For 884 reviews, this critic has graded:
  • 68% higher than the average critic
  • 3% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 6.5 points higher than other critics. (0-100 point scale)

Sean Axmaker's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Moolaadé
Lowest review score: 0 Pretty Persuasion
Score distribution:
  1. Negative: 53 out of 884
884 movie reviews
    • 85 Metascore
    • 100 Sean Axmaker
    The texture and intensity of the odyssey makes it spellbinding.
    • 78 Metascore
    • 100 Sean Axmaker
    The result is rich, lush -- simply exquisite.
    • 62 Metascore
    • 100 Sean Axmaker
    5x2
    Ozon's greatest special effect is holding the camera in tight on the faces of Bruni-Tedeschi (one of the most expressive faces in French cinema) and Freiss.
    • 75 Metascore
    • 100 Sean Axmaker
    Secret Ballot is an education hiding in a comedy, a parablelike portrait of the irresistible forces of modernization and democracy meeting the immovable inertia of tradition, culture and power relations written in the blood of the past.
    • 97 Metascore
    • 100 Sean Axmaker
    A grueling and deeply affecting human drama.
    • 86 Metascore
    • 100 Sean Axmaker
    There's not a smarter, more demanding American film from the past year.
    • 84 Metascore
    • 100 Sean Axmaker
    Bujalski's gift for capturing the awkwardness of social relationships and the messy, unkempt details of everyday life is revealing.
    • 86 Metascore
    • 100 Sean Axmaker
    The Dardennes's masterful casting and austere style amplify this simple but powerful parable.
    • 53 Metascore
    • 100 Sean Axmaker
    O
    Sensitive and vivid response to the tangled issues of teen violence, race and self-esteem.
    • 84 Metascore
    • 100 Sean Axmaker
    Achieves its social commentary through passion and poetry.
    • 87 Metascore
    • 100 Sean Axmaker
    It's Treadwell's contradictions and controversies that fascinate Herzog the filmmaker, inspiring him to create this enthralling documentary portrait, his best film in years.
    • 73 Metascore
    • 100 Sean Axmaker
    Though he's foggy on the specifics, Angelopoulos makes the tides of history felt through each painterly frame.
    • 84 Metascore
    • 100 Sean Axmaker
    Oregon-born and Seattle-based director James Longley profiles three lives in his impressionistic portrait of Iraq's Sunni, Shia and Kurd communities.
    • 74 Metascore
    • 100 Sean Axmaker
    Director Mohammad Rasoulof has fashioned the ultimate metaphor for a society adrift from its culture.
    • 84 Metascore
    • 100 Sean Axmaker
    The most emotionally rich and cinematically thrilling film I've seen all year, a film that pulses with human life in all its terrible and beautiful irrationality.
    • 90 Metascore
    • 100 Sean Axmaker
    Romantic, real and as generous as it is vulnerable, the art of conversation has rarely been so acute, honest and revealing.
    • 79 Metascore
    • 100 Sean Axmaker
    While Look at Me at times falls into familiar plotting, it never offers false hope or false characters.
    • 92 Metascore
    • 100 Sean Axmaker
    The young cast, all nonactors who developed their characters with Cantet and Bégaudeau, brings the weight of full lives to each of the students.
    • 69 Metascore
    • 100 Sean Axmaker
    The most sensuous and intimate work of cinema of the past few years, a film that luxuriates in the immediacy of the moment. There is no guilt to the act, only exhilaration, joy and freedom. At least for the moment.
    • 86 Metascore
    • 100 Sean Axmaker
    A celebration of the human spirit nothing short of sublime.
    • 77 Metascore
    • 100 Sean Axmaker
    51 Birch Street, like the best of the recent wave of personal documentaries, is both a compelling story and an eye-opening bit of social history.
    • 91 Metascore
    • 100 Sean Axmaker
    What begins as an introspective odyssey examining the effects of war on the young Israeli soldiers turns into a provocative exposé on the Sabra and Shatila massacre.
    • 90 Metascore
    • 100 Sean Axmaker
    In the best Altman manner there are no real heroes and villains, only people trapped by their vanity and ambition and the straitjackets of classism.
    • 75 Metascore
    • 100 Sean Axmaker
    Vital and alive. Frustration and malaise rumble through every richly textured frame, but behind it all is a restlessness and a desire for something better.
    • 88 Metascore
    • 100 Sean Axmaker
    It's a chilly, lonely introduction to a man who has effectively stepped out of the social world of adult responsibility.
    • 64 Metascore
    • 100 Sean Axmaker
    From the first voyeuristic peek into the ruthless world to the haunting, accusatory, unforgettable final image, it's a brilliant, stunning piece of work, perhaps not Assayas' best, but certainly his most fearless and impassioned.
    • 82 Metascore
    • 100 Sean Axmaker
    It's unmistakably the work of aging cinema activist Loach, who wears his social-justice heart on his sleeve and pauses the story for lively debates among the characters, especially as Sinn Fein signs a treaty that many think betrays the cause.
    • 70 Metascore
    • 100 Sean Axmaker
    Kurosawa leaves much of the explanation enigmatic but he fills the film with an eerie emptiness, where suicides erupt out of nowhere and mankind dissolves in an oily smudge of hopelessness, adrift between life and death.
    • 61 Metascore
    • 100 Sean Axmaker
    The language and the landscape is French, but the sensibility and style is unmistakably Eastern European.
    • 80 Metascore
    • 100 Sean Axmaker
    This beautifully sculpted poetic naturalism has more in common with the expressive use of words in the great screenplays of '40s and '50s than with modern movies.

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