For 519 reviews, this critic has graded:
  • 56% higher than the average critic
  • 5% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Robert Lloyd's Scores

Average review score: 63
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 0 I Wanna Marry Harry: Season 1
Score distribution:
  1. Negative: 25 out of 519
519 tv reviews
    • 39 Metascore
    • 60 Robert Lloyd
    Despite such bloody activity, it's a long trudge through the desert to the Promised Land.
    • 57 Metascore
    • 60 Robert Lloyd
    It's just the same joke endlessly repeated--the everyday translated into geek-speak, and the obscure and difficult treated as if it were common knowledge.... These are perilous times for sitcoms, and Lorre & Co. may want to think up another.
    • 48 Metascore
    • 60 Robert Lloyd
    If the Awful Truth of the Global Meltdown is the big carrot "Jericho" dangles before you, it is no more compelling than the question of which of the available good-looking girls Ulrich is going to get close to.
    • 28 Metascore
    • 60 Robert Lloyd
    It may be seen as a kinder, gentler, funnier cousin to Fox's bitter " 'Til Death."
    • 45 Metascore
    • 60 Robert Lloyd
    While much of it is silly, corny or clichéd and relies more on easy effects — the power ballad, the overwrought sex scene — than on the subtle explorations of people and place that the pilot seems to promise, the series is, on the whole, highly digestible summer fun.
    • 50 Metascore
    • 60 Robert Lloyd
    It's funny in its own way, smarter than most TV comedies and has a terrific cast -- all of which makes me wonder why I'm not more moved by it.
    • 62 Metascore
    • 60 Robert Lloyd
    It's an uneven show that lacks the finely crafted eccentricity of a "Northern Exposure" and "Twin Peaks" or "Picket Fences" (other strange-small-town shows featuring police officers), but when I say "uneven," I do mean that sometimes it's good.
    • 48 Metascore
    • 60 Robert Lloyd
    It's a premise that seems more appropriate to a mid-'90s theatrical romantic comedy -- something with Sandra Bullock or Meg Ryan -- than to a TV series, and indeed, given how much transpires in the pilot, you could bang an extra hour of complications and resolutions onto the end and have a spiffy little chick flick.
    • 54 Metascore
    • 60 Robert Lloyd
    New York also offers the gift of its locations, which are used abundantly and give the show a sense of reality its script does not always earn. (The actors take up the rest of the slack.)
    • 59 Metascore
    • 60 Robert Lloyd
    Painless at worst, and mostly better than that.
    • 65 Metascore
    • 60 Robert Lloyd
    From where I sit, it is something of a mixed bag, but it works more than it doesn't, and an impressive, semi-big-name cast helps keep it upright and lends the project an air of prestige--especially in the context of its modest little network.
    • 58 Metascore
    • 60 Robert Lloyd
    A long ride to nowhere but with some nice scenery and exciting turns along the way.
    • 67 Metascore
    • 60 Robert Lloyd
    State of Mind is the weaker (and the more strenuous and sour) of the two [new shows on Lifetime], and all the more disappointing for the presence of the reliably interesting Taylor.
    • 68 Metascore
    • 60 Robert Lloyd
    "The State Within"... is something less than perfect, but if you have a taste for high-level skulduggery and do not mind being totally confused much of the time, it's an enjoyable enough ride — fun, sometimes exciting, basically intelligent, occasionally preposterous.
    • 57 Metascore
    • 60 Robert Lloyd
    Notwithstanding the novelty of the setting, the nice Latin music and good individual work by the cast--Walker is especially notable in a role made to notice--Smits is the engine that drives the ship; he gives Cane at least an illusion of speed and substance and soul.
    • 61 Metascore
    • 60 Robert Lloyd
    Whether or not they add up to much, the scenes play well, and there are enough heavy-breathing soap-operatics, random acts of violence and unanswered questions to keep one idly watching.
    • 64 Metascore
    • 60 Robert Lloyd
    Lucas could spend the rest of his life filling that hiatus with adventures whose outcomes are basically irrelevant to the larger story he has already finished telling. Many battles make up a war, after all, and each is an episode waiting to be animated. The two I've seen are bagatelles--brief and insubstantial but colorful and fluid.
    • 61 Metascore
    • 60 Robert Lloyd
    I can't say the pilot struck me as especially funny, but there are good things and talented people in it, and it looks good.
    • 50 Metascore
    • 60 Robert Lloyd
    It has an appealing modesty that survives its bouts of aesthetic overexcitement--the occasionally lurching camera, hammering soundtrack, the sentimental pop song laid over the last couple of minutes as the principals silently end a long, hard day.
    • 58 Metascore
    • 60 Robert Lloyd
    It's corny, ponderous, literary, ambitious, obvious and, at the beginning at least, as slow as molasses, but continually re-energized by Ian McShane as King Saul, or, as he's known here, King Silas Benjamin
    • 58 Metascore
    • 60 Robert Lloyd
    Except in the decorative details, it is exactly the same as every other gimme-a-job reality show ever made, with the contestants all banged up in a fancy dormitory from which they disappear one by one after themed weekly challenges.
    • 48 Metascore
    • 60 Robert Lloyd
    It was an encouraging start.
    • 57 Metascore
    • 60 Robert Lloyd
    Their TV show, which might make the band more famous than its music, is lightweight, sometimes flat and sometimes embarrassing, with none of the deadpan brilliance of "Flight of the Conchords" or the sophisticated sitcomedy of the late “The Chris Isaak Show.”
    • 51 Metascore
    • 60 Robert Lloyd
    Lacking the subtext, satire and snappy talk that made "Buffy" golden, Demons (on the evidence of its first two episodes) has little on its mind past raising spooks and smiting them, but it does a fair enough job of that.
    • 74 Metascore
    • 60 Robert Lloyd
    But even at 10 hours, Carrier feels cursory and incomplete. That's not to say that at most any given moment it's uninteresting--it's quite watchable--just that it doesn't add up to as much as it should.
    • 50 Metascore
    • 60 Robert Lloyd
    Everything in the pilot, written by executive producer Claudia Lonow, is a hair or three too strenuous; Billie has been knocked down to a few easy-to-grasp impulses, and almost all the other roles are filled by stereotypes--Jensen's most wastefully--in stereotypical relationships. Nevertheless, the premise is full of interesting possibilities about love and age and unconventional parenting.
    • 58 Metascore
    • 60 Robert Lloyd
    The cleverest part of the show is that it makes the judges into contestants; they compete against one another for the right to invest in a business, and they haggle with the entrepreneurs over the terms of their investment.
    • 40 Metascore
    • 60 Robert Lloyd
    The series is not so different from, or significantly worse--or better--than the network's other two season premieres, "Melrose Place" and "The Vampire Diaries," which also affix stock characters, played mostly by good-looking young folk, to standard plot lines sexed up with pop songs and different flavors of visual glamour. Because they do not aim particularly high, they pretty much hit what they aim at.
    • 71 Metascore
    • 60 Robert Lloyd
    It's a decent but not brilliant beginning.
    • 41 Metascore
    • 60 Robert Lloyd
    In spite of some talented actors, it all seems more scripted than lived, referring not the world but a world of things you've seen on TV, handled well enough to make Mercy passable, but never exceptional, television.

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