For 1,660 reviews, this critic has graded:
  • 72% higher than the average critic
  • 2% same as the average critic
  • 26% lower than the average critic
On average, this critic grades 10.3 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
Average review score: 69
Highest review score: 100 The Passenger (re-release)
Lowest review score: 0 Isn't She Great
Score distribution:
1,660 movie reviews
    • 92 Metascore
    • 100 Steven Rea
    Inside Llewyn Davis plays like some beautiful, foreboding, darkly funny dream.
    • 97 Metascore
    • 100 Steven Rea
    It speaks to the courage and resilience of one man, the savagery of many, and the potential, for both good and for ill, in us all.
    • 83 Metascore
    • 100 Steven Rea
    The real 3-D experience of the season is Pina, Wim Wenders' shockingly beautiful and moving tribute to the late German choreographer Pina Bausch.
    • 81 Metascore
    • 100 Steven Rea
    It is, without doubt, a transcendent endeavor, from its exhilaratingly smart screenplay - director David O. Russell's adaptation of the novel by former South Jersey teacher Matthew Quick - to the unexpected and moving turns of its two leads.
    • 95 Metascore
    • 100 Steven Rea
    A monumental achievement that documents a coordinated and complicated response to a monumental tragedy.
    • 83 Metascore
    • 100 Steven Rea
    Captain Phillips is harrowing, inspiring, a must-see piece of moviemaking.
    • 86 Metascore
    • 100 Steven Rea
    Beasts of the Southern Wild transports us to places that are peculiar and dangerous and magical, and makes us feel weirdly at home.
    • 87 Metascore
    • 100 Steven Rea
    There is incredible tension in this ordeal, this effort to survive, to find rescue, and Redford - an icon of the American film experience for more than half a century now - makes that tension deeply palpable.
    • 73 Metascore
    • 100 Steven Rea
    The narrative at the heart of Rust and Bone is a vehicle for sentiment and over-the-top histrionics if ever there was one, but Audiard and his two stars deliver the exact opposite: a film thrillingly raw and essential, life-affirming, sublime.
    • 94 Metascore
    • 100 Steven Rea
    Amour arrives with plaudits and praise. But this is not hype, it is all deserved. This is a masterpiece.
    • 91 Metascore
    • 100 Steven Rea
    If vigilance and preemption, recompense and retaliation is not enough, the film asks, then what is?
    • 94 Metascore
    • 100 Steven Rea
    This is a movie that mines deep beneath the surface of human feeling. It will make you think - about love, about life, about two people who aren't real, except that they've become so for so many of us in this improbably successful indie franchise.
    • 76 Metascore
    • 100 Steven Rea
    Mud
    Mud is steeped in a sense of place, and the people inhabiting it. Southern. Superstitious. Suspenseful. Sublime.
    • 85 Metascore
    • 100 Steven Rea
    It shows us the everyday pressures and problems, the joys and pleasures, experienced by someone moving through life. And then that BART train pulls into Fruitvale, and the rest is history.
    • 90 Metascore
    • 100 Steven Rea
    Big hair. Big mouths. Big scams. Everything about American Hustle, David O. Russell's wild and woolly take on the late-'70s FBI sting operation code-named Abscam, is big. And the biggest thing of all is the love story that beats at the heart of this rollicking disco-era ensemble piece.
    • 86 Metascore
    • 100 Steven Rea
    Nebraska is not a breakneck, screwball farce - although it has its moments, like the comical heist of an air compressor from a farmer's barn. Payne's film is loping. It's deadpan, poignant, absurd.
    • 90 Metascore
    • 100 Steven Rea
    Her
    Sad, funny, and quietly alarming romance.
    • 88 Metascore
    • 100 Steven Rea
    Blue Is the Warmest Color explores a life with a depth and force that would be scary - if it weren't so scarily good.
    • 79 Metascore
    • 100 Steven Rea
    The first date that James Gandolfini and Julia Louis-Dreyfus embark on in Enough Said - has to be one of the great getting-to-know-you encounters in movie history.
    • 87 Metascore
    • 100 Steven Rea
    In his own profound and ingenious way, Panh has brought the pictures and the thoughts together again.
    • 87 Metascore
    • 100 Steven Rea
    Sustaining illusion with marvelous grace is, in a nutshell, exactly what Anderson is all about.
    • 83 Metascore
    • 88 Steven Rea
    Avatar delivers. Combining beyond-state-of-the-art moviemaking with a tried-and-true storyline and a gamer-geek sensibility - not to mention a love angle, an otherworldly bestiary, and an arsenal of 22d-century weaponry - the movie quite simply rocks.
    • 94 Metascore
    • 88 Steven Rea
    Fused with paranoia and almost unbearable suspense, The Hurt Locker is powerful stuff.
    • 81 Metascore
    • 88 Steven Rea
    It's oppressive and claustrophobic, confused and scary in there. But it's also compellingly real.
    • 68 Metascore
    • 88 Steven Rea
    Presented with an economy and emotional cool that add to, rather than subtract from, its dramatic impact, The Girl on the Train reverberates with a quiet, seductive power.
    • 58 Metascore
    • 88 Steven Rea
    A heartbreaking film that speaks to the lifelong aftershocks of war, and to the powerful bonds of family and of love.
    • 92 Metascore
    • 88 Steven Rea
    Just a few barrels short of being a masterpiece.
    • 81 Metascore
    • 88 Steven Rea
    This cunning and provocative Romanian film requires patience, but its rewards are many: It's hard to imagine how a scene in which a police captain barks an order to bring him a dictionary can be loaded with suspense, but, really, it is.
    • 73 Metascore
    • 88 Steven Rea
    Linklater's film adaptation succeeds in bringing the flamboyant Welles to life.
    • 91 Metascore
    • 88 Steven Rea
    An eerily quiet, bracingly bloody, and expertly laid-out adaptation of the Cormac McCarthy novel.