For 1,345 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
Average review score: 62
Highest review score: 100 Shrek
Lowest review score: 0 Being Human
Score distribution:
1,345 movie reviews
    • 67 Metascore
    • 80 Todd McCarthy
    An impeccably made and genuinely moving account of how Scottish author J.M. Barrie came to write "Peter Pan."
    • 75 Metascore
    • 80 Todd McCarthy
    This intelligently made picture is artful but not arty, political without being didactic.
    • 55 Metascore
    • 80 Todd McCarthy
    A roundly entertaining romantic comedy, Love Actually is still nearly as cloying as it is funny…its cheeky wit, impossibly attractive cast and sure-handed professionalism are beguiling.
    • 52 Metascore
    • 80 Todd McCarthy
    A deliriously trashy, exuberantly vulgar, lavishly appointed exploitation picture, this weird combo of road-kill movie and martial-arts vampire gorefest is made to order for the stimulation of teenage boys.
    • 54 Metascore
    • 80 Todd McCarthy
    The stylistic fun Stone has in dramatizing this crime of passion thoroughly revitalizes the well-worked genre.
    • 74 Metascore
    • 80 Todd McCarthy
    Narrative complexity and momentum make this a true cinematic equivalent of an absorbing page-turner.
    • 66 Metascore
    • 80 Todd McCarthy
    While skillfully crafted to maximize visual excitement and dramatic fireworks through the first hour, relentlessly paced pic sports a fancy new package for a rather shopworn doomsday scenario that unravels to increasingly familiar effect as the finale breathlessly approaches.
    • 65 Metascore
    • 80 Todd McCarthy
    Most crucially, Brosnan makes the grade as 007. He handles the action capably and gets the standard quips out in a commendably straightforward way that's wry but not dismissive.
    • 49 Metascore
    • 80 Todd McCarthy
    Where the film misses its biggest bet, however, is in depriving the animals of the voices they had in the animated version.
    • 74 Metascore
    • 80 Todd McCarthy
    What neophyte scripterscripter Jeff Maguire's plot comes down to, however, is the cat-and-mouse game between Horrigan and Leary, and the craftiness and strategies involved on both sides, while not exactly ingenious, are tantalizing enough to compel interest.
    • 78 Metascore
    • 80 Todd McCarthy
    First-time helmer Jan De Bont, the ace lenser of most of Paul Verhoeven's films as well as "Die Hard" and numerous other large-scale pix, handles the action with great nimbleness and dexterity; film can hardly be faulted for its visual presentation of very complex action.
    • 54 Metascore
    • 80 Todd McCarthy
    Ending is on the conventional side, more so than anything else in the picture , but script by Ann Biderman and David Madsen keeps the tart surprises coming throughout most of the picture with only occasional lapses into red herrings and artificial manipulation.
    • 66 Metascore
    • 80 Todd McCarthy
    On a scene-by-scene basis, in terms of performance and the grave issues under consideration, the film is quite absorbing.
    • 53 Metascore
    • 80 Todd McCarthy
    Just as quirky and idiosyncratic as the Gotham-based writer-director's earlier efforts, this one pushes the spiky humor a bit more to the fore while unfolding a tale loaded with offbeat oppositions and odd character detailing.
    • 58 Metascore
    • 80 Todd McCarthy
    A knockout documentary with a renegade personality ideally suited to its anarchic subject matter.
    • 62 Metascore
    • 80 Todd McCarthy
    The lively visuals, busy story, zippy pace and TV show running time will make this go down very easily with the target moppet audience.
    • 69 Metascore
    • 80 Todd McCarthy
    A creepy-little-kid suspenser decked out with sufficient class to lend it a certain distinction.
    • 72 Metascore
    • 80 Todd McCarthy
    A wonderful, serious-minded romantic comedy-drama.
    • 74 Metascore
    • 80 Todd McCarthy
    An absorbing, shades-of-gray look at home-front intrigue in Nazi-occupied Denmark during World War II. Ole Christian Madsen’s accomplished fourth feature plays out on a much larger canvas than he’s used previously and offers nuance and ambiguity in equal measure with violence and tragedy.
    • 74 Metascore
    • 80 Todd McCarthy
    Sad, compelling documentary leaves a few key questions frustratingly unanswered, but the raw materials here are sufficiently bracing.
    • 64 Metascore
    • 80 Todd McCarthy
    An insightfully observed and exceptionally acted ensemble piece precisely about what the title suggests.
    • 60 Metascore
    • 80 Todd McCarthy
    George Nofi pulls off a relative rarity in his feature film debut by creating a genuinely romantic fantasy suspense thriller.
    • 74 Metascore
    • 80 Todd McCarthy
    It's juicy, fascinating stuff, well orchestrated by Carion and finely thesped -- especially by Kusturica.
    • 69 Metascore
    • 80 Todd McCarthy
    In revisiting his darkly comic 1998 ensembler "Happiness," Todd Solondz may have made his best film with Life During Wartime.
    • 81 Metascore
    • 80 Todd McCarthy
    On balance, this is a meaty, strongly realized dramatic work of considerable accomplishment.
    • 80 Metascore
    • 80 Todd McCarthy
    Well-made and acted Coen Brothers remake lacks the humor and resonance that might have made it memorable.
    • 58 Metascore
    • 80 Todd McCarthy
    Cohen employs a comic range that ricochets between wicked political barbs and the lowest anatomical farce, to often funny and occasionally hilarious effect.
    • 52 Metascore
    • 80 Todd McCarthy
    The final installment of the immortal Bella/Edward romance will give its breathlessly awaiting international audience just what it wants.
    • 65 Metascore
    • 80 Todd McCarthy
    Audacious, confident and fueled by youthful energy.
    • 57 Metascore
    • 80 Todd McCarthy
    Cooler cars and more action follow Lightning and Mater as they mix it up with spies and Formula 1 racers in yet another Pixar winner.