For 1,914 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4.1 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The Guard
Lowest review score: 12 Creature
Score distribution:
1914 movie reviews
    • 61 Metascore
    • 50 Roger Moore
    But as useful as it is to chew on ideas that don't hew to climate change dogma, Cool It leaves big questions about Lomborg unanswered.
    • 59 Metascore
    • 50 Roger Moore
    The performances are engrossing — especially Harrisson as the short-tempered African Muslim. But veteran director Alexandre Arcady (“Last Summer in Tangiers,” “Hold Up”) seems more concerned with the message and moral lesson here than with suspense.
    • 50 Metascore
    • 50 Roger Moore
    Blame it on the weak chemistry of the stars, blame it on the way the script refuses to let them develop chemistry and the perfunctory way the story is dispensed with, but the sparks aren’t there.
    • 75 Metascore
    • 50 Roger Moore
    The novelty of having a real homeless junkie play a version of herself drives Heaven Knows What, a gritty hand-held character portrait of heroin addict life in New York today.
    • 36 Metascore
    • 50 Roger Moore
    Sex Tape is not quite the train wreck its TV ads make it out to be.
    • 41 Metascore
    • 50 Roger Moore
    Robert Rodriguez is like that friend who loves to tell jokes, but always goes on and on, well past the punch line. Remember how he beat the living daylights out of his “Spy Kids” franchise? That’s what he’s working toward with Machete.
    • 57 Metascore
    • 50 Roger Moore
    Byrne and Kroll have a nice estranged sibling chemistry, not up to “The Skeleton Twins,” but in that ballpark.
    • 51 Metascore
    • 50 Roger Moore
    It’s a labored film thanks to trite dialogue, to interesting characters like a “good Austrian” journalist (Daniel Bruhl) who wants his country held accountable who are given short shrift, and to the many court scenes have a hint of humor, but no spark.
    • 44 Metascore
    • 50 Roger Moore
    A fairly amusing rough draft for a high concept high school romantic comedy.
    • 33 Metascore
    • 50 Roger Moore
    The "Made of Honor" screenwriters don't deliver enough jokes or feisty exchanges between the ill-matched traveling companions.
    • 47 Metascore
    • 50 Roger Moore
    Bad Teacher is a pulled punch, a pot-smoking/kid cussing/teacher copulating farce that is less than the sum of its parts.
    • 35 Metascore
    • 50 Roger Moore
    Antonio Banderas pretty much steals The Expendables 3. But at this stage in that winded franchise, that amounts to petty theft.
    • 49 Metascore
    • 50 Roger Moore
    It’s disappointing that Spurlock didn’t have the access, the footage or the spine to depict any of the cynicism behind such creations.
    • 29 Metascore
    • 50 Roger Moore
    Here’s the sort of scruffy action comedy that suits the post-box office-draw careers of one-time hipster John Cusack and fading action star Thomas Jane. It covers the costs of a fun few weeks of working vacation in Australia and provides a few on-screen laughs along the way.
    • 41 Metascore
    • 50 Roger Moore
    So as much as every generation deserves it’s own Romeo & Juliet, this latest one does nothing to make anyone older than Hailee Steinfeld forget the heat of Baz Lurhmann’s far sexier, noisier and passionate modern dress version of 1996, where Claire Danes and Leo DiCaprio completely convinced us that they knew how to “play Satan’s game.” And how.
    • 41 Metascore
    • 50 Roger Moore
    The film has lots of promising problems for us to dive into with our heroes, mechanical and philosophical puzzles to sort out. But from the opening moments, Jon Spaihts’ screenplay drifts off course, choosing to explain things that would be more dramatic as mysteries and secrets.
    • 63 Metascore
    • 50 Roger Moore
    As colorful as it and its people are, Cooper lets the brawling and the bigger-than-big performances get the better of him, and his story. Out of the Furnace feels undercooked, as a result.
    • 44 Metascore
    • 50 Roger Moore
    It’s a dopey but pulse-pounding B-movie.
    • 53 Metascore
    • 50 Roger Moore
    DePalma flirts with the lurid and tosses in some interesting third act surprises, but never finds his way back to the sexually charged tone and shocks of his earlier thrillers.
    • 32 Metascore
    • 50 Roger Moore
    Age of Extinction runs on and on, popcorn piffle without end.
    • 48 Metascore
    • 50 Roger Moore
    Elba’s action credentials are well-established, so there’s little for him to prove here. The fights are convincing enough, even if the plot is all coincidence, conspiracy and con jobs.
    • 37 Metascore
    • 50 Roger Moore
    The script piles the preposterous on top of the absurd and the film's thin charms dissipate, revealing the creaking movie star contraption underneath.
    • 24 Metascore
    • 50 Roger Moore
    It all sort of comes apart in an orgy of clumsy over-explanation that doesn’t truly explain anything. But the quintet is well-cast.
    • 62 Metascore
    • 50 Roger Moore
    Sleight is a prestidigitation thriller that lives up to its title only if you misspell it.
    • 44 Metascore
    • 50 Roger Moore
    After Walking with the Enemy, two hours and four minutes of torture, rape and mass shootings, you’ll feel you’ve been tested, too.
    • 54 Metascore
    • 50 Roger Moore
    It’s promising in premise, but limply plotted, offering Derbez too few chances to cut loose even as he makes the most of a game and goofy Hollywood-supplied supporting cast.
    • 55 Metascore
    • 50 Roger Moore
    The intellectual ambition, the showy “smart” dialogue and collectively quotable characters played by actors we respect make Anesthesia watchable, and its existence as an indie film that attracted this cast, won financing and made it into theaters easy to explain.
    • 45 Metascore
    • 50 Roger Moore
    The performers are given stock types to play, and Elba and Dillon, at least, can do a little with that.
    • 64 Metascore
    • 50 Roger Moore
    While we may ogle Tamara, blush at her charms and revel in her world, in the end Tarama Drewe is just a bit of Brit tease that doesn't come off.
    • tbd Metascore
    • 50 Roger Moore
    This is a good cast, but it’s all played at a rather shrill pitch that must work better on the stage. The intimacy of the screen makes it all uncomfortably in our face.

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