For 1,736 reviews, this critic has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 10.2 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 The Circle
Lowest review score: 0 A Little Bit of Heaven
Score distribution:
1,736 movie reviews
    • 85 Metascore
    • 88 Steven Rea
    The movie is near-perfect, suspenseful, heart-breaking, profound.
    • 49 Metascore
    • 88 Steven Rea
    A rollicking tale of rehabilitation and redemption, rife with cool special effects, Hancock is smart and surprisingly raunchy.
    • 74 Metascore
    • 88 Steven Rea
    Mongol is great cinema, great fun.
    • 84 Metascore
    • 88 Steven Rea
    Ann Savage, the femme fatale from a slew of old Hollywood noirs, is savagely funny as Maddin's beauty-parlor proprietress mom.
    • 82 Metascore
    • 88 Steven Rea
    A terrific mystery, equal parts haunting love story and nimble thriller.
    • 70 Metascore
    • 88 Steven Rea
    Smoking, shouting, practically shooting off sparks, Cruz spreads a wildfire sexuality across Allen's sunny tableau of Catalan country picnics and scenic Barcelona ramblings.
    • 73 Metascore
    • 88 Steven Rea
    A kind of deadpan soap opera - but one that, despite its high melodrama and wicked humor, delivers a real emotional wallop.
    • 76 Metascore
    • 88 Steven Rea
    There's real joy in O'Day's eyes - and larynx - as she bobs and weaves through an amazing songbook.
    • 70 Metascore
    • 88 Steven Rea
    There's no quick fix for a culture "addicted to debt," as one wag puts it in the film. But watching I.O.U.S.A. is a good place to start.
    • 84 Metascore
    • 88 Steven Rea
    Stays with you like great movies tend to do. It asks you to examine the inner mechanisms of human beings, cheerful and miserable alike. It's not about looking at a glass half empty or a glass half full. It's about drinking down what's in that glass and letting it fill your soul.
    • 69 Metascore
    • 88 Steven Rea
    Fear(s) of the Dark, a French production, interweaves the shorts, linking the segments together thematically, and narratively.
    • 79 Metascore
    • 88 Steven Rea
    This is a picture of quiet observation, contained emotion, the hush before the cathartic scream.
    • 82 Metascore
    • 88 Steven Rea
    Funny, fear-inducing, with periods of voyeuristic gore and an undercurrent of anxiety and dread, Let the Right One In is up there with the bloodsucking classics.
    • 78 Metascore
    • 88 Steven Rea
    Pray the Devil Back to Hell is at once inspiring and horrific.
    • 84 Metascore
    • 88 Steven Rea
    Roiling with laughter, tears, drunken confessions, revelatory soliloquies, pain, sorrow, hospital visits, and various kinds of love, A Christmas Tale is a smart, sprawling, and sublimely entertaining feast.
    • 82 Metascore
    • 88 Steven Rea
    Hunger is daunting and powerful work.
    • 81 Metascore
    • 88 Steven Rea
    It's a haunting, scary, funny, sad portrayal from Rourke.
    • 87 Metascore
    • 88 Steven Rea
    A frightening portrait of corruption, cynicism, intimidation, greed and violence, Gomorrah is tough stuff.
    • 79 Metascore
    • 88 Steven Rea
    Not just a great sports movie, Harvard Beats Yale 29-29 captures a pivotal moment in recent history.
    • 77 Metascore
    • 88 Steven Rea
    Forceful, heart-wrenching stuff.
    • 70 Metascore
    • 88 Steven Rea
    Impossibly charming and impossibly French.
    • 55 Metascore
    • 88 Steven Rea
    A sly and surprisingly sublime little noir romance.
    • 84 Metascore
    • 88 Steven Rea
    A slow-burning, character-rich study in desperation, grief, vengeance, loyalty, and love. It's the sort of arthouse entry - in German, mostly - that gets you thinking about an English-language remake.
    • 84 Metascore
    • 88 Steven Rea
    Quietly and keenly observed, Summer Hours nods to Chekhov's "The Cherry Orchard" (a country estate, a family reunion, an impending sale). Assayas displays a lucid sense of how personal history and family identity are inextricably linked to a physical place - here, to a house that is still busy accumulating its memories.
    • 94 Metascore
    • 88 Steven Rea
    Fused with paranoia and almost unbearable suspense, The Hurt Locker is powerful stuff.
    • 72 Metascore
    • 88 Steven Rea
    A heart-grabbing, awe-inspiring work that needs no embellishment.
    • 84 Metascore
    • 88 Steven Rea
    The rare movie that manages to convey the inner soul of an artist.
    • 68 Metascore
    • 88 Steven Rea
    A wise, wistful study of hope and dread.
    • 80 Metascore
    • 88 Steven Rea
    On a deeper level, the Dardennes' film offers a portrait of a fragile yet determined woman set on making a home for herself in the world, even as that world unravels before her eyes.
    • 58 Metascore
    • 88 Steven Rea
    A heartbreaking film that speaks to the lifelong aftershocks of war, and to the powerful bonds of family and of love.

Top Trailers