For 1,786 reviews, this critic has graded:
  • 72% higher than the average critic
  • 3% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 10.2 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Ex Machina
Lowest review score: 0 Isn't She Great
Score distribution:
1,786 movie reviews
    • 61 Metascore
    • 88 Steven Rea
    13 Tzameti is cut from the same cloth as the humans-hunted-for-sport classic "The Most Dangerous Game" - and from that early talkie's many subsequent remakes and rip-offs, including John Woo's "Hard Target."
    • 70 Metascore
    • 88 Steven Rea
    Splendid, smile-inducing fun.
    • 73 Metascore
    • 88 Steven Rea
    A kind of deadpan soap opera - but one that, despite its high melodrama and wicked humor, delivers a real emotional wallop.
    • 79 Metascore
    • 88 Steven Rea
    Not just a great sports movie, Harvard Beats Yale 29-29 captures a pivotal moment in recent history.
    • 79 Metascore
    • 88 Steven Rea
    This story of two very old souls who suck on O negative Popsicles is, in many ways, more about the life-sustaining force of music than any hankering for blood.
    • 85 Metascore
    • 88 Steven Rea
    Hopped-up and electrifying. The soundtrack is wall-to-wall and propulsive.
    • 82 Metascore
    • 88 Steven Rea
    This is the kind of unusual but involving picture that's ripe for a Hollywood remake - but while you're waiting for the Sandra Bullock-Ethan Hawke edition (it's a good post-movie game: coming up with your own casting ideas), Read My Lips is well worth checking out.
    • 75 Metascore
    • 88 Steven Rea
    Clean, director Olivier Assayas' spellbinding study of a junkie trying to get her life in order so she can reclaim custody of her child, avoids the pitfalls, brilliantly.
    • 91 Metascore
    • 88 Steven Rea
    This long (nearly three hours), revelatory movie is both a thrilling adventure about endurance and survival, and an elegiac examination of centuries-old tribal culture, fast-fading in the new millennium.
    • 78 Metascore
    • 88 Steven Rea
    Quiet, watchful, out for himself, Sorowitsch is a complicated figure - neither hero nor villain, and certainly no fool. The Austrian actor Markovics is riveting in the role; he is wiry, anticipatory, his eyes darting with intelligence and worry.
    • 69 Metascore
    • 88 Steven Rea
    A fine, inventive '70s period piece about friendship, first love, and growing up to face the hard lessons of life.
    • 76 Metascore
    • 88 Steven Rea
    A small, beautiful film exploding with big ideas.
    • 91 Metascore
    • 88 Steven Rea
    An eerily quiet, bracingly bloody, and expertly laid-out adaptation of the Cormac McCarthy novel.
    • 70 Metascore
    • 88 Steven Rea
    A sweet but unsticky comedy from Norway that was one of the five foreign- language nominees at this year's Academy Awards.
    • 64 Metascore
    • 88 Steven Rea
    The relationship between Chris and his diminutive namesake is at the core of the film - the determination to be there for his son, no matter what; the mentoring, the pair's goofy, lovely banter. And Smith and his bright-eyed boy pull it off brilliantly.
    • 69 Metascore
    • 88 Steven Rea
    The Cooler is small-scale moviemaking about small-scale lives. But it's big in all the right ways.
    • 85 Metascore
    • 88 Steven Rea
    This is a sad, passionate, beautifully wrought story, and Bardem's portrait of Arenas is at once daring and deeply moving.
    • Philadelphia Inquirer
    • 73 Metascore
    • 88 Steven Rea
    You can feel the world closing in, which, I would venture, is exactly how Fassbinder wanted you to feel.
    • Philadelphia Inquirer
    • 64 Metascore
    • 88 Steven Rea
    The film's save-the-world scenario may be the stuff of crusty cliff-hangers, its imagery may be borrowed, and its jaunty dialogue anything but deep, but there's something exhilarating going on here. It's darn sublime.
    • 74 Metascore
    • 88 Steven Rea
    The Golden Door feels, at points, like a silent film - a silent film with CinemaScope vistas and dazzling, saturated color.
    • 79 Metascore
    • 88 Steven Rea
    Exhilarating and tragic.
    • 83 Metascore
    • 88 Steven Rea
    Like "The Square," the startling Down Under noir released a few months ago, Animal Kingdom explores the down and dirty side of human nature, fraught with greed, suspicion, and betrayal.
    • 76 Metascore
    • 88 Steven Rea
    There's real joy in O'Day's eyes - and larynx - as she bobs and weaves through an amazing songbook.
    • 67 Metascore
    • 88 Steven Rea
    As in David Lean's "Brief Encounter," the suspense in Cairo Time comes from what doesn't happen between its pair of "lovers."
    • 73 Metascore
    • 88 Steven Rea
    Linklater's film adaptation succeeds in bringing the flamboyant Welles to life.
    • 80 Metascore
    • 88 Steven Rea
    On a deeper level, the Dardennes' film offers a portrait of a fragile yet determined woman set on making a home for herself in the world, even as that world unravels before her eyes.
    • 67 Metascore
    • 88 Steven Rea
    Thoroughly engaging.
    • 84 Metascore
    • 88 Steven Rea
    By recording this all too commonplace and dehumanizing process, Puiu's film shows the sick old man and the strangers who deal with him to be all too human - extraordinarily so.
    • 75 Metascore
    • 88 Steven Rea
    Suffers from several goofily tacky animated reenactments and a music score that unnecessarily underlines the significance of key events, but for those who lived through the turmoil of Vietnam, and for the generations that have come since, the film is an important document in its own right.
    • 48 Metascore
    • 88 Steven Rea
    A meditation on a life lived in the public eye, I'm Still Here is strange, riveting, and occasionally appalling stuff, any way you look at it.

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