For 1,182 reviews, this critic has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 0.8 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Magician: The Astonishing Life and Work of Orson Welles
Lowest review score: 12 Creature
Score distribution:
1,182 movie reviews
    • 70 Metascore
    • 75 Roger Moore
    Forbes makes this story compelling, moving and provocative enough to prompt outrage.
    • 68 Metascore
    • 75 Roger Moore
    It isn’t “The Ten Commandments” and Crowe is no Charlton Heston. But Noah makes Biblical myth grand in scope and intimate in appeal. The purists can always go argue over “God Isn’t Dead.” The rest of creation can appreciate this rousing good yarn, told with blood and guts and brawn and beauty, with just a hint of madness to the whole enterprise.
    • 79 Metascore
    • 75 Roger Moore
    Simien focuses too much on the character played by his star, Williams, which seems a mistake. Scenes are underscored with classical music chestnuts, a trite way of suggesting “academia.” And the ending is an eye-roller.
    • 58 Metascore
    • 75 Roger Moore
    A well-crafted documentary variation on "Defiance," Ukrainian Jews saving themselves by going underground -- literally.
    • 74 Metascore
    • 75 Roger Moore
    In French with English subtitles, is a showcase for Anne Dorval in the title role. Over the course of this overlong melodrama she wins our understanding and occasionally our sympathy as she struggles to get and keep a job, find a man and keep her maddening, monster of a son (Antoine-Olivier Pilon) under control.
    • tbd Metascore
    • 75 Roger Moore
    It wouldn’t work without Chris Mulkey, playing a heartless sociopath ex-con hired to kill a man.
    • 75 Metascore
    • 75 Roger Moore
    A brisk blast of bloody good fun, sci-fi with a little social commentary as subtext. Attack the Block is the movie that "Battle: Los Angeles" was not - thrilling, nerve-wracking and fun.
    • 62 Metascore
    • 75 Roger Moore
    There is absolutely nothing new in this variation on the time-honored creature-feature tropes. But the fun just builds and builds as our heroes and our Irish island come to a solution that seems — on the surface — awfully Irish in its logic.
    • 52 Metascore
    • 75 Roger Moore
    The spookiest and most entertaining horror flick since "Paranormal Activity."
    • 91 Metascore
    • 75 Roger Moore
    When it’s over, there’s nothing more to take from the film than the uneasy feeling that what we’ve seen is either intolerant and biased, or a warning. It’s not Islamophobic to fear the spread of this primitive oppression, be it in Syria or Nigeria.
    • 69 Metascore
    • 75 Roger Moore
    A moving and entertaining documentary about the young international volunteers who dashed to Israel in 1948 to create an Israeli Air Force.
    • 56 Metascore
    • 75 Roger Moore
    James McAvoy wallows in it in his new film, Filth. He embraces the sexual depravity, the drug and alcohol abuse, the bullying, vile language, racism and rank sexism of being a Scottish cop on the loose.
    • 69 Metascore
    • 75 Roger Moore
    It's a vivid, blunt and candid look at their kill-or-be-killed existence, which Joubert writes and Irons narrates is "the eternal dance of Africa."
    • 69 Metascore
    • 75 Roger Moore
    The Elephant in the Living Room is damning, but also very sad. These stories, as Harrison points out, never have a happy ending.
    • 83 Metascore
    • 75 Roger Moore
    '71
    It’s an intricate, intimate thriller about a single soldier’s nightmare day and night on the front lines.
    • 74 Metascore
    • 75 Roger Moore
    Duncan Jones, director of the very fine and very paranoid "Moon," makes this seemingly silly situation work, building tension over 93 minutes.
    • 62 Metascore
    • 75 Roger Moore
    Writer-director Lucia Puenzo, adapting her own historical novel, concocts a disquieting and chilling thriller out of what might be a lost chapter in the infamous career of Nazi Doctor Joseph Mengele.
    • 40 Metascore
    • 75 Roger Moore
    Gangster Squad is a gang war drama built on Western conventions, a rootin' tootin', Camel-smokin', whiskey swillin' shoot'em up.
    • 57 Metascore
    • 75 Roger Moore
    The film is full of sharp observations about academic contests today, with Tiger Moms and tough-love Dads browbeating the kids from the wings. The ending is kind of a tap-out, but Bateman keeps this clipping along, maintaining the mean streak and potty mouth that makes Bad Words the dirtiest and funniest comedy of the new year.
    • 71 Metascore
    • 75 Roger Moore
    The film reminds us that as amusing as he could be, he wasn’t the dazzling wit history packaged him as. “Relevant” is how he wanted to be remembered. And before he died, he got a filmmaker to remind us of exactly that.
    • 45 Metascore
    • 75 Roger Moore
    Less mopey and downbeat than TV star Zach Braff's "Garden State." But it succeeds in many of the same sweet ways and is similar enough to warrant labeling Radnor "Zach Braff: The Next Generation."
    • 49 Metascore
    • 75 Roger Moore
    The aloof, guarded Cumberbatch plays Assange as a mixture of brilliance, hucksterism, ego and naivete. He carries the baggage of an actor who plays “smart,” with a menacing edge.
    • 73 Metascore
    • 75 Roger Moore
    Goldblum is always best at being Jeff Goldblum, and his oily/silky charm tends to unbalance the neat, brittle little tragedy we’re watching.
    • 76 Metascore
    • 75 Roger Moore
    Baumbach overreaches, making this character a selfish, off-putting cultural (LA) and generational scold. But Stiller, in his most “real” performance in ages, finds the function in this catalog of dysfunctions, the humanity in this humanity-hating crank.
    • 82 Metascore
    • 75 Roger Moore
    Like Tati himself, The Illusionist feels like a relic of a different time.
    • 81 Metascore
    • 75 Roger Moore
    One serious omission in the film - identifying what these seemingly prosperous alumni of the band do for a living and did with their lives.
    • 50 Metascore
    • 75 Roger Moore
    It's a movie benefiting from another sparkling, sexy and emotionally available performance by Natalie Portman.
    • 78 Metascore
    • 75 Roger Moore
    Under the Skin isn’t conventional, thrilling or particularly satisfying in a sci-fi aliens-are-hunting-us sense. But it manages something far more sinister and fascinating. It gets under your skin and imprints on your memory.
    • 61 Metascore
    • 75 Roger Moore
    A summer movie that staggers down that fine line between sentimental and snarky, a tale of nature and nurture and first love that manages to charm more than any R-rated movie about horny teens has a right to.
    • 66 Metascore
    • 75 Roger Moore
    An entertaining old-fashioned prison escape movie with a touch of the epic about it.

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