For 1,733 reviews, this critic has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 10.1 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Blue Is the Warmest Color
Lowest review score: 0 Isn't She Great
Score distribution:
1,733 movie reviews
    • 80 Metascore
    • 88 Steven Rea
    Kore-eda, deploying a Western pop score by the Japanese indie-rock band Quruli, just lets these kids be kids.
    • 80 Metascore
    • 88 Steven Rea
    OK, first off, anyone who shares his or her life with a dog, or has done so in the past, go see My Dog Tulip.
    • 80 Metascore
    • 75 Steven Rea
    There are no good guys in Miss Bala, just bad guys of different stripes.
    • 80 Metascore
    • 75 Steven Rea
    The Simpsons Movie is finally here. And guess what? It's funny. But not that funny.
    • 80 Metascore
    • 88 Steven Rea
    A heartbreaking story of true love.
    • 80 Metascore
    • 100 Steven Rea
    If that sounds highbrow and pretentious, it's not. The neat trick of Tristram Shandy is that the whole thing comes off as a lark.
    • 80 Metascore
    • 88 Steven Rea
    The story of Donald Crowhurst is not one of remarkable courage or remarkable endurance. But it is remarkable.
    • 80 Metascore
    • 88 Steven Rea
    On a deeper level, the Dardennes' film offers a portrait of a fragile yet determined woman set on making a home for herself in the world, even as that world unravels before her eyes.
    • 80 Metascore
    • 88 Steven Rea
    Terrifically satisfying film.
    • Philadelphia Inquirer
    • 80 Metascore
    • 75 Steven Rea
    Quiet, finely etched and beautifully acted by Dina Korzun and the wise-beyond-his-years Artiom Strelnikov.
    • 80 Metascore
    • 75 Steven Rea
    Taut entertainment that juggles brainy ideas about perception, predetermination and free will - and drops things in a messy third act where the vintage noir gets bathed in a bit too much Spielbergian glow.
    • 80 Metascore
    • 75 Steven Rea
    Frost/Nixon is not the epic gladiatorial face-off, the ricocheting verbal shoot-out that writer Morgan and filmmaker Howard imagined.
    • 79 Metascore
    • 88 Steven Rea
    Exhilarating and tragic.
    • 79 Metascore
    • 75 Steven Rea
    Based on reports of a real 2005 incident, it is a film that asks its viewer to consider the nature of good and evil, love and trust - and trust that turns into something like blind faith.
    • 79 Metascore
    • 63 Steven Rea
    Sweet-natured but overdone, over-long film.
    • 79 Metascore
    • 75 Steven Rea
    British screen stalwarts Bill Nighy and Imelda Staunton appear as locals - he twitchy and reticent, she chatty and full of cheer, both with their hearts in the right place.
    • 79 Metascore
    • 100 Steven Rea
    With its knowing take on men, messed-up romance and music, is like one long, hook-filled pop song for the eyes.
    • Philadelphia Inquirer
    • 79 Metascore
    • 88 Steven Rea
    Brian Cox is especially good, and slippery, as Menenius, a Roman senator.
    • 79 Metascore
    • 75 Steven Rea
    Compared to "Ray," which takes Ray Charles' unique life story and manages to make it feel like a cliche, Kinsey is total sophistication and nuance.
    • 79 Metascore
    • 75 Steven Rea
    When Dizdar hits, he hits big.
    • Philadelphia Inquirer
    • 79 Metascore
    • 88 Steven Rea
    Not just a great sports movie, Harvard Beats Yale 29-29 captures a pivotal moment in recent history.
    • 79 Metascore
    • 88 Steven Rea
    This is a picture of quiet observation, contained emotion, the hush before the cathartic scream.
    • 79 Metascore
    • 75 Steven Rea
    In the film, the music, beginning with a muted a cappella ballad, is from Eastwood himself.
    • 79 Metascore
    • 88 Steven Rea
    The Fighter is funny, ferocious, sad, sweet, pulpy, and violent. Sometimes, all in the same minute.
    • 79 Metascore
    • 100 Steven Rea
    It's strong stuff.
    • 79 Metascore
    • 63 Steven Rea
    At a certain point in Dawn of the Planet of the Apes, you expect Caesar to say, "Et tu, Koba?" Maybe a bit obvious, but it would have shown some wit.
    • 79 Metascore
    • 63 Steven Rea
    A squirmingly strange and brutal study of sexual power, masochism and mother-daughter madness.
    • 79 Metascore
    • 88 Steven Rea
    It's a heartbreaker of a coming-of-age tale, even if there's a string of exsanguinated corpses to be accounted for.
    • 79 Metascore
    • 100 Steven Rea
    Wild and woolly, the movie is a breathtaking head trip that hails from a long tradition of backstage melodramas: "42nd Street," "A Star Is Born," "All About Eve," and, yes, that kitschy '90s relic, "Showgirls."
    • 78 Metascore
    • 100 Steven Rea
    The first date that James Gandolfini and Julia Louis-Dreyfus embark on in Enough Said - has to be one of the great getting-to-know-you encounters in movie history.

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