to care about. Yet there is enough happening by the third episode that I will definitely watch the fourth, just to see what might or might not happen, what herrings might be red, and what surprises might be truly surprising.
    • 56 Metascore
    • 80 Robert Lloyd
    With Dice, he's allowing himself to be flawed and fearful in a way that his stand-up comedy never could. Clay has remade his career and his persona for the better, handling the complexities with ease, and it's genuinely funny. There is still the same obsession with sex and, particularly, male genitalia as metaphor, but in a context that makes it somehow less toxic, more pathetic--"poignant" might even be the word.
    • 70 Metascore
    • 80 Robert Lloyd
    The elegance of its production and mostly measured pace, though it may confound those who prefer the supernatural served fast and furious, keeps the drama persuasive.
    • 66 Metascore
    • 80 Robert Lloyd
    It is a smart, affable, mostly unpredictable ensemble comedy that reminds us that in the 500-channel universe, fine things can happen in unlikely places, as long as you are clever about budget, commit to a sensible number of episodes--in this case 10--write well and cast right, and that what matters ultimately to heaven is not the eminence of the venue but the quality of the work.
    • 78 Metascore
    • 80 Robert Lloyd
    It's a little movie that feels big, without being self-consciously cinematic.

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