For 733 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Louie: Season 4
Lowest review score: 0 Dominion: Season 1
Score distribution:
733 tv reviews
    • 60 Metascore
    • 50 Tim Goodman
    A faux documentary on actors who are not famous but who are struggling to be isn't inherently interesting to nonactors. ... 'Unscripted' isn't a complete flop. It's just rare that HBO fails like this. [9 Jan 2005]
    • San Francisco Chronicle
    • 53 Metascore
    • 50 Tim Goodman
    "Huff" got too heavy, and too predictable in its moroseness. Lying on the couch for more seems unnecessarily depressing.
    • 65 Metascore
    • 50 Tim Goodman
    It seems the writers got the initial idea in their heads -- Kyra Sedgwick raises hell -- then faltered in stacking the bricks around her. The accent is distracting, though the writers must have chosen Atlanta for a reason. The sweet tooth is gimmicky. And the fact she doesn't exactly close the trunk with force in the pilot is of some concern.
    • 46 Metascore
    • 50 Tim Goodman
    It's painfully derivative on so many fronts that it sometimes seems you're watching five reality shows at once.
    • 53 Metascore
    • 50 Tim Goodman
    By no means is "Just Legal" a top-notch drama as yet, but it certainly has potential to be agreeable lighter fare.
    • 65 Metascore
    • 50 Tim Goodman
    Preposterous ideas know no bounds on "Prison Break."
    • 50 Metascore
    • 50 Tim Goodman
    "Reunion" has more dishonest heartstring tugs than a John Hughes movie sliced up on AMC and filled with Hallmark ads. And the emotional heavy lifting makes people forget that the actual writing -- in this case, an overdose of voice-over narration -- is sleight, cloying and transparent.
    • 61 Metascore
    • 50 Tim Goodman
    This is a series that throws so much lunacy into the plotlines that even the writers on "Dynasty" must be hissing.
    • 40 Metascore
    • 50 Tim Goodman
    It never finds a compelling vision while inside those heads to suggest it will be anything more than a good, but not great, hospital drama.
    • 72 Metascore
    • 50 Tim Goodman
    There is something too pat, too telegraphed in "Invasion" to rile up the blood.
    • 47 Metascore
    • 50 Tim Goodman
    There's no doubt that "Related" will speak to some women. It will make other women break out in itchy, insanity-inducing hives.
    • 42 Metascore
    • 50 Tim Goodman
    The problem with "Criminal Minds" -- other than there are 48 series in a similar vein, 39 of them on CBS -- is that every person in this cast has an area of expertise, and they spend the hour telling you about it in the most unrealistic workplace conversations you'll ever hear.
    • 48 Metascore
    • 50 Tim Goodman
    Actually, "Emily's Reasons Why Not" does have its funny moments. The problem is twofold. The show tweaks and contorts itself so hard to get those laughs that the whole thing feels forced and unmanageable for two consecutive episodes, much less a season. And secondly, the premise is unlikely to hold up for any length of time.
    • 45 Metascore
    • 50 Tim Goodman
    [It] ultimately succumbs to being an inferior story on a broadcast network that can't even remotely match two far better cable series ["The Sopranos" and "Brotherhood"].
    • 55 Metascore
    • 50 Tim Goodman
    "The Dresden Files" is currently mediocre, a series searching for the right tone, seemingly unsure of itself and all the while not quite selling itself to the non sci-fi crowd.
    • 60 Metascore
    • 50 Tim Goodman
    At some point, your head will explode.
    • 60 Metascore
    • 50 Tim Goodman
    This is a paint-by-numbers legal series that's as predictable as they come.
    • 28 Metascore
    • 50 Tim Goodman
    You might not remember to record it every week, but if you stumble upon it, you might stay.
    • 57 Metascore
    • 50 Tim Goodman
    "Raines" is one of those shows that are enjoyable time wasters if you don't know what else is available.
    • 57 Metascore
    • 50 Tim Goodman
    The real problem with "Justice" is that the series is very average.
    • 37 Metascore
    • 50 Tim Goodman
    Can we negotiate for a better premise if we release some hostages?
    • 54 Metascore
    • 50 Tim Goodman
    It's not compelling at all.
    • 56 Metascore
    • 50 Tim Goodman
    In Plain Sight, in addition to some of the worst character names you'll ever see, has deeper problems in the writing.
    • 35 Metascore
    • 50 Tim Goodman
    The pilot looks dangerously flawed and seriously underwhelming.
    • 61 Metascore
    • 50 Tim Goodman
    Though Berlanti doesn't always get the balance right and there's no telling whether people will glom onto Eli the way they did Ally, having seen three episodes and been entertained through most of them is saying something, at least.
    • 59 Metascore
    • 50 Tim Goodman
    Applegate is charming, adorable and funny. But she's going to need that plus a car battery or a purposeful dip in the bathtub with a hair dryer to get much spark into this series.
    • 63 Metascore
    • 50 Tim Goodman
    The pilot of Miss Guided suffers a bit from being too cute with a device where the actors talk into the camera for narration and expository purposes.
    • 50 Metascore
    • 50 Tim Goodman
    The trouble with Welcome to the Captain, outside of the title and romantic emphasis, is that two episodes haven't revealed any clear direction.
    • 49 Metascore
    • 50 Tim Goodman
    Swingtown was created to portray a broad but nuanced picture of '70s suburban America, but it might be too ambitious.
    • 49 Metascore
    • 50 Tim Goodman
    Right now, outside of Anderson struggling to make something from the limited ingredients he's been given, New Orleans itself is the only interesting element.

Top Trailers