For 2,111 reviews, this critic has graded:
  • 49% higher than the average critic
  • 4% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Spotlight
Lowest review score: 0 The Room
Score distribution:
2111 movie reviews
    • 57 Metascore
    • 63 Roger Moore
    All in all, it’s an eye-opening offering from DisneyNature, even with the Chinese pandering, Chinese spin and image-burnishing we can sense was part of the package.
    • 56 Metascore
    • 50 Roger Moore
    There are disposable characters, and not just the villain’s minions. But one of the dumber elements of these movies is how so few of the actual leads, friend or foe, from previous pictures seem to stay dead.
    • 45 Metascore
    • 50 Roger Moore
    A combat movie that’s as generic as they come.
    • 78 Metascore
    • 63 Roger Moore
    “Lost City” aims for a sort of new-fashioned old-fashioned approach to this subject, and that unfortunately makes it more Earthbound than soaring, more pedestrian than epic.
    • 49 Metascore
    • 50 Roger Moore
    The Promise, despite its battles, its vivid recreation of the last days of Constantinople (renamed Istanbul), its historical sweep,despite a very good cast, never feels “epic” and rarely do its romantically drawn characters draw us into their romance and their tragedy.
    • 50 Metascore
    • 38 Roger Moore
    The Case for Christ won’t convert any critical thinker, but more disappointingly, it fails as faith-based entertainment. It’s a house of cards built to defend a house of cards, with meek-inheriting the Earth acting in the bargain.
    • 79 Metascore
    • 88 Roger Moore
    There’s never been much more than a fringe audience for anime in the U.S., which suggests that Hollywood might not be long in taking a live-action shot at this story. But whatever the budget, whoever the stars, they’ll have to go some ways to top the magic managed by artists and their brushes spelling out Your name.
    • 60 Metascore
    • 63 Roger Moore
    Evans is convincingly rugged, convincingly smart and convincingly wearied from the weight of deciding this child’s future.
    • 35 Metascore
    • 50 Roger Moore
    The one and only “Girl With the Dragon Tattoo” is in jeopardy again in Rupture, a sci-fi tale of terror and torture porn whose title just might be a pun on “Rapture.”
    • tbd Metascore
    • 25 Roger Moore
    There is no worse way for an actor to make his exit from the screen which he lit up for fifty years. Yeah, O’Toole wanted one last check so he took a tiny role in this silly slaughterhouse.
    • 81 Metascore
    • 75 Roger Moore
    Truman becomes a bittersweet character study in death and friendship, a film that lets the sweet overcome the bitter.
    • 50 Metascore
    • 50 Roger Moore
    It has about as much satiric bite as a Polident commercial, a reverse mortgage of a movie promising dividends its enfeebled script never delivers.
    • 64 Metascore
    • 75 Roger Moore
    “Shot!” makes for a light, smart and often funny dance through an era with the man whose images made icons out of many, and burned those icons into our visual memory.
    • 62 Metascore
    • 38 Roger Moore
    The Void devolves into a creature feature.
    • 40 Metascore
    • 25 Roger Moore
    That’s the sole challenge and only entertainment value in this nicely-animated drivel, figuring out the voices.
    • 67 Metascore
    • 63 Roger Moore
    It is a story of a reckoning — several reckonings — that is afraid of actually wrestling with the consequences of betrayal and self-abuse, of letting its characters naturally mellow or die because they can’t.
    • 54 Metascore
    • 25 Roger Moore
    A rambling, insomnia-curing meditation on music and the musical life that has too little of either to make any sense at all.
    • 57 Metascore
    • 50 Roger Moore
    There’s little tension, little sense of the suffering even if we understand the stakes. The best you can say about the whole enterprise is that it’s a righteous story, clumsily told.
    • 52 Metascore
    • 50 Roger Moore
    Ghost in the Shell can’t escape its own ghosts, the movies, stories, characters and even settings of truly original work that predates it. For all its gory mayhem, it’s a movie as bloodless as it is sexless.
    • 44 Metascore
    • 38 Roger Moore
    Salt and Fire is an odd environmental thriller, a perhaps-promising project that attracted Michael Shannon and Gael Garcia Bernal to Bolivia to see what this mad genius would make of it. Not much, as it turns out.
    • 56 Metascore
    • 50 Roger Moore
    A vivid recreation of the early history of professional golf is the principle pleasure of Tommy’s Honour, a stately, slow and distressingly dull biography of 19th century Scottish golf hero Tom Morris.
    • 68 Metascore
    • 50 Roger Moore
    The Blackcoat’s Daughter — an illusion to a priest’s cassock? — never amounts to much more than its tone, the dread Perkins summons up with morose faces, shadows and music.
    • 50 Metascore
    • 75 Roger Moore
    I connected with its out-there take on the first days of sibling rivalry, the acknowledgement that humanity is utterly distracted by cute puppy videos on the Internet and with Baldwin, a silky-smooth comic bully whose onscreen bark is always a lot worse than his bite.
    • 44 Metascore
    • 25 Roger Moore
    “Wolf Creek” director Greg McLean efficiently runs through the deaths, but where’s the terror, puzzle-solving logic or anything else to hold our interest? It’s just unpleasant, nothing more.
    • 75 Metascore
    • 63 Roger Moore
    The humanity of the performances and pathos of the tale shine through the tropes and cliches to make this smart movie with the dumb-pun for a title a worthy enterprise and well worth your time.
    • 44 Metascore
    • 38 Roger Moore
    The players, attractive as they are, register more as “types” filling out an EEO chart than distinct people, save for the first three introduced. The dialogue devolves into variations of “I got this.”
    • 28 Metascore
    • 38 Roger Moore
    It’s coherent enough to suggest competence, but Shepard plainly would have been better served sending the script out for doctoring, or contenting himself with acting and maybe second-unit (action sequence) directing.
    • 54 Metascore
    • 50 Roger Moore
    The performances are sharp, with the actors getting across fear, intense cold and a range of emotions, from desperate panic to noble sacrifice. It’s just that Life is more inevitable than surprising.
    • 56 Metascore
    • 50 Roger Moore
    Writer-directors Geoffrey Orthwein and Andrew Sullivan had a solid concept and a great setting, but not much else.
    • 65 Metascore
    • 63 Roger Moore
    I can’t say I loved it, as it drags and drags and only occasionally springs to life. But this “tale as old as time” resonates as well as it ever has, and its songs still stick with you long after the closing credits.

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