Roger Moore, Orlando Sentinel
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For 411 reviews, this critic has graded:
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53% higher than the average critic
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3% same as the average critic
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44% lower than the average critic
On average, this critic grades 0.2 points lower than other critics.
(0-100 point scale)
Roger Moore's Scores
- Movies
| Average review score: | 59 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
12
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Score distribution:
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Positive: 232 out of 411
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Mixed: 74 out of 411
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Negative: 105 out of 411
411
movie reviews
- By critic score
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Roger Moore 75
A stunning exercise in 3D and a delightful celebration of Scorsese's lifelong love of the movies, something he, like Hugo, developed on childhood.- Posted Nov 21, 2011
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Roger Moore 75
The musical comedy whimsically and often cleverly revisits the characters, their shtick and and the TV show and movies that made them most famous.- Posted Nov 21, 2011
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Roger Moore 75
The Descendants lets Payne show us the Other America and the Other Americans - little lives caught up in small but epic problems far away from the La La Land of Hollywood hype, sex and violence.- Posted Nov 21, 2011
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Roger Moore 75
In a genre - the animated holiday film - already overflowing with the sentimental, the silly Arthur Christmas is a most welcome treat to find stuffed into the cinema's stockings this holiday season.- Posted Nov 21, 2011
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Roger Moore 75
Branagh and Williams are worth the price of admission, the former "wunderkind" of British stage and screen having a go at the pretentious, plummy Olivier.- Posted Nov 21, 2011
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Roger Moore 75
Rarely has a movie been so sexual without being remotely sexy. Rarely has a guy who might be admired in a sex comedy as a "playa" seemed more pathetic with each fresh conquest.- Posted Nov 29, 2011
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Roger Moore 75
A daft pitch-black dark comedy about family dysfunction that plays out over painfully ugly family Christmas celebration.- Posted Dec 7, 2011
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Roger Moore 63
It’s not bad, but as Scorsese, America’s greatest living filmmaker and film history buff should know, even Hitchcock came up short on occasion. -
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Roger Moore 63
Though properly chilling when it’s supposed to be, it’s a film whose effects, script and performances keep it at arm’s length when it is supposed to be moving. -
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Roger Moore 63
It’s filmic fool’s gold, as every scene that doesn’t sparkle is just dirt -- dank, gritty visuals, murky plotting and very bad line-readings from Troyer (Mini-Me from the Austin Powers movies). -
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Roger Moore 63
The matter-of-fact way everybody involved faces this supernatural horror drains most of the chills right out of it. -
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Roger Moore 63
Equal parts inspired and irresponsible, the new film from Miguel Arteta (director of the cult hit 'Chuck and Buck') turns C.D. Payne's books into a hit-or-miss homage to that French classic of outlaw love, 'Breathless.' -
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Roger Moore 63
It’s not one of Polanski’s masterpieces, but The Ghost Writer doesn’t dilute his reputation as a master of suspense. -
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Roger Moore 63
The title’s a trite metaphor and the surprises are thin. But the sleepy scenery and charming performances – Stewart escapes her vampires and reminds everyone what the fuss used to be about – keep The Yellow Handkerchief from blowing it. -
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Roger Moore 63
City Island is a light “family” romance that goes about as far as its novel location -- an island neighborhood tucked in the middle of New York City -- and a good cast can carry it. -
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Roger Moore 63
A sloppy, raucous, time travel farce in the grown-men-gone-wild "Hangover" style, it’s a surprisingly satisfying, if not exactly LMAO, riot. -
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Roger Moore 63
Dreamworks hired the directors of "Lilo & Stitch" to turn Cressida Cowell’s romp of a novel into an animated film and can’t be too surprised that they made, in essence, "Hiccup and Stitch." -
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Roger Moore 63
For all the impressive (but not dazzling) effects, the scattered jokes and stentorian acting (especially from the Olympians), there’s not much here that will stick with you after the popcorn’s gone. But as any ancient Greek could tell you, that’s sort of the point. -
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Roger Moore 63
Fey flirts and Carell kvetches, Walhberg goes shirtless and Liotta eats Italian. No surprises there. What really clicks is the couple at the core. -
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Roger Moore 63
The new Funeral, directed by social commentator-director Neil LaBute ("Lakeview Terrace") doesn’t improve on the original, which wasn’t exactly a classic despite its classic structure. -
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Roger Moore 63
The movie is a stupid, over-the-top comic-booky action picture with the occasional cheesy effect, oddball casting and an utterly predictable get-that-guy-before-he-gets-us plot, but Evans and a couple of his mates make it passable entertainment. -
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Roger Moore 63
A ditzy film that offers more evidence that good actors, good action and one-liners don’t solve the one thing missing in every movie video game adaptation – a story that makes sense. -
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Roger Moore 63
Director Thomas Balmes and his editors find moments of humor in “discoveries” or the unfettered urinating of a baby brought up without diapers. -
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Roger Moore 63
The players embrace this for the lark it is. Their pleasure in going this gonzo spills off the screen. -
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Roger Moore 63
The story is kind of all over the place, scatterbrained without being madcap (This one feels tinkered with, reshoots, re-edits.). -
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Roger Moore 63
The Twilight Saga comes close to that sweet spot between swooning silliness and special effects slaughter with Eclipse. -
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Roger Moore 63
It's amusingly off-the-wall, but entirely too cluttered to come together. -
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Roger Moore 63
Eat Pray Love isn't a bad movie -- just a spiritually dead one, wearing and wearying. -
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Roger Moore 63
Chairman Mao wouldn't necessarily approve. And even today, China won't be showing Mao's Last Dancer. -
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Roger Moore 63
Like those '70s movies it borrows from, there's a blast of tongue-in-cheek politics built around a "They messed with the WRONG Mexican" message. No, this may not go over in Arizona. -
